Johnny Mack Brown goes up against a lady bank robber in this average Mack Brown series late-entry from Monogram. The lady, played by Barbara Allen, is of course called "Ma." In order to get the goods on "Ma" and her "brood," Mack Brown must masquerade as a lone bandit.
Johnny Mack Brown goes up against a lady bank robber in this average Mack Brown series late-entry from Monogram. The lady, played by Barbara Allen, is of course called "Ma." In order to get the goods on "Ma" and her "brood," Mack Brown must masquerade as a lone bandit.
1951-08-18
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When law breaks out of killer country...Johnny moves in with both guns flashing!
An oppressed Mexican peasant village hires seven gunfighters to help defend their homes.
Marshall Jed Cooper survives a hanging, vowing revenge on the lynch mob that left him dangling. To carry out his oath for vengeance, he returns to his former job as a lawman. Before long, he's caught up with the nine men on his hit list and starts dispensing his own brand of Wild West justice.
Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
A marshal tries to bring the son of an old friend, an autocratic cattle baron, to justice for the rape and murder of his wife.
A well-acted, well-paced entry in the Don "Red" Barry Western series from Republic Pictures, The Sombrero Kid featured the diminutive Barry as Jerry Holden, the apparent son and heir of veteran lawman Tom Holden (Robert Homans). But when Holden Sr. is killed by one of Banker Martin's (Joel Friedkin) gang of claim jumpers, Jerry learns that his real father was Bart Clanton, a notorious bandit killed by Marshal Holden, who then raised the orphaned boy as his own.
US marshal Sundown Jim Majors main purpose in life is to bring a deadly frontier feud to a peaceful end. This requires him to clean out the local criminal element, which he does with determination.
Wild Bill Hickock (William Elliott), aka The Peaceable Man, meters out justice in the tough town of Deadwood in this highly fictional western from Columbia. Unlike the historic character, Elliott's gunfighter survives his encounter with the South Dakota hellhole, where he arrives to aid beleaguered livery stable owner Clint Wilson (Richard Fiske) and his sister, Madge (Dorothy Fay), in their battle against self-appointed town czar "Flash" Kirby (Arthur Loft). But before he gets that far, there is a little matter of proving Kirby guilty of wrongdoing and to achieve that, Wild Bill earns the enmity of both the Wilsons.
The irrepressible Donald Barry is twice falsely accused of murder in this typical low-budget but well-mounted Republic Western. Barry plays Jim Randall, a lawman assigned to investigate a series of gold shipment robberies. Arriving in the middle of a hold-up, Randall finds himself accused of killing the driver (Yakima Canutt). Wells Fargo agent Cal Chambers (Milton Kibbee) vouches for his innocence, however, claiming him to be a noted geologist. Along with several of the prospectors, Jim devises a plan to prove that Jud Parker (Harry Worth) is using his dummy mine as a cover for stealing ore.
A mysterious preacher protects a humble prospector village from a greedy mining company trying to encroach on their land.
Harvard graduate James Averill serves as the sheriff of prosperous Jackson County, Wyo., standing at the center of a conflict between impoverished immigrants and affluent cattle farmers. Politically connected ranchers enlist mercenary Nathan Champion—who is also vying for the affections of local madam Ella Watson—to combat the immigrant uprising. As tensions escalate, both Averill and Champion start to question their decisions.
Monte Hale is cast as town marshal Barney Regan. It is Barney's formidable task to round up a gang of bank robbers and expose the "Mr. Big" behind all the robberies.
A bandit kidnaps a Marshal who has seen a map showing a gold vein on Indian lands, but other groups are looking for it too, while the Apache try to keep the secret location undisturbed.
After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and company are bringing horses to the unpopular Mexican government for $35 a head while Langdon is leading a contingent of displaced southerners, who are looking for a new life in Mexico after losing their property to carpetbaggers. The two men are eventually forced to mend their differences in order to fight off both bandits and revolutionaries, as they try to lead their friends and kin to safety.
U.S. marshal Ritter arrives in town to round up bandits who are attempting to fix the local elections.
The fastest gun in the West tries to escape his reputation.
Johnny Mack Brown and Raymond Hatton return to the screen as saddle pals Nevada and Sandy in Monogram's Pals of the Border. In this one, our heroes are US marshals, hot on the trail of cattle rustlers.
The old bromide about the western town run by outlaws as a hideout for their fellow crooks makes a return appearance in Monogram's Land of the Outlaws. Since the crooks include such reliable disreputables as Charles King and John Merton, the good guys really have their work cut out for them. But not to worry! The heroes are Johnny Mack Brown and Raymond Hatton, whose B-western track record is unbeatable. Land of the Outlaws was directed by Lambert Hillyer, whose sense of rhythm and pace had saved many another inexpensive oater.
A movie company comes to Oklahoma to convince legendary lawmen Bill Tilghman to star in a bank robbery silent film featuring real outlaws. Tilghman reluctantly agrees, not realizing everyone's lives will never be the same.
Dum, the son of a peasant falls in love with Rumpoey, the daughter of a wealthy and respected family. The star-crossed lovers are torn apart for years, but their forbidden love survives. When tragedy strikes, Dum unleashes his rage and becomes the gun-slinging outlaw the "Black Tiger" who will stop at nothing to seek his revenge.