The “Bowlingtreff” is a bowling alley situated right in the centre of Leipzig opened in July 1987. At that time the quality of life in Leipzig and the whole GDR got worse. Houses collapsed because of poor conditions, public life and amusement was on a very low level. The “Bowlingtreff” was not merely an urban entertainment centre but a revolution in those days. Built with the help of hundreds of volunteers without permission of the state authorities in Berlin the building expresses a free and international architecture known as postmodernism. It is an architecture that was never seen before in Leipzig. Marble and parquet on the floor, a glass roof and beautiful pink pillars. The atmosphere was western as time witnesses remember it.
The “Bowlingtreff” is a bowling alley situated right in the centre of Leipzig opened in July 1987. At that time the quality of life in Leipzig and the whole GDR got worse. Houses collapsed because of poor conditions, public life and amusement was on a very low level. The “Bowlingtreff” was not merely an urban entertainment centre but a revolution in those days. Built with the help of hundreds of volunteers without permission of the state authorities in Berlin the building expresses a free and international architecture known as postmodernism. It is an architecture that was never seen before in Leipzig. Marble and parquet on the floor, a glass roof and beautiful pink pillars. The atmosphere was western as time witnesses remember it.
2015-10-31
0
In 1987, the Leipzig Bowlingtreff opened, extraordinary, postmodern and unique in the GDR. The film portrays knowledgeably and lovingly the house and its special history.
In 1919 an art school opened in Germany that would change the world forever. It was called the Bauhaus. A century later, its radical thinking still shapes our lives today. Bauhaus 100 is the story of Walter Gropius, architect and founder of the Bauhaus, and the teachers and students he gathered to form this influential school. Traumatised by his experiences during the Great War, and determined that technology should never again be used for destruction, Gropius decided to reinvent the way art and design were taught. At the Bauhaus, all the disciplines would come together to create the buildings of the future, and define a new way of living in the modern world.
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
Known for his bold, abstract and stark white buildings, American architect Richard Meier now takes on the challenge of building the Jubilee Church in Rome. Holding the location in high regard, Meier praises the vibrant visual layout of the city and tells us, "Rome is a city of architecture; it's a city of walls and columns and spaces and places and defined places and wherever you look there's architecture" (Richard Meier). Staying true to his signature design style, Meier has created a structure resembling grand soaring sails which appear steady and peaceful as they stand in striking opposition to the city's landscape. Three curved walls separate three distinct spaces: the main sanctuary, the weekday chapel and the baptistry, each with its own entrance. As a contrast he shows us his favorite churches in Rome by his famous colleagues from earlier times.
In the midst of the chaos of México City, a group of eight bachelor millennials who call themselves ´The Hermits´, open the doors to their tiny apartments in the historic Ermita Building, in the yet-to-be gentrified neighborhood of Tacubaya, and share their life experiences in a time when precarity changes the way in which we love, feel and relate to each other. As we explore the homes of these eight neighbors, we also witness their personalities intersect in a Whatsapp chat, a virtual space that functions as a supporting system that helps them face the adversities that living alone in this city brings.
Art historian and filmmaker Sundaram Tagore travels in the footsteps of Louis Kahn to discover how the famed American architect built a daringly modern and monumental parliamentary complex in war-torn Bangladesh.
Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.
One billion people on our planet—one in six—live in shantytowns, slums or squats. Slums: Cities of Tomorrow challenges conventional thinking to propose that slums are in fact the solution, not the problem, to urban overcrowding caused by the massive migration of people to cities. (Lynne Fernie, HotDocs)
On the tiny island of Martha's Vineyard, where presidents and celebrities vacation, trophy homes threaten to destroy the islands unique character. Twelve years in the making, One Big Home follows one carpenters journey to understand the trend toward giant houses. When he feels complicit in wrecking the place he calls home, he takes off his tool belt and picks up a camera.
Behind the iconic Eiffel Tower lies the story of an incredible challenge to erect a thousand-foot tower that went far beyond a design competition, and marked a major turning point in engineering history. It was the beginning of radical transformation where iron was pitted against stone, engineering against architecture, and modern design against ancients. Press campaigns, lobbying, public conferences, denigration of opposing projects, bragging about big names - all participants engaged in a fierce battle without concession. Using 3D recreations, official sources (reports, letters, drawings...) and intimate archives obtained from their descendants, this film will bring to life this vertical race through a fresh and visual way to mark the centenary of Eiffel death.
Catalan architect Antonio Gaudí (1852-1926) designed some of the world's most astonishing buildings, interiors, and parks; Japanese director Hiroshi Teshigahara constructed some of the most aesthetically audacious films ever made. With camera work as bold and sensual as the curves of his subject's organic structures, Teshigahara immortalizes Gaudí on film.
Finding their place between the forest and the sea, the Japanese have always felt awe and gratitude toward Nature. Since ancient times, they have negotiated their own unique relationship with their natural surroundings. Acclaimed photographer Masa-aki Miyazawa discovered the essence of that ancient way of living in Ise Jingu, Japan’s holiest Shinto shrine. Inspired by the idea of sending a message to the future in the same way this ancient shrine keeps alive the traditions of the past, Miyazawa used an ultra-high resolution 4K camera to create a breathtaking visual journey linking the Ise forest with other forests throughout Japan.
A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.
Big Time gets up close with Danish architectural prodigy Bjarke Ingels over a period of six years while he is struggling to complete his largest projects yet, the Manhattan skyscraper W57 and Two World Trade Center.
Kingdom of Granada, al-Andalus, 14th century. After recognizing that his land, always under siege, is hopelessly doomed to be conquered, Sultan Yusuf I undertakes the construction of a magnificent fortress with the purpose of turning it into the landmark of his civilization and his history, a glorious monument that will survive the oblivion of the coming centuries: the Alhambra.
A film about modern Japanese architecture, its roots in the Japanese tradition and its impact on the Nordic building-tradition. Winding its way through visions of the future, traditions, nature, concrete, gardens and high-tech, KOCHUU tells us how contemporary Japanese architects strive to unite the ways of modern man with the old philosophies in astounding constructions. Interviews with, and works by, Japanese architects Tadad Ando, Kisho Kurokawa, Toyo Ito and Kazuo Shinohara and Scandinavian architects Sverre Fehn, Kristian Gullichsen and Juhani Pallasmaa.
Thousands of years before the Inca, a megalithic civilization was founded at Lake Titicaca which spread 500 miles to Cuzco, following a global flood that destroyed the Earth in 9000 BC. Its architects — Viracocha and his seven Shining Ones — disappeared as mysteriously as they appeared, yet the legacy of temples they left behind still baffles the modern mind. Filmed at Tiwanaku, Puma Punku, Cuzco, Quenqo, Saqsayhuaman, Amuru Machay, Quillarumiyoc, Pisac, Tombomachay, Huayna Picchu, Ollantaytambo, Machu Picchu, Cutimbo, Silustani and Amaru Meru.
The viewpoints of women from a country that no longer exists preserved on low-band U-matic tape. GDR-FRG. Courageous, self-confident and emancipated: female industry workers talk about gaining autonomy.
Through booms and busts, Delft Theatres and its innovative gem The Nordic endured in Marquette, Michigan for almost 100 years. Bernie Rosendahl’s crusade to restore the historic arthouse to its former glory reveals a hidden cinema empire in the Upper Peninsula.
Founded in 1919 by Walter Gropius, Bauhaus was supposed to unite sculpture, painting, design and architecture into a single combined constructive discipline. It is a synthesis of liberated imagination and stringent structure; cross-medial concepts that embellish and enrich our existence, illumination and clarity, order and playfulness. But Bauhaus was never just an artistic experiment. Confronted with the social conditions of that particular time, as well as the experience of WWI, the movement concerned itself with the political and social connotations of design from the very outset. Hence, Bauhaus history is not just the history of art, but also the history of an era that stretches from the early 20th century to the modern day.
For centuries, archaeologists have been trying to understand the Aztec empire and reveal the truth about their origins. Now, new excavations could reveal astonishing secrets about how they lived and what life was like inside one of the greatest empires in history. Where did this group of nomadic people originate from? How did they undertake building their towering pyramids and other ambitious engineering feats using manpower alone? And how was such a powerful empire wiped out after just 200 years of power?