I'm twenty. I need to be scared of things.
Shozo is the head of the Tamba clan, who is after the Nagisa clan's territory. He is concerned about the existence of Maji, and tries to make a fuss about the fact that Maji's younger brother has eloped with his daughter.
South Florida. 1962. While the Cuban Missile Crisis threatens to incinerate America, divorce looms over the Shaw family. Thirteen-year-old Miles Shaw must protect his little brother, Danny, from the fallout, and he has it all figured it. The mission? To blow up the Soviet Missiles. The weapon? Model Rockets. There are always casualties in War-even the cold ones.
A corpse of a clown is found in a park. Detective Shirataka Amane of Musashino Higashi Police Station begins investigating with rookie detective Uzuka Shinsaku. They find a picture of the victim holding a balloon with the number 1 and the letters TTX on social media which indicates pufferfish poisoning. Shirataka intuitively suspects that this is an incriminating statement done by a serial killer, but Chief Investigator Fukukawa Saeko denies her. Detective Kusano Seiya and other personnel of MPD First Investigative Division join the investigation, then a second murder occurs. Shirataka recalls an unsolved kidnapping and murder case from two years ago that she still regrets.
This coming-of-age story from Japan opens just after 17-year-old Sataka has gotten dumped by her boyfriend. When her mother is hospitalized with a malignant stomach ulcer, Sataka is left alone with her emotionally repressed father; whiling away the hours one day, she comes across a love letter written to her mother 24 years earlier. Deciding to track down the letter's author, Sataka eventually finds Shinichiro (Hiroyuki Sanada), an overweight slob who was abandoned by his wife years earlier and now spends his time hanging around pachinko parlors. Determined to clean him up and reintroduce him to her mother, Sataka nags Shinchiro until he finally agrees to her demands, and a gradual friendship develops between the two as Sataka drags him to the gym and a clothing store. But once Shinchiro's makeover is complete, he turns the tables on his young friend, and when the time comes for him to meet Sataka's mother, all concerned parties find themselves embarking on a new phase in their lives.
Munni and Mithun, two youngsters, move to Mumbai to become actors. Expecting a sea of opportunities, they soon realise that it is a tough journey to success.
Ken is Ktar’s first son. Ken’s mother is very sick and has left them. Ktar re-marries and has a new son named Un. Un finds out that Ken’s mother is still alive. First,Ken can’t accept that his real mother has leprosy but when he goes see her, she’s already commit suicide. Ken’s thinking about committing suicide; Un and Pinkaew try to stop him, but too late. Ktar is shocked by what has happened and also dies. Un and Pinkaew get married in the end.
What drives a young, well-educated Westerner to volunteer as a “peace activist” in the Middle East? Caiomhe Butterly is one of a growing number of volunteers who risk their own safety to intervene in the long-running and bloody conflict between Israel and Palestine. Several internationals, including her, have now been injured. Some have died. In this film, she describes witnessing the aftermath of the attack on Jenin in April 2002. The film follows her work, the main emphasis being “the accompaniment of communities at risk”. Despite being threatened, shot in the leg and deported later that year, she is determined to go back.
A middle-aged man is having problems trying to regain his sexual drive. He leaves behind his old life and tries to discover a simpler happiness through painting and meeting new friends. Wanting to save him from a sexless fate, his friend (director Carlos Tobalina in a supporting role) attempts to solve the mystery of his sexual shortcomings, through any means possible. Filled with incredible footage of Las Vegas, the Sierra Nevada and elsewhere, as well as subplots involving kidnapping, and even a bit of unexpected gore, filmmaker Carlos Tobalina’s debut feature is a totally unique sexploitation experiment that showcases many of the stylistic touches that would become his trademarks, along with a cast of beautiful starlets, including Sharon Matt and Marsha Jordan.
Determined to gain favor in his family's eyes and match his sister's status, a boy must prove his worth and show his potential in an upcoming martial arts competition.
On their 35th anniversary, Barbara dreams of Provence’s lavender fields, but her husband won’t budge. Secretly, she joins a French class with free‐spirited teacher Alexander and classmates Mehmet, Richard, Simon, and Miriam, learning life as much as language. As Barbara blossoms in newfound friendships, her family notices her spark reignited, and she resolves to seize her own happiness.
Jang-gun lives in a remote country, Kkachigol, with his loving mom. His name, Jang-gun, means ‘General’ in Korean which his mother named wishing him to be a great person. But he just want to be a ordinary farmer and his only wish is growing potato well and getting married Kkotbuni someday. One day, Jang-gun receives a draft notice and conscripted into the army even not knowing the meaning of the war.
Three scripts, each one with independent storylines, have in common a vision of the Colombian capital in 2016.
A grandmother is looking for her grandson, a teenager for his grandfather.
Two men in post-communist Latvia go around preaching Gods word and get involved into all kind of encounters. Erik is a super-pious moralist. But Daniel is a super-consumerist who preaches the gospel of wealth. Their arguments and battles are laugh-out-loud funny as they attempt to convert the heathen (who smile and look on in pure amusement).
A shy teenager (Andrew) is peer pressured by his older brother (Mike) into playing a game that is said to summon the ghost of the town legend, 'The Lady Beneath'. To disprove his brother and impress a girl at school he reluctantly agrees. The rules of the game are simple, as long as Andrew holds his breath, he is safe from The Lady Beneath. But how long can Andrew hold his breath?
Henry Farland moves to the country with his wife Allison and daughter - to live with Jack, his benefactor. He is increasingly forcing his life ideas on the young family. Allison suffers greatly from this situation, but Henry enjoys this life to the fullest and even begins an affair with his childhood friend. But then Christopher suddenly appears in Allison's life, desperately looking for a donor for his leukemia-stricken son...
He was one of the most notorious Nazi war criminals, infamous for his assassination attempts on twins. But at the end of World War II, he simply disappeared...
Daniel Johnston stars in this psychedelic short film about an aging musician coming to terms with the dreams of yesteryear.
Jan Schmidt and Pavel Juráček turn their attention to the problem of Czechoslovakia's unloved cars in this whimsical documentary short.
Never-before-heard audio tapes recorded with Neil Armstrong during the final years of his life reveal an intimate portrait of this iconic - and famously private - man. Illustrated through previously unseen personal photographs and archival footage, this documentary special takes viewers on an emotional journey into the thoughts and experiences of the first man on the Moon.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
For detained immigrants who can’t pay their bond, for-profit companies like Libre by Nexus offer a path to reunite with their families. But for many, the reality is much more complicated. “Libre” sheds light on one of many hidden costs of reunification for immigrant families.
Rated X, a short documentary about the adult industry, focuses on giving a voice to the porn actresses working within it. In a perspective of showing how these women empower themselves with their job, Rated X shows the porn industry like never before.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.
A documentary that explores the challenges that a life in music can bring.
Glauco Mattoso, a blind sadomasochistic poet, agrees to participate in a documentary about his own life, but the conditions he imposes raise difficulties to the work of the young director.
Documentarians Andre Heller and Othmar Schmiderer turn their camera on 81-year-old Traudl Junge, who served as Adolf Hitler's secretary from 1942 to 1945, and allow her to speak about her experiences. Junge sheds light on life in the Third Reich and the days leading up to Hitler's death in the famed bunker, where Junge recorded Hitler's last will and testament. Her gripping account is nothing short of mesmerizing.
Never before have we watched as much porn as today yet the traditional porn industry is dying. The arrival of web sites showing amateur clips has transformed the way porn is made and consumed. Behind this transformation lies one opaque multinational.
The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.
One of several Kevin Jerome Everson pieces regarding African-American rodeo riders, SECOND PLACE brings us inside the big show. The jerkily pixilated view of a bucking bull offers an aesthetic equivalent of the cowboy's wild ride while the film's silence lends an unexpected repose to the contest. Whether anticipating a bull's blasting out of the gate or watching an old hand stretch out his back, Everson's camera is ever-attentive to the action at the edge of the frame. - Max Goldberg
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.
A short documentary profiling the lives of three transgender Black men, exploring what life is like living as a Black man when no one knows you are transgender, and their journeys with gender in the years since they transitioned.
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)