Oscar
Silvano
Samuel
Tom
Un Giudice
2014-08-08
10
The first revival of David Bösch’s new production for The Royal Opera, with two casts including Maria Agresta, Lianna Haroutounian and Anita Rachvelishvili.
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
The untold and ultimately inspiring story of legendary singer, Teddy Pendergrass, the man poised to be the biggest R&B artist of all time until the tragic accident that changed his life forever at the age of only 31.
Michel, the jovial owner of the only café in a small Normandy town, sees his life turned upside down when his teenage daughter is murdered. The community has his back but soon rumor spreads and Michel is singled out. From the ideal father, he becomes the ideal culprit.
This short machinima horror movie tells the escape story of Chris Edwards, inner voice dubbed by Aaron Landon Jackson, who wakes up in the middle of the night, at the cemetery, by a nameless grave that reads "Rest In Pieces."
Sequel to Maria Pistolas. Comic-tomgirl member of Villa's army has boy trouble.
Sisters Mirian and Mirelly were born in the interior of Goiás, but live in different cities. When their mother disappears, the two put aside their differences and come together to look for her, on a journey that could change their lives.
Inside and outside the well-kept hedges life carries on as usual. The King buys his daily newspaper. Bertil searches the parking lot for dogs to photograph. Hans and Gun-Britt is planting a big, but still too small rock in their garden. Trying to get their minds off it all. As darkness falls over the little village in the woods, the Indians gather for a meeting in the town house as angst, frustration and silent prayer echoes in the night. With visual precision and attention to detail, director Mikel Cee Karlsson captures people and their existence in a small village deep inside the Swedish forest. Over a period of four years, the music video director and former professional skateboarder Mikel has been capturing singular scenes from a part of today’s Sweden where reality inexorably seeps in behind the colourful fasad. With a mixture of playful precision, humour and melancholy he portrays people’s dreams, their relationships and everyday destinies.
From the imagination of René Gilbert, "100 limit" was the first TV program made by the comedy group called "Powder Blue." Initially composed of Pierre Brassard, Richard Z. Sirois, JiCi Lauzon, Dany Laferrière and Yvon Landry, this team was going to skim the news at the end of 1988 and remodel so hilarious at late night newscasts a 30-minute Monday, Tuesday and Wednesday evening at a bulletin an hour Friday evening. The year two of this concept Dany Laferrière will leave the ship and new employees Tachereau Ghislain André Robitaille and Jacques Chevalier make their entrance and following the limited success of the first season, the show became a weekly which is presented every Friday evening. The show really takes off and quickly became a staple of humor Quebec waves. In 1991, TQS half sword budget and the issue ends up canceled. The company Distribution Select allows us to relive the great moments that have marked this show when the DVD "100 limit" appeared.
Filmed over a year, with incredible access, three troubled Glasgow school children prove that miracles can happen.
A movie projectionist discovers that he has magical powers.
Jonas and Johanna have a cabin in the woods, where the recording mixtapes to cheer up the district's residents.
John Adams’s groundbreaking work vividly brings to life US President Nixon’s 1972 visit to the People’s Republic of China. Peter Sellars’s Metropolitan Opera production, based on his 1987 world-premiere staging, features choreography by Mark Morris and stars James Maddalena as Nixon, Robert Brubaker as Chairman Mao, Janis Kelly as First Lady Pat Nixon, Russell Braun as Chinese Premier Chou En-lai, and Kathleen Kim as Chiang Ch’ing, Mao’s wife. From the pomp of the public displays to the intimacy of the protagonists most private moments, Adams, Sellars and librettist Alice Goodman reveal the real characters behind the headlines in this landmark American opera.
One night in Judea, a disabled shepherd boy-turned-beggar and his mother are visited by three strangers. They are the Three Kings, and they are on their way to Bethlehem to visit the Christ Child, who has just been born.
Simultaneously filmed English language version of a period operetta, in which a Polish noblewoman is romantically linked with a revolutionary student activist.
The Zurich Opera gathered a superb cast for this production: Italian soprano Eva Mei sings the Countess Violante, known as Sandrina, the feigned gardener of the title. Spanish soprano Isabel Rey is her opponent Arminda, and Arminda's former lover, the melancholy Cavaliere Ramiro, is sung by Romanian mezzo Liliana Nikiteanu. Moretti's staging presents the action in a modern villa in a hierarchical world of the rich and famous.
Opera by Harry Somers portraying Metis leader Louis Riel and his Northwest Rebellion.
Since it's premiere in a tiny suburban theatre in Vienna, Die Zauberflote has delighted audiences young and old for over 200 years. Mozart's Singspiel seamlessly alternates seriousness and jollity, and combines philosophical ideas with a fairytale world of wondrous animals and magical musical instruments. Emanuel Schikaneder's original production was theatrically inventive, and this new interpretation from director Simon McBurney emulates that in fresh and current terms. Fusing music, technology and stagecraft, this exciting production gives Die Zauberflote a refreshing new treatment that is both thrilling and simple in it's approach. Following an overwhelming success on stage, McBurney's unique production received five-star reviews in the Dutch press: 'a feast for the eyes and the ears' (Het Parool) and 'Delicious!' (Trouw).
Bizet's greatest opera tells the story of the enigmatic and seductive Carmen and the dangerous passions of Don José. Live stream performance from The Royal Opera House in July 2019.
Alone in the woods, a young man is pursued by a horrifying specter and by visions of his deceased sisters. A meditation on the precarious uncertainty of the American Dream and the role that uncontrollable forces play in our lives, The West is a Land of Infinite Beginnings is inspired by a harrowing scene from the opera Proving Up, by composer Missy Mazzoli and librettist Royce Vavrek.
The first words uttered by Carmen mark one of the greatest entrances in the history of opera and express all that need be said: “Love is a rebellious bird that no one can tame…” With a devilish sway of the hips and a hint of Andalusian flair, the beautiful cigar-maker sets her sights on a soldier: Don José. Fate will do the rest.
A film version of the famous Bizet opera, where a soldier (Don Jose) falls in love with a beautiful factory worker (Carmen), but she does not reciprocate his feelings.
Cio-Cio-San, a young Japanese geisha, seeks to fulfill her dreams through marriage to an American naval officer. Her faith in their future is shattered by his empty vows and the loss she endures touches something deep within us all.
Glyndebourne's pulsating new production of the Waltz King's much-loved comic operetta. Its story centers on a magnificent masked ball, given by a Russian prince, that brings together all the main characters in various disguises. The three-act journey from boudoir to ballroom to jail provides ample opportunities for farce and humor, but also for genuine human emotion and a surprisingly realistic view of urban life.
Concert and documentary celebrating the 1st Anniversary of Moscow’s Zaryadye Hall
Arabella, Op. 79, is a lyric comedy or opera in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration.
Tan Dun portrays the Venetian explorer's travels to the Far East as a journey of both inner and physical discovery, a voyage depicting spiritual experiences as well as a geographical expedition. Pierre Audi's mythical staging and Jean Kalman's fabulous set design complement the composer's own musical direction, forging the dazzlingly versatile soloists, the Netherlands Chamber Orchestra and Cappella Amsterdam to a stunning symbiosis of elements across time and space, a true testimony to cultures intertwined in globalization.
After Tosca (2019), which marked Puccini’s entry into its repertoire, the Festival celebrates the centenary of the composer’s death this year by putting on his ‘Japanese tragedy’ Madame Butterfly: the cruel story of a vulnerable but strong and wilful heroine, driven by her blind perseverance to ritual suicide. By enveloping her with a bright lyricism and a supremely refined orchestration, Puccini reaches the heart of his artistic identity – reminding us of the real pleasure of tears. Conducting the orchestra of the Opéra de Lyon, Daniele Rustioni offers the finest of backdrops to Ermonela Jaho, whose rare combination of force and delicacy has made her a go-to choice in this wonderful yet harrowing role, in which she is making her prized debut in Aix.
When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of Window wives: Mistress Ford and Mistress Page. When they put their heads together and compare missives, they plan a practical joke or two to teach the knight a lesson. But Mistress Ford's husband is a very jealous man and is pumping Falstaff for information of the affair. Meanwhile the Pages' daughter Anne is besieged by suitors.
"La Bohème" is one of Giacomo Puccini's most popular and timeless works and the second-most performed opera at New York's Metropolitan Opera. This production, directed by the legendary Franco Zeffirelli, features José Carreras, Teresa Stratas, Renata Scotto and Richard Stilwell. The opera is replete with extraordinary visual beauty as it presents the tragic story of young bohemians struggling to make it in the world.
This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.