Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes. Interweaving their life stories with rich archival material, the filmmaker links these Parallel Lives with elements from his own biography, to compose a fascinating fresco where intimate trajectories are part of the advent of the global village.
Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes. Interweaving their life stories with rich archival material, the filmmaker links these Parallel Lives with elements from his own biography, to compose a fascinating fresco where intimate trajectories are part of the advent of the global village.
2021-04-21
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Five people born on June 8, 1964 – Five lives, five countries, five decades.
Thierno Souleymane Diallo sets out with his camera in search of the birth of filmmaking in Guinea. Charming and determined, he traces his country’s film heritage and history and reveals the importance of film archives.
Explore the tragic truth about the massacre at the 1972 Olympic Games in Germany. Through interviews with key people such as the families of slain Olympians, German investigators and an anonymous perpetrator.
A documentary that traces the life and times of Bhagat Singh, a committed Marxist who most ably exemplified the spirit of revolutionary resistance against British imperialism in undivided India.
Immigrant workers build a shopping mall for the upcoming 1972 Olympic Games in Munich. In 2016, nine people with migrant backgrounds are killed in a racist attack at the same mall.
Jyire holds a motocross race in his hometown, where he must adhere to the park’s restrictions and drown out the public’s concern.
Director Michèle Stephenson’s new documentary follows families of those affected by the 2013 legislation stripping citizenship from Dominicans of Haitian descent, uncovering the complex history and present-day politics of Haiti and the Dominican Republic through the grassroots electoral campaign of a young attorney named Rosa Iris.
Combining rare original archive footage, home movies and authored by 40 intimate interviews with friends and celebrity fans this feature length film charts Nat "King" Cole's battle with racist 50’s America to become a superstar. An intimate portrait, it’s filled with music and accompanied the release of the album of the same name.
Steve, a 25-year-old Black man from the Paris suburbs, seeks to escape the violence of his immediate surroundings by training to become an actor at one of France’s most prestigious drama schools. But soon he discovers that the theater world is only interested in having him inhabit “Black” roles.
A photograph of an unknown Mapuche great-grandmother is the starting point of this documentary essay. Through the analysis of said picture, conversations with family members, a trip to southern Chile cities, and an actress who re-enacts the photo, we see the existing prejudice against indigenous people.
The ruin pub phenomenon in Budapest jolted the city to life like an explosion in the early 2000s. The capital, which had flourished and buzzed with culture at the turn of the century, was levelled in an instant by the Second World War. The people living here had to start from scratch, and through perseverance and determination, the city once again began to thrive—only to slide toward decline once more. Budapest exists within this cycle, and the ruin pub is part of it, encapsulating a sense of permanence built from the ruins of Eastern Europe.
We love rock ’n’ roll: well, it’s hard not to, with its sexy, totally exhilarating back story, and the way it continues to evolve and remain relevant. Almost 70 years after it burst onto the scene in the United States, the jury’s still out on who actually invented it. The truth is, rock ’n’ roll is a mash-up of genres that aligned at the perfect time, just as people emerged from the trauma of the Second World War craving a complete break from the recent past, and with money to spend.
"Nueve Sevillas" is a heterodox psycho-geographical profile of the new flamenco in Seville. Nine characters coexist with the great flamenco artists of today.
A short made during quarantine. - "I feel like I'm coming out of hibernation. I did not learn anything, I did not developed personal growth, nor qualities. I was smart for one day and read challenging stuff, and then for three days watched persisently TV series. I couldn't write. I found a handful of indispensable people. I didn't really understand much of this whole quarantine story; but I'm analytically only retroactive, so maybe it's going to happen. This movie made me feel alive for a few days."
It has been a lifelong dream of Kyrgyz director Melis Ubukeyev to create an elaborate film version of the Kyrgyz national epic 'Manas'. He spent years working with the National Academy of Sciences of Kyrgyzstan to gather material for this film project, which would ultimately remain a dream. However, the director's efforts were not in vain: Not only did he make films in 1962 and 1988 about Manasçı – the revered oral storytellers who have preserved the epic for generations through melodic recitation –, but in 1995, to mark the 1,000th anniversary of 'Manas', he also created a beguiling essay film that not only recounts the epic’s sweeping narrative through a mix of breathtaking imagery and opulent costumes, but also weaves it into a semi-documentary exploration of Kyrgyz history and identity. Once almost impossible to find, the film has recently been restored by the film studio Kyrgyzfilm and uploaded to YouTube in 4K.
A girl haunted by traumatic events takes us on a mesmerising journey through 100 years of horror cinema to explore how filmmakers scare us – and why we let them.
An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.
The Black Audio Film Collective’s acclaimed essay film, 'Handsworth Songs', examines the 1985 race riots in Handsworth and London. Interweaving archival photographs, newsreel clips, and home movie footage, the film is both an exploration of documentary aesthetics and a broad meditation social and cultural oppression through Britain’s intertwined narratives of racism and economic decline.