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A film documentary about the Commodore 64 (and Amiga) cracking scene in the 1980s and 1990s. In the early years of the commodore 64 cracker feed the masses with their cracked versions of computer games. In this sequel to The 8-Bit Philosophy we dive deep into the minds of famous C64 cracker like Bacchus of Fairlight or Injun of Triad. Witness their story, why they cracked protected computer games, were hated by the software industry, and hunted by the police.
A feature documentary that explores the influence of the Commodore Amiga and how it took video game development, music and publishing to a whole new level and changed the video games industry forever.
A film documentary about the Commodore 64 (and Amiga) cracking scene in the 1980s and 1990s. In the early years of the C64 cracker feed the masses with their cracked version of computer games. We dive deep into the minds of famous C64 crackers like Bacchus of Fairlight or Injun of Triad. Witness their story, why they cracked protected computer games, were hated by the software industry, and hunted by the police.
Four Brazilian friends meet to reflect on the importance of the friendship network they built from being immigrants in Argentina. Drawn by nostalgia, they travel a sensory path to their roots and, through food and dance, they explore the challenges and satisfactions of living in another country.
A gripping coming-of-age film that follows a group of teenagers as they navigate the challenges of growing up and chasing their dreams in a tough world. As they navigate the complexities of adolescence, the boys find themselves confronted with a variety of obstacles, from family problems and peer pressure to poverty and violence. Some turn to music as a means of expression, others are tempted by the allure of fast money and easy thrills, flirting with a life of crime. But no matter what path they choose, they are united by a deep-seated desire to succeed and find their place in the world.
A young Chinese documentarian visits a small English village in which she encounters the friendly ghosts of its former residents and inadvertently uncovers long-held secrets.
Bhanu, a high school teacher, wants to transition as a trans woman while working for a school in a small town in South India. Bhanu’s parents do not know that she is already taking hormone treatment for the transition. When her parents force a marriage upon her due to their financial situation, Bhanu gains courage under pressure. She starts to live as a woman named Bhanu with her friend Haritha's help. The school administration creates problems by not acknowledging Bhanu as a woman. As Bhanu struggles to find happiness after transition, she meets a student Karthik who is being bullied by his classmates for his feminine demeanor. Unable to withstand the bullying, Karthik retaliates by wearing makeup and nail polish to school. The school administration blames Bhanu for all the problems. How Karthik and Bhanu deal with the problems form the rest of the story.
Thevan, a folk singer of the Paanan caste, has a fateful encounter when escaping slavery, leading to discover an ancient tradition altering his destiny.
Maruo, an independent film director, feels that he doesn't want to have sex because he loves her, and because of this, he breaks up with his girlfriend Aki. Unable to forget Aki, he tries to make a new movie based on his experience, but is stuck in writing the script. Why couldn't he hold Aki? Unable to find the answer himself, Maruo decides to meet her again to face that question. On the other hand, Aki is married to Tagashira, an office worker, but even though she wants to have children, she is worried about a sexless marital relationship. When Aki meets Maruo again after a long time, she asks him to give her some of his sperm.
The film starred Rajkumar and Bharathi Vishnuvardhan. It had Balakrishna, K. S. Ashwath and Sampath playing supporting roles. The film, along with Mooruvare Vajragalu (1973), was Rajkumar's last movie in black-and-white. However, this movie had a few sequences shot in colour. This was also the last film where Rajkumar and Bharathi were seen together. This was also Rajkumar's last collaboration with Siddalingaiah. The film is seen as a landmark in the career of Siddalingaiah.The movie saw a theatrical run of 25 weeks.
Vasantha, a feminist, is promised her ancestral inheritance only if she gets married. In order to secure her riches so that she can help women in distress, she hatches a plan.
The end of the 1920s. A young oil engineer, Ovez Emudov, arrives in the Karakum Desert to search for oil. The lack of drinking water, necessary equipment, and workers in the barren steppes, as well as the open sabotage of the trust's employees led by Mukhortov, a staunch enemy of the Soviet government, are all factors that the head of the exploration site must contend with. The film is dedicated to the 50th anniversary of the Turkmen Soviet Socialist Republic.
100-year-old Grandma Maria lives alone in an abandoned village. When a lamb appears in her barn, a series of inexplicable events challenge her faith.