Tracking (1994) is a documentary about the band Phish and the recording of the album Hoist. It is directed by the band's bass player, Mike Gordon, who wrote, for the VHS packaging: While in the studio recording the album 'Hoister' (sic) I sported a video camera. Sometimes I pushed the record button. Others, the stop. Alas, I edited. Using machines small yet sweet, I assembled Tracking. This isn't about railroad tracks or stuffing things up the tender nostril. It's about 48 tracks of sound, adjacent on strips of plastic. Like mixing lilac petals, coriander, chunks of butter, and fennel into a soup. Tracking is the recording of different sounds, adjacent on strips of plastic. . . . Many of the musicians on the album, Alison Krauss, Béla Fleck, and actor Jonathan Frakes, are shown recording tracks that eventually wound up on the album. The documentary is approximately 25 minutes long and was produced by Cactus Films.
Tracking (1994) is a documentary about the band Phish and the recording of the album Hoist. It is directed by the band's bass player, Mike Gordon, who wrote, for the VHS packaging: While in the studio recording the album 'Hoister' (sic) I sported a video camera. Sometimes I pushed the record button. Others, the stop. Alas, I edited. Using machines small yet sweet, I assembled Tracking. This isn't about railroad tracks or stuffing things up the tender nostril. It's about 48 tracks of sound, adjacent on strips of plastic. Like mixing lilac petals, coriander, chunks of butter, and fennel into a soup. Tracking is the recording of different sounds, adjacent on strips of plastic. . . . Many of the musicians on the album, Alison Krauss, Béla Fleck, and actor Jonathan Frakes, are shown recording tracks that eventually wound up on the album. The documentary is approximately 25 minutes long and was produced by Cactus Films.
1994-10-01
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The Rev. Jeff Mosier (Blueground Undergrass) was contracted by Phish in the Fall of 1994, to help them learn Bluegrass. They flew him to Michigan and Mike Gordon picked him up in a limo, and they had their first lesson on 11/14/1994, same night as Grand Rapids.
On May 31, 2003, Trey Anastasio played the second of two sold-out shows at San Francisco’s Warfield Theatre. On that night, Carlos Santana dropped by to say hello to Trey, ended up joining the ten-piece band on stage halfway through the first set, and continued to play with the group for the remainder of the night. The results were electric, suffused with spontaneous energy and exuberant interplay between the two guitarists.
There are the images of before, the images of after and the letters. The images of after come first, they stem from the same surveillance camera in Wuhan, empty streets that only throng with people again on April 4th, 2020.
At the end of the seventies the Red Brigades are plotting a new target to hit, the president of the Christian Democrats Aldo Moro. On 16 March 1978, the band of the Red Brigades went on the attack. The terrorists kidnap Aldo Moro and kill all the men in his escort.
Behind the scenes of "Inglorious Basterds" by Quentin Tarantino.
With vintage footage, interviews, and Marc Huestis' own energy and humor at the center, Impresario is an homage to a San Francisco icon and one of the founders of Frameline.
An investigation into the addiction battle and final 24 hours of singer-songwriter Amy Winehouse’s life before her death at the age of 27.
Sit down with Elvis' closest friends as they share their memories of the King of Rock ‘n’ Roll, and discuss what really happened in his final hours.
Pearl Jam play live at Rogers Arena, Vancouver, BC, Canada on December 4th 2013. >> SETLIST: Oceans, Can't Keep, Low Light, Corduroy, Breakerfall, Mind Your Manners, Why Go, Gods' Dice, Lightning Bolt, In Hiding, Even Flow, Setting Forth (Eddie Vedder song), Not for You (with "Modern Girl" (Sleater Kinney) tag), Daughter (with "It's Ok" (Dead Moon) tag), Infallible, After Hours (The Velvet Underground cover), Sirens, Jeremy, Gonna See My Friend, Improvisation (title "Improv 12/02/13" as listed on pearljam.com), Porch >> ENCORE: Soon Forget (first time since November 30 2006), Yellow Moon, Thumbing My Way, Footsteps, Mother (Pink Floyd cover), Insignificance, Given to Fly, Got Some, Better Man (with "Save It for Later" tag) >> ENCORE 2: Go, Do the Evolution, Black, Alive, Kick Out the Jams (MC5 cover) (with Mark Arm) (and Steve Tuner of Mudhoney), Yellow Ledbetter
Conflict between the "haves" and "have nots" in a feudal state, is spearheaded by an outlaw, with his band of associates, horse and dog, providing all action, suspense and tempo. The chief minister and his supporters try their best to thwart the revolt which ultimately succeeds in unexpected way. - It was a unique world for "Baazigar", where the pattern of society was thrilling, fascinating and with liberty - a strange socialistic pattern!. . The chief Minister of State Mansingh believed that Baazigar is a dangerous blood-thirsty dacoit of notorious indetification in society!
Behind the scenes of Andrzej Bartkowiak's 'Exit Wounds'
Behind the scenes of Rupert Glasson's 'Coffin Rock'
A journey along one of Portugal's oldest roads reveals, through its winding paths and valleys, many of the challenges currently faced by various European countries. Much like the road that cuts through the center of the country, at the heart of this discussion, lies the reflection on the depopulation and neglect of rural areas. A blend of testimonies from those who were born there, those who are dedicated to the region, and those who choose to travel it in search of something, all contribute to a deeper understanding of new ways of living and connecting with the land in a globalized world.
A profound movement has ignited in the Racing Capital of the World, fueled by the legacy of racing champion Bryan Clauson, whose heart symbol on his driver’s license became a beacon of hope.
The saga of fitness, which exploded in the 1980s and contributed, in its own way, to liberating women's bodies.
A set-up for an experiment in an empty room. Former inmates reconstruct an Israeli secret service interrogation centre. These Palestinian men use role play to come to terms with their memories and the humiliation they have experienced.