An experimental film in which both sound and visuals were created entirely by McLaren drawing directly upon the film with ordinary pen and ink. The titles are in eight languages. Rereleased with multilingual titles in 1949.
"O'Neill found an envelope labeled 'Helen's Coreopsis' with seeds from a 1935 visit his mother had made to her sister in Nebraska. His film COREOPSIS was made by scratching into developed and discarded pieces of film stock revealing pink, yellow and clear layers. This remnant of his memory of her is performed and inscribed in these excised layers." - Erika Suderburg
A playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects.
Tashiro coincidentally meets his best friend Sugimoto in a bar very close to the apartment in which Sugimoto’s wayward wife is found dead. Although Tashiro is not a suspect in the police investigation, he is racked with guilt and confesses to his wife, Masako. In an effort to further relieve his tortured sense of guilt, he then confesses to Sugimoto. Neither his wife nor his friend can believe that he could have been involved.
A young man talks to his psychiatrist about strange visions he has been having in his dreams.
When two explorers crash-land on an alien-infested planet, a grim decision arises: as one is infected by the microorganism menace, the other must choose between containment and cataclysmic consequences.
The Faroe Islands during the 18th century. Danish bailiff's control the island. In Torshamn lives Master Wenzel, known as hard but just. Wenzel tries to arrange a marriage for his daughter Inger.
A short film from the Lumière brothers, filmed in a Dresden street.
The female protagonist finally makes it to get a job as an intern. But after a while working at this weird company, she finds out the criminal site of it and learns to be a criminal herself.
Napoleon III, the Commune, the third Republic in the background. In the foreground, two pretty, talented sisters, Virginie and Pauline Cardinal. They are ballerinas at the Opera de Paris and very much courted by wealthy, elegant men. They will manage to climb in the society of their time, despite parents set on respectability but also attracted by money.
A new college student's life begins to have strange consequences after a hookup.
Based on the true events during the 2016 construction of the Dakota Access Pipeline that runs through the Standing Rock Indian Reservation in North Dakota on land that is owned by the Lakota “Sioux” Tribe. The film follows Daniel, a journalist and Afghanistan War military veteran, and Elliot, an oil company executive, who find themselves on opposite sides of the fight during the construction of the contentious pipeline.
The biggest breakthrough in the search for Sasquatch has just been found in Northern Washington. Documentarian, Seth Breedlove heads to the Olympic Peninsula where he finds the Olympic Project; a Bigfoot research group who have found the best evidence for the existence of the creature. Breedlove and members of the Olympic Project head deep into the forests of the Pacific Northwest to learn more about the infamous “Nest Site”. A location that holds the key to understanding what people are encountering around the United States. Along the way they find that the evidence they seek might not be the only thing waiting for them in the shadowy woods… On the Trail of Bigfoot: The Discovery promises to make you question the way you look at the subject of unknown creatures in America.
A series of collective dreams of a transworldly being visits a myriad of characters, revealing their subconscious desires.
Gemma collects money out of parking meters. But really she's obsessed with Elvis.
The history of black newspapers in America.
The Night. She doesn't sleep. She calls. She tells. She saw a movie. This film tells the story of two nights. One night which is not seen in images, existing only in the words of The Clock, by Minnelli, an old Hollywood film. One night which is seen in images but about which we hardly know anything, those of a woman who talks about the Clock. So, in fact there are two films, two stories that come together at the same time, getting closer, and moving away, merging with what they have in common: desire, night and the city.
A story of an artist entertainer who swallowed razors, glasses, records, light bulbs, nails, forks and everything else hard to swallow. Cannibalism and auto-cannibalism included.
La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
Eye candy as a special treat. Let Your Light Shine is the ultimate Spectrum Short film, a photokinetic stroboscopic spectacle for spectacles. A work in the tradition of the absolute animation film of the 1930s, which requires prismatic glasses to achieve the maximum result.
A short film advertising the newspaper Sztandar Młodych (The Banner of Youth), noteworthy for its abstract elements painted directly onto film stock. An attempt at showing the complexity of the world in a capsule, the film reflects the new policy of the openness to the West during the Thaw of the late 1950s in Poland.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
The sad and happy times of a young girl and her bear doll, a young mouse and his family, a sycamore tree, an old lamp post, a hoodlum moth and an alleyway full of posters coming to life.
Commissioned by Harald Inhülsen for MasterclassFilm. A companion piece to Stefano Miraglia's Self-portrait, also part of the same commission.
Bill struggles to put together his shattered psyche.
Jankovics's adaptation of the eponymous play is divided into multiple parts, and depicts the creation and fall of Man throughout history.
A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the changing images varies. "Hell Spit Flexion," or springing out of Hell, is on smaller film stock, taking the center of the frame. Montages of color move rapidly with a star and the edge of a lighted moon briefly visible. Purgation is back to full frame; blurs of color occasionally slow down then freeze. From time to time, an image, such as a window or a face, is distinguishable for a moment. In "existence is song," colors swirl then flash in and out of view. Behind the vivid colors are momentary glimpses of volcanic activity.
In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly onto their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.
Toroid is an experimental audio-reactive animation work that demonstrates the possibilities of harnessing digital waveforms of electronic origin into a continual source of power. By making the invisible visible, the work bears similarity and inspiration from the extensive quantum energy research at CERN which seeks to uncover and control the particles in and around us. In this era of over-production and over-algorithmic data illusion of choices, Toroid inserts itself in the digital narrative as a power source simulation showing a possibility for ensuring a positive flow of eternal (renewable) energy working in parallel with the natural order.
Shot in Ireland and Poland - a journey that explores ideas of decision, choice, consequence, circumstance and time among other things, a personal perception on how we try to find whatever it is we are searching for.The film looks at objects, people, and places which share common properties, our connection with one another and our environments in the very similar yet very different paths we share.
Images of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with their hands, occasionally looking up. A man enters a room, a woman smiles. He sits, another man sits and smokes. The cat stretches. There are close-ups of each. The light is dim; a filter accentuates red. A bare foot stands on a satin sheet. A woman disrobes. She pets the cat. Preserved by the Academy Film Archive in 2006.
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.