A boom operator attempts to record the noise mushrooms make in this semi-experimental animation inspired by the world of sounds.
Harpy and her pet goblin cat Pumpkin are enjoying a peaceful day in the forest, until a couple of baby monsters have a spat!
A duo of street performers learns how sound and picture work together to create amazing cinema experiences.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
A proto-music video: three minutes of experimental animation set to the tune of Romeo Nelson's 'Head Rag Hop'.
La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
A short film advertising the newspaper Sztandar Młodych (The Banner of Youth), noteworthy for its abstract elements painted directly onto film stock. An attempt at showing the complexity of the world in a capsule, the film reflects the new policy of the openness to the West during the Thaw of the late 1950s in Poland.
Life drums the playfulness out of a boy as he grows up.
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
"Toot!" "Tick!" "Chirp!" Onomatopoeia is introduced in this "soundsational" adventure. To learn the importance of sound in the world, Peter and Jessica accept Figment's invitation to go with him into Soundspace where they unlock the power of words and the magic of their imaginations. By journey's end, our intrepid explorers learn that language and sound have rhythm—and that the five senses may be used to explore the world around us.
This collection of David Lynch's short films cover the first 29 years of his career. Each film is given a special introduction by the director himself. His earliest underground films Six Figures Getting Sick (1966), The Alphabet (1968), The Grandmother (1970) and The Amputee (1974) are showcased as well as two requisitioned works well into his successful career The Cowboy and the Frenchman (1988) and his addition for Lumière and Company (1995).
Eye-popping digital moving image work with an equally arresting soundtrack from noise music heavies.
Inspired by Lindbergh's flight from New York to Paris, Mickey builds a plane to take Minnie for a trip.
In the unearthly world of E, hand-made meets hi-tech as characters appear to consume one another with their own, trafficked likenesses. Constructing her work entirely from laser-printed film stills (approximately 770 in total) lifted from Niklaus Schilling’s 1972 horror film, Nachtschatten, Zemlianski rips, layers, and paints these images with pastels and charcoal, then scans them back together into a bracing animation set to the eponymous song (“E”) by the Berlin-based band, Comb. (Lauren Berliner/Greg Cohen)
Shows a couple (Adam and Eve) and various objects, simultaneously, in time, space and movement.