A short documentary primarily focused on Nikkatsu's Roman Porno series.
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Narrator
self
self
A short documentary primarily focused on Nikkatsu's Roman Porno series.
2002-01-01
0
KEN SAN pieces together the puzzle of the life and legacy of Japan's mythical acting icon, Ken Takakura. Collaborators, friends and family tell intimate stories of Ken's journey: how one man of quiet dignity became a cultural barrier-breaking film star.
A documentary on Teruo Ishii, the Japanese "King of Cult".
Because his style was similar to that of Yasujiro Ozu, who was already active at Shochiku, he moved to PCL (currently Toho) in 1933, where he appeared in the talkie works "My Wife, Like a Rose" and "Tsuruhachi Tsurujiro." It got attention. There were times when he was unable to make as many films as he wanted due to wartime film regulations and post-war Toho disputes, but in 1951 he revived his career with Meshi. Since then, he has released masterpieces one after another, including "Okaasan," "Lightning," "The Couple," "Wife," "Anii Mouto," "Sounds of the Mountain," and "Bangiku." The pinnacle of his work, "Floating Clouds," is Kenji Mizoguchi's "Wife." Even director Ozu was impressed, calling it a masterpiece of Japanese cinema, on par with "The Sisters of Gion." He depicted ordinary people in everyday life with an everyday realism that was not influenced by lyricism, and he consistently sought out women as his subjects.
After the war, many filmmakers were expelled from the Japanese film industry due to the Toho Dispute and the Red Purge. Amid such circumstances, there were people who set up their own independent production companies and embarked on film production without relying on corporations. This documentary film focuses on the passionate "spirit of film" of directors such as Satsuo Yamamoto and Tadashi Imai, who, despite many hardships, produced a succession of masterpieces overflowing with humanism and rebellious spirit.
Film director and screenwriter Seijun Suzuki (1923-2017), who in the sixties was the great innovator of Japanese cinema; and his collaborator, art director and screenwriter Takeo Kimura (1918-2010), recall how they made their great masterpieces about the Yakuza underworld for the Nikkatsu film company.
The obstetrics and gynecology department where Juri Takahashi is about to give birth is a horrifyingly abnormal hospital. When young women come to the doctor's office, they are always put to sleep under anesthesia. The director and his assistants perform all kinds of acts on them, and they record the scenes with a video camera and collect them.
A dangerous mobster threatens the life of a businessman's mother in this thriller. As Ryuji oversees the building of a bridge in Japan, a powerful gangster plans to stop the project. By any means necessary.
The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.
Two good friends entering different women's colleges, joining the wrestling club, and fighting as rivals.
Believing their childish lust to be love, a young couple eloped and moved to Tokyo, but the frustration of hunger and poverty turns them into cornered mice. However, the decisive breakup came from an unexpected incident. One day, a young wife is imprisoned by a paranoid middle-aged man.
Three people whose lives have taken a turn for the worse retreat into a world of erotic dreams made flesh in this drama from director Sai Yoichi. An executive with a large industrial corporation finds his job and his future is on the line when his firm is beset by labor troubles at the same time severe financial mismanagement has been discovered. As the executive looks for a way out of his situation, he becomes involved in a ménage à trois relationship with two fellow employees, a woman and another man. As real life becomes all the more unpleasant, the businessman and his lovers become deeply attached to one another as he explores sides of his sexual nature he's never been able to investigate in the past.
Scored by Australian electronic music group The Avalanches and produced by Junk Food Dinner, SINCE I LEFT YOU is a visual essay about synchronicity, electricity, and sending signals with complicated computers.
Legendary anime director Rintaro’s (Metropolis, X/1999, Galaxy Express 999) first new work in over a decade depicts pioneering 1930s director Sadao Yamanaka and the production of his Nezumikozo Jirokichi. Despite dying before the age of 30, Yamanaka was a pivotal influence in Japanese cinema whose work would go on to inspire future generations. While most of his films have been lost to time, his scripts remain, and Nezumikozo Jirokichi recreates one of these lost films—a tale of a famous, virtuous bandit in old Edo—as imagined by Rintaro together with an all-star team including Katsuhiro Otomo (Akira, Memories), Taro Maki (Pluto, Millennium Actress) and Masao Maruyama (Ninja Scroll, Perfect Blue).
The story depicts how an intelligent, beautiful, and chaste female teacher becomes a woman who writhes in lust after being humiliated by the lecherous vice principal and students.
A beautiful day Rokurou, a student, was to masturbate when a beautiful girl knocks on his door: You need a girl? And so begins the story. Rokurou did not know what it was that this beautiful girl was from a millionaire family.
While investigating stories of rape for a magazine article, a determined but callous reporter becomes perversely aroused as she meets the women who are suffering through the horror of their experiences. But will she suffer their fate if she goes too far?
A marquis' mistress becomes pregnant with fraternal twins. He keeps the boy, but sends his bodyguard to dispose of the mother and the girl. Years later…
Newly out of prison after killing his boss' rival, Akio Maki is eager to move on and start a new life with the boss' daughter. However, the chains of the past are not so easily broken and Maki is soon ordered to kill again.