Documentary film Heavy Heart arose as a part of ethnomusicological research Silalo panori / Cold water (2014 – 2017) of ancient Roma songs. These songs are usually connected with memories and experiences of their interprets. Documentary in a mosaic-like way traces the way of the original Roma music transport to the next generation or also how it ceases to exist under the influence of social changes.
Documentary film Heavy Heart arose as a part of ethnomusicological research Silalo panori / Cold water (2014 – 2017) of ancient Roma songs. These songs are usually connected with memories and experiences of their interprets. Documentary in a mosaic-like way traces the way of the original Roma music transport to the next generation or also how it ceases to exist under the influence of social changes.
2017-10-05
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In the summer of 1961, a group of young Italian anthropologists made a clandestine journey through Spain, in order to record popular songs that supported anti-Franco resistance. As a result of their work, they were prosecuted and their recordings were censored. Sixty years later, and guided by Emilio Jona, aged 92, the last living member of that group of travellers, we recover the unpublished recordings and reconstruct the journey, today, across an emotional and political landscape, regaining historical memories through these songs, as relevant today as they were then.
Otherness in otherness. What does it mean to be different in a community that is itself excluded from society? The documentary follows the fate of Roma who have become a minority in a minority society. Roma gays and transvestite search for their living space and dream of working abroad. A legless father of five longs for a wheelchair. A Roma grandmother sacrifices her life for the health of her beloved grandson. Will Emil, a Roma man who has found faith in God, be able to save his son from alcohol? Four stories from the poorest Roma settlements in Slovakia aim to break down prejudices between the Roma community and the white majority.
The protagonist of Dajori (mother in Romani) is forty-five-year-old Marie Hučková, who lives with her husband in Varnsdorf. After her younger sister Iveta ends up on the streets with her nine children, she decides to take her own fate and theirs firmly into her own hands and attempts to break out of the vicious circle of poverty that characterises their hometown. This sensitive film, which captures three years of a newly formed family's life together, follows the small joys and daily challenges of caring for others and asks whether a mother's love can overcome the dysfunctional system in which socially excluded localities find themselves.
Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.
A Roma beggar on his knees raises many extreme emotions: guilt, rage, sympathy and frustration. Most people just walk on by, but there is always someone willing to help. In this film, the director follows the confrontations between the Roma beggars from Romania and Finnish people, and is forced to question, over and over again, her own ideas about helping.
The film explores the taboo subject of homosexuality within the Roma community through the personal story of a Roma activist who happens to be gay. Though his job has earned him respect among his peers, by coming out his status is in jeopardy. However, the desire to share his complex story prompted him to write a screenplay based on his life. Partly a documentary about his autobiographical script, the film switches between documentary and narrative storytelling. Owing to its distinctive style, the film offers a glimpse into the protagonist's world as he faces triple discrimination: as a Roma, as a gay man, and as a gay man in the Roma community.
YOU ARE NOT ALONE, the Musical was performed in Paris (in English) by Jermaine Jackson. During this evening of music and stories, Jermaine Jackson told the whole Jackson story from their native house in Gary, Indiana, to Motown where they became the Jackson Five and from Michael's Thriller to his tragic death. You'll learn everything you need to know about the greatest family in the entertainment industry.
In the wilderness of the Bucharest Delta, nine children and their parents lived in perfect harmony with nature for 20 years – until they are chased out and forced to adapt to life in the big city.
With the UK’s hardening immigration policy in the background, director Mira Erdevički follows the lives of three Roma: Petr Torák, Denisa Gannon and Ondrej Oláh. Settled in the UK over 20 years ago, the trio still feel attached to their native Slovakia and the Czech Republic. As the country goes into lockdown, they film their lives throughout the Covid pandemic and the aftermath of Brexit.
A film about the first benefit rock concert when major musicians performed to raise relief funds for the poor of Bangladesh. The Concert for Bangladesh was a pair of benefit concerts organised by former Beatles guitarist George Harrison and Indian sitar player Ravi Shankar. The shows were held at 2:30 and 8:00 pm on Sunday, 1 August 1971, at Madison Square Garden in New York City, to raise international awareness of, and fund relief for refugees from East Pakistan, following the Bangladesh Liberation War-related genocide.
Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.
Is there a connection between animal sounds and the music that humans create? Using a surprising and wide variety of evidence from the animal kingdom -- including the humpback whale, the lyre bird, the siamang gibbon and the great reed warbler -- Sir David Attenborough seeks to prove that the origions of music lie in territory, emotion and sex.
A documentary about a young Finnish Romany Carmen, 11, who lives with her grandmother and aunt in the suburb of a small town in Northern Finland.
This documentary tells the story of the creation and cultural impact of the world's most famous Christmas carol, composed in 1818 in Salzburg, Austria, and since then translated into about 140 languages.
Hamdija Šahinpašić (1914-2003) was one of those rare individuals able to memorize songs in their authentic traditional form. Šahinpašić belonged to a family known for its songs. In the early 1950's, Miodrag A. Vasiljević recorded Šahinpašić singing dozen of songs at the Serbian Academy of Arts and Sciences in Belgrade. A 1967 publication finally included 300 of his songs, published bilingually in Bosnian and Russian. Šahinpašić himself become the focus of attention of numerous ethnomusicologists and folklorists and his repertoire was preserved on recording of good quality.
Ukrainian musicians of all genres, from metal to opera, transform their passion for music into devotion to their country in this moving documentary. Beginning on the very first day of the Russian invasion, Soldiers of Song documents how the lives of its cast of Ukrainian musicians have irrevocably changed and how they use their musical talents to support themselves and their communities. Using shocking footage from the frontlines, this film reminds us not only of the ongoing tragedies that continue to happen during this war, but also of the resilience of Ukraine and its cultural forces. Here music functions not only to lift the spirits of the soldiers, but also as a cultural export to raise awareness of the war, a tool for raising humanitarian and military funds, and a valuable cultural artifact for everyday Ukrainians to rally around and protect. The musician’s commitment to their craft reminds us of the real power art has and the impact of beauty under catastrophic circumstances.
The dance house movement, which (illegally) brought folk music from the minority Hungarian Gypsies and peasants of Transylvania - now part of Romania - to Budapest, and its effect on views of the value of traditional culture.
The tragic story of an American music virtuoso who found in 1970s Iran the love and acceptance he never received back home, and who was punished by his country upon his return after the Iranian revolution.