Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?
Charting the untold story of the Balearic sound, and how hedonism gripped the hearts, minds and dance floors of the English Home Counties, fueled by the freewheeling party island of Ibiza.
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
Explores the life and innovations of composer and electronic music pioneer Suzanne Ciani.
Featuring the pioneers of techno music Juan Atkins, Derrick May, Carl Craig, and Jeff Mills, Never Stop takes us into the fascinating universe of techno labels in Detroit. This film highlights the deep roots of the creation, more than thirty years ago, by each of the African-American pioneers of techno music, of their own record labels.
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
"Usual thing, try and get the question in the answer" - A conversation with the band discussing recording techniques, inter cut with personal archive footage from previous album sessions.
A sub culture evolved in Sweden in the 1950s – Swedish greasers. The greasers were young and wild, drove American cars and rebelled against society. We meet the next generation of motorised youth the “Neo-Greasers”. What price are they willing to pay to live a demand-less life?
White Flag : Flipside, Not Alright, Communication Breakdown G.B.H. : Gimme Fire, Wild Thing, I Am The Hunted 7 Seconds : This Is My Life, out of Touch, Skins brains guts Tesco Vee : worshiping /s - 7 seconds with a cat and a guessing game with: SSD doing Shangri-las, White Flag doing Pink Floyd & GBH doing the Buzzcocks. Battalion of Saints : I Wanna Make You Scream Minor Threat : Stand Up And Be Counted, Stepping Stone Rodney Mullen skating Minor Threat: betray & Jeff Nelson Brian baker (skating) it Follows Big Boys : Brickwall Stretch Marks : Professional Punks Urinals/100 Flowers : California Falling, Surfing With The Shaw, With: Keith Morris and D Boon Black Flag : Scream in Mike Muir's garage Kraut : Kill For Cash Minutemen : Split Red, Life As A Rehearsal, Ack Ack Ack Ack Angst : This Guns For You, Neil Armstrong Dickies : If Stuart Could Talk, Manny, Moe, and Jack, You Drive Me Ape, Gigantor ENDCLIPS: The Avengers, The Eyes, 45 Grave, SIN 34
The word kewaaj (কেওয়াজ) is colloquially used to explain chaos, noisiness or annoyance. "Kewaaj" is an audiovisual attempt to give you a glimpse into how the people of Dhaka function in one of the most unliveable cities, according to the Global Liveability Index. Dhaka is fast, dense, intense. Yet the people try to find their peace in it.
A journey into Electronic Body Music’s iconic sound, featuring exclusive interviews with the original pioneers of the 80’s.
GDR August 31, 1985, Klubhaus in Coswig/Dresden - "Intermedia I - Farbraum/Klangbild"- the event was the first and, as it turned out, the last exhibition by the subculture in East Germany, in which over 40 visual artists and twice as many musicians, performers and super 8 film photographers participated. About 1,200 visitors travelled from all over the GDR to witness a six hour programme on both evenings. It remains unclear to this day how many informers working for the Stasi were among them.
After escaping Russia's communist revolution, Léon Theremin travels to New York, where he pioneers the field of electronic music with his synthesizer. But at the height of his popularity, Soviet agents kidnap and force him to develop spy technology.
The film follows the inception of the movement, a meeting between ravers and the new age travellers during Thatcher's last days in power, and the explosive years that followed, leading up the infamous Castlemorton free festival in 1992 - the largest ever illegal rave, which provoked the drastic change of the laws of trespass with the notorious introduction of the Criminal Justice Act in 1994.
Murder, rape, satanism and necrophilia is the staple diet of millions of teenagers who listen to the lyrics of extreme heavy metal music. This World investigates the potential links between "death metal" and a series of gruesome crimes around the world. In Italy a group of young death metal fans formed a satanic cult called the Beasts of Satan. At least four gruesome killings resulted. But death metal musicians deny that they have any responsibility for the actions of people who profess to be their fans. With exclusive access to the families, one of the killers and graphic police footage, the film tells the inside story for the first time. We hear from the musicians, the children and the parents from Oslo to California and ask just how far can music go in its ability to shock, and just how damaging might it be?
AquaBurn is an award-winning documentary film by director Bill Breithaupt showcasing "The Floating World" theme of the 2002 Burning Man Festival. AquaBurn features many of the incredible Burning Man art installations, the imagination and originality that went into their creation, and the artists who conceived them. Unlike conventional documentaries on the Burning Man Festival, AquaBurn captures the true feeling and excitement of the event itself, transporting the viewer to a hot, dusty wonderland without ever leaving home.
On August 8, 1988, the world’s first and largest Satanic rally took place. Ripped from a video featuring Satanist talking about creating a New World Order and killing off the masses. The 8-8-88 ritual was conducted right at the heart of the Satanic Panic. The goal, further exploit and feed upon the energies produced by the fears of the ignorant general public and media. It was shown to a sold-out crowd of degenerates promising them, “A Bitter Message of Hopeless Grief,” “A Nightmare of TERROR!” and “An Evening of Apocalyptic Delight!”
As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.
40 years after he last played the Wembley Arena, Gary Numan staged the comeback of a lifetime. Follow Numan on his road back to Wembley and follow his turbulent careers, from the crushing lows to the exhilarating highs.
His filmmaker son probes the professional and private lives of his remote but fascinating father: bandleader, composer, inventor, and electronic music pioneer Raymond Scott.
Carl Cox: One man, a few friends & 10,000 party people! UDC, known for Dance Valley, Impulz, HQ,Concept and 4 Elements, proudly presents Carl Cox & Friends where the big man play a six-hour set alongside friends in the Ahoy, Rotterdam. The entire party centres around Carl and he will announce who his DJ friends are that will be lining-up alongside him. On the subject, Carl said: There is nothing better than sharing good music with friends. When we decided to do this event, I really wanted to make it something personal, and also share it with my friends. What you will experience on this evening is something never done before. The show has been designed from the bottom up, costs have been thrown out of the window and the priorities - sound, production, lighting, and of course music - have taken centre stage!