Through phone call conversations, an aspiring Ilocano filmmaker relates to his mother working in Italy about his dreams and struggles while documenting the invisible betweenness of their language and distance.
Through phone call conversations, an aspiring Ilocano filmmaker relates to his mother working in Italy about his dreams and struggles while documenting the invisible betweenness of their language and distance.
2024-07-03
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A young girl turns into an A-List celebrity over night when her private journal is accidently published and becomes a best-seller.
Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.
Thevan, a folk singer of the Paanan caste, has a fateful encounter when escaping slavery, leading to discover an ancient tradition altering his destiny.
The untold state of mind dealing with an incurable disease. One is wondering if there's still a dream to achieve in life. One is running as if this free spirit of mine has never been taken away.
Ayush suffers from sleep paralysis and dark hallucinations, haunted by shadowy figures that represent his repressed fears. Trapped between dream and reality, he confronts these manifestations of his inner turmoil.
When asked a question on politics, late Palestinian poet Mahmoud Darwish once answered: “I write about love to expose the conditions that don’t allow me to write about love.” In TWO TRAVELERS TO A RIVER Palestinian actress Manal Khader recites such a poem by Mahmoud Darwish: a concise reflection on how things could have been.
An electoral campaign is underway in an imaginary country. Two leaders fight over the voters, who cry in exasperation. The first leader is fat and whiny, the second smiling and aloof. A man with a laptop computer and a teenager with a stony face and muscular body look on as the political battle unfolds. An aggressive woman removes herself from the melancholy scene. After the victory of democratic optimism, the two observers kill the leader, who dies with a smile on his lips. Civil war breaks out.
Bounded Intimacy (part of the trilogy of Super 8mm shorts It’s Just Business, Baby) examines the histories of various forms of body labor across the Chelsea and Tribeca districts, renowned as a sites for sex work, sex clubs and illicit sexual activity. Bounded Intimacy explores the seduction of a nameless woman and the camera. The relationship between the two remains unknown and ambivalent as to whether or not the encounter is “authentic.” The nature of their relationship is irrelevant as the camera captures the authenticity of the desire in the encounter between the two. (Ayanna Dozier)
During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.
A chronicle of the lives of a couple and the gradual dissolution of their relationship.
An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
An adaptation of a children's poem called Chanson des escargots qui vont à l'enterrement by Jacques Prévert, starring Joseph Gordon-Levitt. Filmed in Paris, France and Los Angeles, California.
Reya’s World delves into the raw and poignant struggle of a young woman navigating the depths of depression. Feeling trapped in a seemingly endless cycle of isolation, Reya finds solace and gradual healing through small moments of self-connection and genuine friendships, gradually lifting the heavy burden that envelops her.
The process of depersonalization maintains a dialogue with the objectification of the body, a sort of thingified flesh, clothed in animosity. In an epiphanic act, the sutures reveal themselves as the reflection of this gaze upon its own spilled fluids and transcend into an internal soup. It is the stream of consciousness in its purest form. It is the raw and the bare. It is the visceral nature of facts. It is the merging of worlds. It is the flesh in turmoil.
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
A bartender takes on the physical form of her imagined alter egos.
Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010