In her room 15 year old "Hannah" decides to start selling sex. She puts up an ad and offers her services as an escort. In her diary Hanna describes how she, over the course of an autumn sells sex in Stockholm. Hanna's first sex buyers ask no questions about her age, which is often enough to avoid being convicted of buying sex from children, claiming that it was thought that the girl was older. As the majority of sex buyers can get away with fines, police prioritize other crimes. The documentary "En eskortflickas dagbok" gives insight into a chaotic world.
Hanna (voice)
In her room 15 year old "Hannah" decides to start selling sex. She puts up an ad and offers her services as an escort. In her diary Hanna describes how she, over the course of an autumn sells sex in Stockholm. Hanna's first sex buyers ask no questions about her age, which is often enough to avoid being convicted of buying sex from children, claiming that it was thought that the girl was older. As the majority of sex buyers can get away with fines, police prioritize other crimes. The documentary "En eskortflickas dagbok" gives insight into a chaotic world.
2013-12-12
10
Nacksving (1975-1981) - the influential and short-lived cooperative record company in Gothenburg, Sweden. The comprehensive and powerful multi-cultural socialistic music theatre project, Tältprojektet (1977). And the ANC Gala at the Scandinavium Arena in Gothenburg 1985. It is also a film about ideals, the left wing movement and political changes in Sweden during the 70's and the 80's. Following Nacksving's bankruptcy, the subsidiary record company Transmission and Nacksving Recording Studio continued.
SUMMARY:- A girl wakes up early in the morning to witness an immense Pain in her groin area & discovers blood on the bedsheet which makes her very uncomfortable to face her father. The next series of events lead her to understand whether she can speak about it or not, moreover, an important incident is highlighted between the use of face mask and sanitary pads as both are used for protection purposes. In this, her father get involved consciously and maintains stability and at the same time respecting her daughter's emotion in order to make her understand about the scenario, makes it even more effective love & affection for the father-daughter duo in facing each other and also towards the society.
A sleazy film director's decision to shoot his latest erotic horror movie in a notorious haunted house angers the vengeful spirit of its past inhabitant.
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.
Based on the long running play by Jang Jin, the story is set in Korea during the Korean War in 1950. Soldiers from both the North and South, as well as an American pilot, find themselves in a secluded and naively idealistic village, its residents unaware of the outside world, including the war.
A man, his business partner, and his wife are enlisted to transport an unknown object from a Russian military base, only to discover that the object is a giant, genetically-altered python.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.
‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.
After drinking all night, Monty and his friend try to get home, but it turns out to be not easy. The next day, Monty tries to win the heart of a theater actress.
Chris has vast experience in driver training both as an advanced driving instructor and driving examiner. This is the third in the Ultimate Driving Craft series of high quality advanced driving DVDs which have received international acclaim having sold to 39 countries. Filmed with two HD professional movie cameras and professionally edited by Green Gecko Television Ltd who have also added some excellent animation to support Chris's teaching of driving skills. In this DVD Chris highlights a problem that affects all drivers. It is called the natural focal point and not the best way to drive. He explains what it is, why it happens and what we, as drivers, can do about preventing it.
J.D. Cahill is the toughest U.S. Marshal they've got, just the sound of his name makes bad guys stop in their tracks, so when his two young boy's want to get his attention they decide to rob a bank. They end up getting more than they bargained for.
There are eight episodes in stories full of adventure and play in the neighborhood of Limoeiro, with a new car ride, lost treasure, art exhibition in the square, puppet theater, an unexpected escape from Cascão (again?), Characters Saltimbancos and a lot more.
Trying to escape his bath, Monicão ends up hiding in the movie theater. Mônica can't find her pet in the dark, so she asks Franjinha to play some short films that might lure the dog out of hiding.
Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.
A man in his fifties reminisces about his childhood growing up in a Welsh mining village at the turn of the 20th century.
A collection of cartoons, each of which is a uniquely decorated folk tale.
Documentary on the "Chicken Ranch," a legal Nevada brothel.
British filmmaker Beeban Kidron ventures onto the mean streets of the South Bronx and other New York locales to examine the lives of those involved in the city's thriving sex industry.
Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.
This exploitation classic purports to expose the secrets of the 1960s lesbian underworld.
Interviews with a procurer and with nineteen boys and young men who are prostitutes in Prague. The youths range in age from 14 to 19. They hustle at the central train station and at clubs. Most of their clients are foreign tourists, many are German. The youths talk about why they hustle, their first trick, prices, dangers, what they know about AIDS, their fears (disease and loneliness), and how they imagine their futures. The film's title, its liturgical score, much of it elegiac, and shots of the city's statues of angels underline the vulnerability and callow lack of sophistication of the young men.
The tragedy of Eva-Marree, deprived of her children for prostitution then killed by their father. In a convincing indictment, director Ovidie denounces the abuse of power by a supposedly protective Swedish state.
In Bangkok, Thailand, women punch a clock and wait for clients in a brightly lit glass box; in the red-light district of Faridpur, Bangladesh, a madam haggles over the price of a teenage girl; and in the border town of Reynosa, Mexico, crack-addicted women pray to a deity named Lady Death.
High Class Call Girls is a a revealing glimpse into the lives of Emily B and Cookie Jane, two self-dubbed high class call girls who charge thousands of pounds for a night with clients who find them through new location-based apps.
From the sultry streets of Hunts Point in the South Bronx, comes the rawest, realest and truest documentation of the world's oldest profession ever captured on video. From Brent Owens, the director of Pimps Up, Ho's Down, comes the first two in a series of five films. Hookers At The Point focuses on the business of sex and the people involved in it. As a special bonus we have included Hookers At The Point: Going Out Again, where we follow up on the personalities from the first film and see where "The Life" has led them.
A documentary crew from the BBC arrives in L.A. intent on interviewing Heidi Fleiss, a year after her arrest for running a brothel but before her trial. Several months elapse before the interview, so the crew searches for anyone who'll talk about the young woman. Two people have a lot to say to the camera: a retired madam named Alex for whom Fleiss once worked and Fleiss's one-time boyfriend, Ivan Nagy, who introduced her to Alex. Alex and Nagy don't like each other, so the crew shuttles between them with "she said" and "he said." When they finally interview Fleiss, they spend their time reciting what Alex and Nagy have had to say and asking her reaction.
Dance and prostitution play the same role for Cristhian’s body. Virtuosity, desire, technique, and sex intertwine, granting coherence to a way of life that offers many answers to few questions. A leitmotiv that reconciles opposites and contradictions. Answers that are sometimes painful, like all truths.
Filmmaker Martin Bell chronicles the life of Erin Blackwell, mother of 10 children, from the time she was a 14-year-old prostitute through her battle with drug addiction, poverty and parenting.
A propaganda film about supposed pedophilia and hypocrisy in the celebrity community.
Love & Sex under Nazi Occupation questions the burning mystery of intimate heterosexual and homosexual relations in times of war... and shows how being close to death reinforces the yearning for passion, for pleasure, for transgression, for desire as a last burst of freedom, as an ultimate call to life. Nearly two hundred thousands children are thought to be born of the union of French women with German soldiers. Women weren't the Germans' only conquests; indeed, occupied Paris swarms with all kinds of homosexuals—from Genet to Cocteau—who treated with the occupier. The fate of those women who were shaved at the end of the war for fraternizing with Germans is the punishment of a France that lied down and slept with the enemy.
Karayuki-san, the Making of a Prostitute is a 1975 Japanese film by director Shohei Imamura. It is a documentary on one of the Japanese "karayuki-san," who were women that were taken from their homes in Japan and used as prostitutes in the post-war period. Many of these women were told that they were doing this to support their families because of the extreme poverty that the war left much of Japan to live in. Imamura focuses on a particular such woman who was sent to Malaysia and never returned to Japan. Joan Mellen, in The Waves at Genji's Door, called this film, "Perhaps the most brilliant and feeling of Imamura's fine documentaries."
Filmmakers Holly Dale and Janis Cole explore the culture of Davie Street, located in the underbelly of Vancouver, where dozens of prostitutes work and live every day. Surprisingly, they find that the sex trade there is stable and largely non-violent, and that the women who work on Davie Street meet daily to discuss safety and health issues and don't use pimps. The film also includes candid interviews with the prostitutes and footage of negotiations with potential clients.
A look at the sex lives of the guys who make L.A. adult movies.
A series of lawsuits and allegations have legendary rap mogul P. Diddy on the ropes. TMZ has the troubling inside story from people who were there.
21st century legal prostitution through the frank stories of Amsterdam red-light district sex workers at a time when tighter regulation threatens their livelihood.