Live broadcast of the opera performance held on November 10, 2012 at the Opéra national de Lorraine in Nancy, performed by five world-class countertenors.
Live broadcast of the opera performance held on November 10, 2012 at the Opéra national de Lorraine in Nancy, performed by five world-class countertenors.
2012-11-10
8.5
A look at the story behind Marvel Studios and the Marvel Cinematic Universe, featuring interviews and behind-the-scenes footage from all of the Marvel films, the Marvel One-Shots and "Marvel's Agents of S.H.I.E.L.D."!
Construction company owner John Matthews learns that his estranged son, Jason, has been arrested for drug trafficking. Facing an unjust prison sentence for a first time offender courtesy of mandatory minimum sentence laws, Jason has nothing to offer for leniency in good conscience. Desperately, John convinces the DEA and the opportunistic DA Joanne Keeghan to let him go undercover to help make arrests big enough to free his son in return. With the unwitting help of an ex-con employee, John enters the narcotics underworld where every move could be his last in an operation that will demand all his resources, wits and courage to survive.
A chronicle of Nelson Mandela's life journey from his childhood in a rural village through to his inauguration as the first democratically elected president of South Africa.
The celebration of the 50th anniversary of “Capitol-Insurance” is due – that's what the bosses thought. All employees are invited to join the party in a hotel. However, rumors say the company's not doing very well. To avoid unemployment due to the possible shutdown of the smaller branch office the only option is to move to the headquarters. Now that's the ultimate challange for Stromberg, who is notoriously trying to be the example of a department manager, gathering all of his employees behind him.
The life of Fabio and Miá falls into the rut when differences, which are not few, need to be faced. After Fábio forget the third wedding anniversary, Miá decides to ask for a time in the relationship. When Fábio's grandfather, who lives in Portugal, tells him that he was a widower, he sees on this trip to the funeral an opportunity to save his marriage.
A rowdy teacher accompanies a class trip to Thailand to recover some diamonds accidentally sent there and restore the school's reputation.
Manga artist Gengo Odaka lands a job with the World Children's Land amusement park only to become suspicious of the organization when a garbled message is discovered on tapes. As Gengo and his team investigate, Godzilla and Anguirus quickly decipher the message and begin their own plan of action.
Straitlaced Princeton University admissions officer Portia Nathan is caught off-guard when she makes a recruiting visit to an alternative high school overseen by her former classmate, the freewheeling John Pressman. Pressman has surmised that Jeremiah, his gifted yet very unconventional student, might well be the son that Portia secretly gave up for adoption many years ago.
Manny, Diego, and Sid embark upon another adventure after their continent is set adrift. Using an iceberg as a ship, they encounter sea creatures and battle pirates as they explore a new world.
Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).
The third film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio.
Benny and Claire, a down-on-their-luck couple, find a discarded Chitauri weapon referred to as 'Item 47'.
Vasek, 8 years old boy is desperate to find a new "father" for his mother.
The seemingly invincible Spider-Man goes up against an all-new crop of villains—including the shape-shifting Sandman. While Spider-Man’s superpowers are altered by an alien organism, his alter ego, Peter Parker, deals with nemesis Eddie Brock and also gets caught up in a love triangle.
Yonosuke Hikura appears to be an ordinary high school student. Yet he has inherited the important role of protecting the harmony between Heaven and Earth. With the help of the magical sword Chitentai, and Tsukinojo Inbe, he courageously battles the demons, sending them back to the Earth World, from which they have escaped.
Arif, who is trying to write his first book, believes that life contains many unanswerable questions, especially about women and relationships. But when Müzeyyen appears unexpectedly, everything he has ever known or tried to learn is suddenly turned upside down.
Some of Sin City's most hard-boiled citizens cross paths with a few of its more reviled inhabitants.
Alice Kingsleigh returns to Underland and faces a new adventure in saving the Mad Hatter.
After the birth of Renesmee, the Cullens gather other vampire clans in order to protect the child from a false allegation that puts the family in front of the Volturi.
A Ukrainian comic opera with spoken dialogue in three acts with music and libretto by the composer Semen Hulak-Artemovsky (1813–1873). The orchestration has subsequently been rewritten by composers such as Reinhold Glière and Heorhiy Maiboroda. This is one of the best-known Ukrainian comic operas depicting national themes.
Adapted from the opera written by the composer Semen Hulak-Artemovsky.
Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.
Massenet’s tale of passion, excess, and their consequences stars rising soprano Lisette Oropesa in the effervescent title role. Tenor Michael Fabiano is her ardent admirer, Chevalier des Grieux, with Maurizio Benini conducting Laurent Pelly’s enchanting production.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory. In this Live in HD production, Maria Guleghina takes on the title role and Marcello Giordani is Calaf, the unknown prince. Marina Poplavskaya and Samuel Ramey co-star, and Andris Nelsons conducts in his Met debut.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
This 2008 version of Puccini's LA RONDINE (The Swallow) features acclaimed conductor Carlo Rizzi and polished theatre-direction from Graham Vick, recorded at the Teatro La Fenice, in Venice.
This “Traviata” became one of the most succesful of all opera films, especially in France, where 800,000 Parisian cinemagoers flocked to it in the first six week. It was nominated for two Oscars (for production and costume design) and won BAFTAs in those two categories, as well as receiving BAFTA and Golden Globe nominations as 1983’s Best Foreign-Language Film.
Verdi’s IL TROVATORE again storms the Met stage in a star-studded, anvil-wielding cast , including Sondra Radvanovsky, Dolora Zajick and Dmitri Hvorostovsky. Marcelo Álvarez sings Manrico, the troubadour of the title. The story is well-known already: The gypsy Azucena has harbored a grudge for thirty years, but she is about to have revenge at last. Meanwhile, her son Manrico is in love with Leonora, but so is his arch-enemy, the Count Di Luna. A pot-boiler, where every tune is a hit.
"Irresistible" (Opera News) rising-star mezzo Elina Garanca triumphs as Rossini's Cinderella in this delightful Metropolitan Opera production. "As close to pure joy as you will find in a big-time opera house" (New Yorker), conquering audiences and critics alike, "Garanca has a gorgeous voice that she uses with exceptional skill, melting tenderness; but when the part calls for coloratura fireworks, she unleashes a flawless technique and ringing high notes of impressive power" (Associated Press). Filmed in High Definition Widescreen.
In 1935, renowned Portuguese neurologist Egas Moniz visits psychiatrist Sobral Cid, trying to convince him to use his patients as subjects for an experimental treatment: frontal leukotomy. The film is a film adaptation of a scene from the play Brainland, which explores three key episodes in the history of 20th-century neuroscience. Each episode addresses dilemmas related to clinical ethics.
Götterdämmerung, the final instalment of Wagner’s Ring of the Nibelung, is a story of human passions. Two essentially benevolent creatures, involved with and possibly doomed by their traffic with the gods, find treachery and evil in the world of the humans, and are ruined by the dark side of humanity. Iréne Theorin, acclaimed worldwide for her portrayal of Wagner’s heroines, stars as Brünnhilde opposite Lance Ryan, who continues his radiant portrayal of the tragic hero Siegfried. The strong cast also includes Mikhail Petrenko as the dark antagonist Hagen and Johannes Martin Kränzle, who once again shines as his father Alberich. Waltraud Meier has a memorable appearance as Brünnhilde’s sister Waltraute. With this 2013 recording of Götterdämmerung, the musically and visually compelling Scala Ring Cycle by Daniel Barenboim and Guy Cassiers was completed and proved to be one of the highlights of the Richard Wagner bicentenary.
In Siegfried, the “Second Day” or third evening of the Ring Cycle, we meet the pivotal hero of the epic tale. The energetic drive from Die Walküre is pursued here while Siegfried finally recaptures the mighty ring from Fafner the Dragon and awakens Brünnhilde from her penal sleep on the great rock. Lance Ryan, having interpreted this role on the greatest stages of the world including the Bayreuth Festival, portrays the naïve hero. His antagonists are Peter Bronder, great and agile as Mime, Terje Stensvold, an experienced Wanderer and Johannes Martin Kränzle, who continues his mean and deceitful depiction of Alberich. The leading ladies are Nina Stemme, once again unrivalled as Brünnhilde and Anna Larsson, moving as the God-mother Erda.
Disenchanted opera star Carlotta Manson falls for ruffian cat burglar Barney McGann and gives up her career to marry him. But Barney grows disenchanted himself at being known as the husband of a diva and itches to get back to his life of crime and manliness.
In ancient Babylon, SEMIRAMIDE (Anderson) encourages her lover Assur (Ramey) to murder her husband, King Ninus. Her son, Ninius, disappears, believed dead, and Semiramide rules in her own right. 15 years later, as the opera opens, she is about to announce the name of her successor. Idreno (Olsen) and Assur are the leading candidates for the throne and the hand of Princess Azema (Shin), but Semiramide has taken a fancy to young Arsace (Horne), her victorious military leader who has been summoned back to Babylon. Only the high priest Oroe (Cheek) knows that Arsace is actually Ninius, spirited away to safety after the coup. As the queen announces Arsace as her successor, the ghost of her husband appears from his tomb, demanding that Arsace punish the late king’s murderers... Filmed at New York's Metropolitan Opera, John Copley's production of Rossini's last, longest and most elaborate dramatic opera brings together what many consider the definitive contemporary cast.
The hero of this admirably complete August 2013 Guillaume Tell from Pesaro is homegrown maestro Michele Mariotti. The inimitable overture is (mercifully) unstaged and terrifically played, with splendid cello and flute solos: the fine standard never flags. Rossini’s extraordinary 1829 score audibly presages Meyerbeer, Berlioz, Glinka, Verdi and Wagner, among many others. Graham Vick’s direction privileges class conflict, with a clenched fist on the red-and-white forecurtain. The Edwardian costumes place Austrians in white evening garb; the black-clad Swiss polish the floor while the rulers savor a filming (much of that to follow) — the fisherman Ruodi, in a boat with a blonde and fake scenery, with Tell and his family providing tech support. Vick deploys geographical and historical kitsch liberally but not (always) pointlessly. Ron Howell’s pretentious, mannered choreography, however, beggars belief.
The Royal Ballet performs Tchaikovsky's classic ballet, choreographed by Liam Scarlett and starring Marianela Nunez as Odette/Odile and Vadim Muntagirov as Prince Siegfried.