How is our dialect faring in the globalized age? When the "railroad age" began 160 years ago, Switzerland feared that High German would supplant the dialect. The opposite has happened. The dialect persists and continues to blossom.
How is our dialect faring in the globalized age? When the "railroad age" began 160 years ago, Switzerland feared that High German would supplant the dialect. The opposite has happened. The dialect persists and continues to blossom.
2024-01-19
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They just arrived in France. They are Irish, Serbs, Brazilians Tunisians, Chinese and Senegalese ... For a year, Julie Bertuccelli filmed talks, conflicts and joys of this group of students aged 11 to 15 years, together in the same class to learn French.
The wild beauty of the Bella Coola Valley blends with vivid watercolor animation illuminating the role of the Nuxalk oral tradition and the intersection of story, place and culture.
In this short documentary, a Musqueam elder rediscovers his Native language and traditions in the city of Vancouver, in the vicinity of which the Musqueam people have lived for thousands of years. Writing the Land captures the ever-changing nature of a modern city - the glass and steel towers cut against the sky, grass, trees and a sudden flash of birds in flight and the enduring power of language to shape perception and create memory.
Three college students start a social experiment to prove that reality changes according to the words we use to describe it. Through research, activist actions, and artistic interventions, they analyze the importance of language in the way we understand the world. The documentary includes analysis from more than 20 international experts and leaders in the fields of political communication and information.
Three images of a person running in the void through the movement of speed and abstract images
Victor Klemperer (1881-1960), a professor of literature in Dresden, was Jewish; through the efforts of his wife, he survived the war. From 1933 when Hitler came to power to the war's end, he kept a journal paying attention to the Nazis' use of words. This film takes the end of 1945 as its vantage point, with a narrator looking back as if Klemperer reads from his journal. He examines the use of simple words like "folk," "eternal," and "to live." Interspersed are personal photographs, newsreel footage of Reich leaders and of life in Germany then, and a few other narrative devices. Although he's dispassionate, Klemperer's fear and dread resonate
Director John Scott crafts this look at the curious life of his longtime friend John Stiles — an aspiring writer and former telephone marketer whose midlife meltdown worked wonders for his career. Stiles was down on his luck working as a telemarketer in Toronto when, one day, he threw out his pre-written script and began speaking to customers in curious character voices inspired by his upbringing in Nova Scotia. That month, Stiles made the most sales of any employee and earned a free DVD player for his efforts. In the following years, Stiles threw caution to the wind, venturing out to local open mic nights — where he developed a substantial cult following — and later publishing a pair of books with Insomniac press.
The movie explores the origin of the Ukrainian language and persecution of those who defended its authenticity. Using examples of other countries, creators of the film prove that a nation cannot exist without a language.
“Those Who Come, Will Hear” proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.
Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors
CREE CODE TALKER reveals the role of Canadian Cree code talker Charles 'Checker' Tomkins during the Second World War. Digging deep into the US archives it depicts the true story of Charles' involvement with the US Air Force and the development of the code talkers communication system, which was used to transmit crucial military communications, using the Cree language as a vital secret weapon in combat.
There are over 6,000 languages in the world. We lose one every two weeks. Hundreds will be lost within the next generation. By the end of this century, half of the world's languages will have vanished. Language Matters with Bob Holman is a two hour documentary that asks: What do we lose when a language dies? What does it take to save a language?
How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.
Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion
Documentary by Jean-Pierre Gorin about twin girls who spontaneously developed their own unique language as children.
"This project consists a visual fluidity of construction, harmony and thoughts taking colors and length from this body of autonomy. Different images between figuration and abstraction are created by meaning and phenomenon letting the decoupage revealing a piece of a strange underworld. I built it like a window opened to the fresh air of improvisation by familiar landscapes, those exact moments articulating a connection between light and movement."
Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.
Rich in humor and regional color, this sometimes hilarious film uses the prism of language to reveal our attitudes about the way other people speak. From Boston Brahmins to Black Louisiana teenagers, from Texas cowboys to New York professionals, American Tongues elicits funny, perceptive, sometimes shocking, and always telling comments on American English in all its diversity. (PBS)
"Mother Tongue" chronicles the first time a documentary film about Guatemalan genocide in Guatemala was translated and dubbed into Maya-Ixil—5.5% of whom were killed during the armed conflict in the 1980s. Told from the perspective of Matilde Terraza, an emerging Ixil leader and the translation project’s coordinator, "Mother Tongue" illuminates the Ixil community’s ongoing work to preserve collective memory.
The Cherokee language is deeply tied to Cherokee identity; yet generations of assimilation efforts by the U.S. government and anti-Indigenous stigmas have forced the Tri-Council of Cherokee tribes to declare a State of Emergency for the language in 2019. While there are 430,000 Cherokee citizens in the three federally recognized tribes, fewer than an estimated 2,000 fluent speakers remain—the majority of whom are elderly. The covid pandemic has unfortunately hastened the course. Language activists, artists, and the youth must now lead the charge of urgent radical revitalization efforts to help save the language from the brink of extinction.