The adventures of Kishore, a "James Bond 777" CBI agent, as he and heroine Sopa battle criminal mastermind "Boss" and his gang which includes whip-cracking Jamilla and a trio of highly trained dogs.
The adventures of Kishore, a "James Bond 777" CBI agent, as he and heroine Sopa battle criminal mastermind "Boss" and his gang which includes whip-cracking Jamilla and a trio of highly trained dogs.
1971-01-01
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A struggling entertainer trying to keep his dance company afloat with the help of his four daughters. However, his wife is worried about the disrepute the profession is bringing the girls and diminishing their chances of marriage.
The film is set in the fictional town of Balrampur where Vedvyas Tripathi better known as Bhajan Kumar lives with his family headed by his father Pandit Siyaram Tripathi. Bhajan Kumar’s life with his family was going well till a question on his identity arises that throws the city in a flurry of rumour and apprehension. Will he survive or fall prey to this onslaught?
After a whirlwind marriage with social media influencer Akhil Chadha that ends in divorce, chef Saloni Bagga meets hotelier Gurbir Pannu. One night with Gurbir – and then also with Akhil – leads to Saloni getting pregnant. But who's the father? By a one-in-a-billion twist of fate, Saloni is carrying twins – and not just any twins, each child has a different father!
Ravi, a former safe-cracker, turns over a new leaf, taking a job managing a timber buisness and falling in love with Reena, the owner's daughter. His past catches up with him when his old partner, Robert, and Robert's girlfriend, Julie, demand his help with a recently robbed safe, refusing to take no for an answer.
In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.
The story is about a priest, Father Ferriera, who unwittingly becomes a witness to the rape and murder of a village woman by the rich man of the village, Chandulal Seth. Father Ferriera is framed for the crime by Chandulal Seth and is sent to the jail instead. During the jail time spent Father Ferriera develops a good friendship with some of the jail mates. On release from the jail, he along with his former jail mates decide on taking revenge with Chandulal Seth who is now one of the richest jewelers of the world.
Vikram (Mohammad Iqbal Khan) and Ajay (Anuj Sawhney), and an accomplice, John D'Souza (Paresh Rawal), become prime suspects, and are on the run. They must apprehend Chindi and recover the crown to absolve themselves of this crime. While being chased by security guards, the trio crash into a wall, and are transported back to the 10th century, straight into the palace of Emperor Babushah himself.They realize that only a miracle can get them back to the 21st century.
At midnight on his 10th birthday, a boy scours the lesser-known Kolkata streets in search of a father he’s never met, carrying a letter he can’t read.
Rani is a child who is being brought up by her mother, Kamla (Asha Parekh) as her dad Rajendra (Rajendra Kumar) has gone out of town on business. Both mother and daughter live with their cruel and selfish relatives (Satyendra Kapoor and Lalita Kumari). They live with her abusive uncle. One day, Kamla gets the news that her husband is returning, and she is overjoyed. This joy turns to sorrow when she finds out that he has died in an accident. Shortly thereafter, she too passes away, leaving poor Rani at the hands of the cruel relatives. Her best friend Pappu (Master Abbas) tells her about Lalpari (Reena Roy). She succeeds to reach heaven with the help of Lalpari and manages to trick Yamraj (God of truth and death). However, Rani's father was only injured in the plane crash. Rani lives happily ever after with her parents. This movie also features the story of Cinderella and Gulliver's Travels in two songs.
A newly constructed mall is suspected to be haunted when a few workers are mysteriously killed during its construction. Vishnu, a security guard, unveils the mystery behind the mall's dark secret.
The idea behind Ya Rab is to show how Islam has been used as a tool to propagate terrorism. The film focuses on issues where so called self proclaimed Maulanas (Islamic Preachers) misinterpret The Quran and its real meaning to breed terrorists and terrorist activity. Ya Rab is a genuine effort to show the right face of Islam and to guide the misguided on the right path.
After a Cop tries to change the rules in a village he gets killed by the village goons. His spirit then starts to haunt them. He also helps his fellow cop to fight against his killers.
Vishal and Jyoti come from different backgrounds, but fall in love, and in spite of oppositions from both the couples' sides, are married. After marriage, they settle down to some wedded bliss, but misunderstandings create problems. These problems persist even when Jyoti gives birth to healthy baby boy, Lucky (Master Lucky). Jyoti and Vishal also own a former winning racehorse, and Vishal is a jockey, who used to ride him. Due to failing health, Vishal has been advised by his doctor not to ride anymore. Lucky grows up and his parents separate, and Lucky lives with his dad. He is brought up to think that his mom has passed away. So when Jyoti re-enters his life, she is introduced to him as "aunty". Will Lucky ever come to know of his real mother? Will Vishal ever to able to ride again? Will Jyoti and Vishal patch up their differences in the interest of their son?
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.
Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.
It's love at first sight for Anjali and Jai Walia. However, after Anjali gets an anonymous tip-off about Jai's alleged infidelity, cracks begin to appear in their once happy marriage.