A film by Séverine Barde, adapted from Dorian Rossel's play, based on Ingmar Bergman's fictional autobiography. A powerful self-portrait, at the crossroads of theater and cinema, from the collection De la scène à l'écran.
A film by Séverine Barde, adapted from Dorian Rossel's play, based on Ingmar Bergman's fictional autobiography. A powerful self-portrait, at the crossroads of theater and cinema, from the collection De la scène à l'écran.
2025-05-18
0
based on Ingmar Bergman's fictional autobiography
A joyful insight into the creative world of Barry and Joan Grantham, two British eccentrics who have kept the skills of vaudeville alive for over seventy years. Since becoming stage-struck lovers in 1948, Barry and Joan have taught, danced and acted alongside the greats of British film and theatre. They are the last of the golden generation of vaudeville, eager to pass their legacy on to future generations.
In 1996 I took the conservatory exam. I missed it. A year ago I was asked to do a masterclass on acting in cinema. I went there. I met a lively, joyful and passionate youth. Among my students there was Clémence. The following year, she asked me to film their last show. I felt her urgency and the fear she had of leaving this mythical place. So I accepted. By filming this youth, I revisited mine.
As their bodies give way to Parkinson's disease, two New York actors put their hearts into one final Off-Broadway production of Beckett's "Endgame," the play that posits, "there's nothing funnier than unhappiness."
'On the Fringe' is a captivating documentary that takes viewers on a journey through Canada’s most vibrant and eclectic arts festival circuit. Chronicling the experiences of four groups of artists as they travel from coast to coast, the film provides a rare and compelling insight into the world of Fringe theatre, and the artists who rely on these festivals to make their dreams come true.
A documentary about the legendary 1972 Toronto production of the musical about the life of Jesus, which launched many illustrious careers and ignited a comedy revolution.
To celebrate its 50th anniversary, the National Theatre of Great Britain presents National Theatre: 50 Years on Stage, bringing together the best British actors for a unique evening of unforgettable performances, broadcast live from London to cinemas around the world.
This is the story of my grandfather, Tiago Florit, who for 50 years was a film operator at the Teatre Principal de Maó, in Menorca. It is a review of his life, from his birth to his death, in a cinematographic key. A true love story to cinema.
Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.
Throughout the 1950s, Tab Hunter reigned as Hollywood’s ultimate male heartthrob. But throughout his years of stardom, Tab had a secret. Tab Hunter was gay, and spent his Hollywood years in a precarious closet that repeatedly threatened to implode and destroy him. Tab Hunter himself shares first hand, for the first time, what it was like to be a studio manufactured movie star during the Golden Age of Hollywood and the consequences of being someone totally different from his studio manufactured image.
The extraordinary life of playwright, singer, actor, composer, and director Noël Coward, who rose from poverty to stardom while keeping his sexuality a secret. Featuring Laurence Olivier, Maggie Smith, Frank Sinatra, Michael Caine and Lucille Ball. Narrated by Alan Cumming. With Rupert Everett as the voice of Noël Coward. Directed by Academy Award Nominee Barnaby Thompson.
The first part of the film shows an actuality street scene of traffic in the Strand. Behind the traffic we can see the entrance to the Gaiety Theatre on the Strand, advertising its latest show 'My Girl'. The second part is a different film altogether, spliced onto the first and is R W Paul’s Turn Out of a Fire Brigade filmed in November 1896 in Newcastle at the Westgate Road fire station. The film date is 1896.
The internal journey of eight men, who, through a theater workshop, go through the different prisons they inhabit. Practicing the art of seeing themselves, in Boal's words, this group of men reflects on their masculinity as a representation to hide their true strength: their vulnerability.
The hour before actors go on stage at the National Theatre in London is a performance in and of itself.
Directed by Ariane Louis-Seize, this tribute film was created as a gift for Lorraine Pintal, director of Montreal’s Théâtre du Nouveau Monde. Featuring some of the most memorable characters and performers of Pintal’s career, the film’s succession of surreal scenes from different dramatic worlds introduces viewers to the exceptional woman of theatre, stage director, and friend whom they consider to be the “ghost light” of Quebec theatre.
On the same day that Stalin was buried, Sergei Prokofiev's funeral took place completely unnoticed. And if the farewell to the composer quietly went against the backdrop of the farewell to the dictator that swept the whole country, then in the play everything is the opposite - Prokofiev's music is in the center, and it is interrupted by the stories of those people who would probably ignore Stalin's funeral and went to say goodbye to the great composer.
An average student in average small-town America, inspired by the astronauts she saw on TV, Eileen Collins nurtured a secret dream to fly to space herself. In the 1970's the US military selected women pilots for the first time, and Eileen became one of those daredevil test pilots. Proving herself in this man's world, she then inspired thousands of others when she became NASA's first female pilot of a space shuttle. SPACEWOMAN will show Eileen's experience of the epic violence of a space shuttle launch, a historic docking with a Russian space station, and follow the dramatic tale of one of the most perilous and important missions in the history of space travel. It also tells the very human story of a family, examining the tough background that made Eileen a woman who could manage fear and take command, and as a mother, guide the journey of her own family alongside her extraordinary and risky endeavors.