O Sumiço do Amigo Invisível(NaN)

Visions of Europe(en)

Twenty-five films from twenty-five European countries by twenty-five European directors.

Bunny & Non-Bunnyness(en)

When the Easter Bunny discovers nobody believes in him anymore, he has an existential crisis.

The Spectator(el)

Thanos has detached himself from every feeling and watches his life as if it was a film.

La marche(fr)

The Spirit of the Tsilqot'in People is Hovering over the Supreme Court(en)

The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.

Howl from Beyond the Fog(ja)

Set during the Meiji reformation era in a small village in Kyushu, Japan. The story revolves around a young boy named Izana and a blind woman named Takiri, the two encounter the large monster Nebula who since ancient times was feared as the god of lake Amenosagiri. Theme of the film focuses on the Japanese concept of light and darkness, as told by puppetry and model miniaturization of the films’ world with practical special effects by Keizo Murase.

Bogus(en)

Recently orphaned, a young boy is taken in by his godmother who is shocked to realize that she can see the boy's imaginary friend: a flamboyant, French magician named Bogus.

Scum Manifesto(fr)

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

African Adventure: Safari in the Okavango(en)

Birdman(en)

A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.

Swedish Rooms(sv)

Three Swedish living rooms, under three different stages of life.

Taming the Rabbit(zh)

By giving non-traditional answers, Pi Pi Lu is seen as a disruptive student by his teacher, Ms. Xu. In her view, only tamed students could be good students. One by one, all students become tame rabbits under Ms. Xu's encouragement and education. Pi Pi Lu is the only one in the class who refuses to be a rabbit. Can Ms. Xu's all-rabbit-class dream come true?

Casus Belli(el)

All kinds of people are waiting in seven different queues. The first person of each queue becomes the last of the next one, thus creating an enormous human line. But at the end of the line, it all begins backwards again.

The Thinnest Line(ca)

A fist-person story of the director of the documentary, who talks about the loneliness that entails living with an eating disorder and her vision now thar she is entering into adulthood.

Borderland(sv)

Shots are fired at a woman as she runs through the forest. At the same time, two brothers turn on to a forest road. Their paths will soon cross in a suspenseful film with supernatural elements - where nobody is what they seem to be.

La Vuelta(es)

Salvador Dalí at Work(en)

Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.

Color-Blind(fr)

A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.

Second Place(en)

One of several Kevin Jerome Everson pieces regarding African-American rodeo riders, SECOND PLACE brings us inside the big show. The jerkily pixilated view of a bucking bull offers an aesthetic equivalent of the cowboy's wild ride while the film's silence lends an unexpected repose to the contest. Whether anticipating a bull's blasting out of the gate or watching an old hand stretch out his back, Everson's camera is ever-attentive to the action at the edge of the frame. - Max Goldberg

Nona(en)

Nona asks "do you love?" and the boy repeats his answer: True love will never die. As a Warden leads "The Boy" to the doctor's office, he explains what has happened on the road during Valentines night.