In the summer of '75 Pier Paolo Pasolini's film, "Salò", is stolen from the lab where he is editing it. This is just the first step of an intricate plan that will bring the great poet to his violent death.
In the summer of '75 Pier Paolo Pasolini's film, "Salò", is stolen from the lab where he is editing it. This is just the first step of an intricate plan that will bring the great poet to his violent death.
2016-03-24
5.9
Felice returns to his native Rione Sanità in Naples to look after his dying mother, having lived abroad for the last forty years. Here he discovers that his old friend Oreste has become a notorious crimeboss.
Toro (Spanish for "Bull") is a young con man and the right hand of Romano, a powerful mob boss in Torremolinos, Málaga (Andalusia, south to Spain). After Toro decides to leave Romano to get a life free of crime, his last sting fails, resulting one of his brothers dead and he sent to jail. Five years later, Romano realizes that López, Toro's older brother, is robbing him money from his tourism business and he orders to kidnap Diana, López's little daughter, until this one get back the money. Without options, López visits Toro, now a touristic driver with the third grade prison close to get the parole, who only wants to be free to marry his girlfriend Estrella. When Toro accepts to help López and both meet Romano looking for a solution, Toro ends attacking Romano's men and fleeing with Diana, trying to escape from Romano's revenge. But Romano starts a ruthless searching for they three, meanwhile Toro counts the hours to back the prison according to the third grade...
Three undercover cops in Naples must face their own demons as well as criminals.
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Ostia is a fascinating short film directed by Julian Cole and produced for the Royal College of Art, which reconstructs the events leading up to the murder of Pier Paolo Pasolini. Ostia relocates the proceedings to London and stars Derek Jarman as Pasolini. The film features an evocative dream sequence which is accompanied by poignant excerpts from Pasolini’s own poetry, as read by Jarman.
A documentary about Pier Paolo Pasolini and his film 'Salò o le 120 giornate di Sodoma'.
Philo Bregstein tells us this film looks at Pasolini's life and art to explain why he died. The film traces Pasolini's life chronologically - family roots, hiding during World War II, teaching, moving to Rome, being arrested and acquitted many times, publishing poems, getting into film, being provocative, and being murdered. Interviews with Alberto Moravia, Laura Betti, Maria Antonietta Macciocch, and Bernard Bertolucci are inter-cut with readings of Pasolini's poems and with clips from four films - primarily the Gospel According to St. Matthew - to illustrate his changing ideas and points of view. Bregstein makes a case for Pasolini's being lynched.
Portrait of Pier Paolo Pasolini and his literary and cinematographic activity in the proletarian Rome.
A short documentary exploring the ongoing relevance and power of 'Salò o le 120 giornate di Sodoma'.
Behind the scenes footage of Pasolini and crew filming 'Salò o le 120 giornate di Sodoma'.
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Pierre, widowed and retired, has not been out of his house for two years. He discovers the joys of the internet thanks to Alex, a young man hired by his daughter to teach him the basics of computer science. On a meeting place, a charming young woman, Flora63, seduced by the romanticism of Pierre, offers her a first date. Lovers, Pierre is back. But on his profile he put a picture of Alex and not his own. Pierre must convince the young man to meet Flora in his place
Loosely based on a rape case that happened to two sisters in Cebu, Visayas, Philippines in late 1990s.
A battered housewife was butchered into pieces by her spurned lover and throw her body parts in different places.