Short documentary about an excavator operator in sweden
Self
Short documentary about an excavator operator in sweden
1960-01-01
0
A 1968 animation/documentary that criticises the industrial system. Preserved by the Academy Film Archive.
Fictional Documentary. A dancer in one of the paintings by Edgar Degas one day stepped out of the canvas, conquers the world and disappears during the carnival in Rio; mix of the academic universe, avant-gard art and the underworld sex scene. The movie was shot in Paris, NY and RJ.
Directors Werner Herzog and Errol Morris make a bet which results in Herzog living up to his promise that he would eat his shoe if Errol Morris ever completed the film Gates of Heaven.
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1944.
Super-8 footage captured while filming Bergman Island. In voice-over, filmmaker Mia Hansen-Løve offers intimate reflections on her creative process on the island of Fårö and her relationship with Bergman and Swedish cinema.
El Pueblo Del Sol captures not only the visual delights of Mexico today, but also grasps the day-to-day life of a people in a land filled with future promise. One is mesmerized by rich images of such natural beauties as the Isla Contoy in the Caribbean, Copper Canyon in the Chihuahua Sierra, the Paricutin Volcano, and Ensenada's Bay. Short IMAX documentary.
This Colin Low documentary from 1959 depicts Venice in all its splendor. In the tradition of Venetian painter Canaletto, the film captures the great Italian city’s elusive beauty and fabled landscapes, where spired churches and turreted palaces soar into a blue Mediterranean sky. Narration by William Shatner.
Narrated documentary of the making of Anthony Adverse (1936), featuring many clips from the actual film.
A brief feature that showcases various cast members discussing the film.
A Short Film About John Bolton is a darkly hip and hilarious film explores the question that torments artists of every medium: "Where do your ideas come from?" Renowned artist John Bolton's paintings of voluptuous she-vampire nudes have earned this quiet eccentric a reputation for having a "damaged imagination." BBC radio personality Jonathan Ross buys his pieces, which leads interviewer extraordinaire Marcus Brigstocke to find out what the appeal is in Bolton's beautiful (but terrifying) artwork. Why does Bolton demand that his gallery "monsterpieces" speak for themselves? What does he do with that ornamental knife that he carries everywhere? Will Marcus ever learn how to operate the camera?
A look at the horror movies of the 1980's.
In 1978, several NFL cheerleaders posed in Playboy magazine, having received approval from team management. But when the issue hit newsstands, it unleashed a wave of repercussions for the women themselves—and their team.
Arturo Urbiola, independent singer/songwriter, talks about the influence music has had on his life, it's impact, and what's in store for his artistic career after becoming a father.
Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter.
At the crossroads of documentary and fiction, Hello Stranger relates the transition journey of a young trans woman named Cooper Josephine. With humor, the film revisits key moments of her life from her childhood in a small fishing village of the east coast of Canada to her tumultuous medical process. Through the re-enactment of her memories, Cooper Josephine attempts to make peace with the last masculine imprint on her body: that unfortunate deep voice that sticks to her skin.
Macario 'Mac' Gómez talks about his long career as a film poster designer.
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.
Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.
2015 featurette documentary behind the experience of Nightmare and grindhouse cinema.