Tobio Kurosawa (Ryuta Sato), who has been part of a manzai (stand up comedy) duo for ten years, finds himself in trouble after his partner Tamotsu Ishii (Yuji Ayabe) quits due to their declining popularity and mounting debts. Tobio then attempts to drink his problems away, but the next morning finds himself locked up in a detention center. At the detention center Tobio meets tough dreadlocked Ryuhei Onizuka (Yusuke Kamiji) who has an uncanny knack for comedy. Tobio attempts to recruit Ryuhei to become a partner in a new comedy duo. Once on the outside, they start practicing ...
Kawahara
Dev Kumar Verma comes from a middle-class family and must find employment to support his dad and mom. Dev, however, has set his mind upon becoming a music sensation like Elvis Presley. He loses his job because of this, and refuses to work until and unless he gets a job to his liking, much to the dismay of his parents and his brother, Shiv Kumar. Dev does get employment at Charlie's Disco, where he meets with Maya and falls in love with her. When Charlie's Disco's competitor, Rana, finds out about Dev, he wants to hire Dev, but Dev decides to continue to work with Charlie's Disco, as a result Dev and Charlie get a beating by Rana's men, and Dev is unable to sing. After recuperating, Dev is devastated to find out that Maya and Shiv Kumar are in love with each other. What impact will this have on Dev and his brother on one hand, and what of his career in music?
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
Mincheol and Suhee go to greet Minchul father (grandmother) before marriage. Dae - sik welcomes her daughter - in - law, Su - hee. But before marriage, Minchol and Suhee are separated by the difference in personality. Soon-hee, who was only preparing for marriage, is soon to live.
Lia, a retired teacher from Georgia, learns from her young neighbor, Achi, that her long-lost transgender niece, Tekla, has crossed the border into Turkey. In search of Tekla, Lia travels to Istanbul with the unpredictable Achi, where they explore the hidden depths of the city.
Sparks fly after Ali and Ava meet through their shared affection for Sofia, the child of Ali’s tenants whom Ava teaches. Ali finds comfort in Ava’s warmth and kindness while Ava finds Ali’s complexity and humour irresistible. As the pair begin to form a deep connection they have to find a way to keep their newfound passion from being overshadowed by the stresses and struggles of their separate lives and histories.
Star is a young graffiti writer, the best in his city, Paris. His reputation attracts him as much into art galleries than in the police precincts. Accused of vandalism, he faces jail. Despite the threat, he decides to go to Rome with his crew in search of the meaning of his art.
"We" is a visual essay on the state of being connected – a metaphorical study of interpersonal relationships and social constraints. Personal experiences and current social contexts are portrayed through a series of abstract analogies reflecting the essence of our everyday social interactions.
After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.
A young down-on-their-luck couple settle for a cheap apartment that seems too good to be true. Little do they know, something lurks in the drain of the bathtub. Something that's thousands of years old...and it is hungry.
Anton and Erika started out as friends for five years and got into a romantic relationship for seven years. Anton is a commercial director while Erika is a former band member and becomes his stay-at-home partner. The day finally comes when he asks her to marry him.
A powerful biotech company has breakthrough technology allowing them to clone history’s most influential people with just a few fragments of DNA. Behind this company is a cabal of Satanists that steals the shroud of Christ, putting them in possession of Jesus’ DNA. The clone will serve as the ultimate offering to the devil. The Archangel Michael comes to earth and will stop at nothing to end the devil’s conspiracy.
The beautiful, beastly Beverly returns and faces a new gaggle of gargantuan gals, hell bent on achieving deluxe diva domination. Get ready for the cinematic smackdown thrills of Giantess Battle Attack. Size really does matter.
Tintin and his friends get involved in an unexpected and weird adventure when they meet Laszlo Carreidas, an eccentric millionaire.
Somewhere in Europe, mid-20th century. Albert is employed to look after Mia, a girl with teeth of ice. Mia never leaves their apartment, where the shutters are always closed. The telephone rings regularly and the Master enquires after Mia's wellbeing. Until the day Albert is instructed that he must prepare the child to leave.
Set in the mid sixties and shot with more black than white, ‘SAD?’ is a dark ten minute film that explores the time that we spend alone watching television, and the good and sad effects it can have on you. The film has a timeless, forgotten feel about it, a study of a world and time detached from the norm, a life filled with both laughter and loneliness, escapism and escapees...
Tsukaguchi, a comedian, is disliked by the public for his bad behavior and vile style, and shows no signs of selling at all. He and his partner, Kunimatsu, spend their days doing MANZAI (comedy dialogue) at a small theater. One day, the two receive an offer to appear on TV. However, Tsukaguchi has a big problem with his girlfriend, and in the midst of the mixture of reality and delusion, he soon finds himself involved in an irreversible situation as a comedian.
Before he hit it big, Takeshi Kitano got his start apprenticing with comedy legend Fukami of Asakusa. But as his star rises, his mentor's declines.
This is a story about a son who pursue his career as a comedian by forming a comedy duo with his demented father. "Kazuki, are you still doing comedy?" "Yes, I am. Right now!" The Abe family is a rice farmer in Nishikan Ward, Niigata. The first son, Kazuki is unemployed, living at his parents' house, and writing comedy plot everyday. One day, his father Yoji fell down from a stroke while he was practicing for the local comedy competition. While facing the severe reality of becoming a home helper to his demented father, his companion, Masakazu told him he is giving up on comedy. Struggling between his dream and the reality, childhood and adulthood, he decides to enter the competition as a comedy duo with his demented father. Can miracle happen on stage for the father who lost his memory and the son who finally made up his mind?
Tatsuo and Ikuo have been raised by hard-working parents who run a funeral home. For relief, they practice games of manzai, a Japanese comic vaudeville. Tatsuo grows up to be a handsome chick magnet, while Ikuo is nerdy and unappealing. He spies on his brother to get material for their reality porn show. The show is bleeped heavily, and their bleep language becomes trendy and makes them stars.
The popular comedy duo "Tarinai Futari" draws the curtains on their legacy in their final "manzai" performance.
Up-and-coming manzai stand-up comedy duo Emi-Abi has lost consummate funny man Unno (a surprisingly touching Tomoya Maeno) to an accident, leaving conceited straight man Jitsudo (Ryu Morioka) to contend with his diminished career prospects as a bland, pretty face entertainer. Guided by his manager Natsumi (Haru Kuroki), who demonstrates stronger comedy chops than her own star, Jitsudo comes to learn the circumstances of his friend's passing, as well as the life-and-death stakes of a career in comedy. Demonstrating a careful balance of tone across tragedy and deadpan and gross-out humor, writer/director Kensaku Watanabe expands "Emi-Abi"'s hilarious premise into a strikingly assured meditation on artistic rivalry and self-actualization.
Captivated by the classic form of Japanese comedy known as manzai, Stephen, an American, sets out to break into Japan's entertainment world.