Several children spend a day in the forest and learn from Smokey Bear the five rules to fire safety.
An alien being fights to complete an impossible task. A metaphor for the emotional weight one carries within, and the hardships when striving to rid oneself of it.
A film about an unhappy man who catches his wife with a lover. He leaves to buy a gun, while plotting to kill the wife and the lover. Based on a short story by Anton Chekhov.
As the son of a Viking leader on the cusp of manhood, shy Hiccup Horrendous Haddock III faces a rite of passage: he must kill a dragon to prove his warrior mettle. But after downing a feared dragon, he realizes that he no longer wants to destroy it, and instead befriends the beast – which he names Toothless – much to the chagrin of his warrior father.
When the sky really is falling and sanity has flown the coop, who will rise to save the day? Together with his hysterical band of misfit friends, Chicken Little must hatch a plan to save the planet from alien invasion and prove that the world's biggest hero is a little chicken.
When an impulsive boy named Kenai is magically transformed into a bear, he must literally walk in another's footsteps until he learns some valuable life lessons. His courageous and often zany journey introduces him to a forest full of wildlife, including the lovable bear cub Koda, hilarious moose Rutt and Tuke, woolly mammoths and rambunctious rams.
Kenai finds his childhood human friend Nita and the two embark on a journey to burn the amulet he gave to her before he was a bear, much to Koda's dismay.
One summer afternoon in 1907, Abel and his wife (both mice) are picnicking, when they become separated during a violent rainstorm. After flying some distance, Abel discovers himself alone on a river island, unable to swim due to the powerful current. Abel periodically attempts to leave the island by various means: flying on a leaf, rowing a crudely fashioned boat, etc. Meanwhile, he tries to create a normal life of sorts, even learning to enjoy a new hobby: sculpture. Still, Abel's goal is to escape the island and rejoin his wife in the city.
Hykade's third and final part of The Country Trilogy. The once dead father of "We Lived in Grass" returns. "I give you the runt," he says. "But you take care of it and you kill it next year."
The animation was produced for the Tezuka Osamu Manga Museum, thus it features scenes from the "life and nature" of Tezuka Osamu's childhood, themes that are central to the museum as a whole, through exchanges between the boy Osamu and the carabid beetle (Osamushi) who provided the origin for the artist's name.
The film expresses the sense of being left behind. It stems from the realities of my childhood and how they did not match up with what I was feeling back then.
The fourth-grade protagonist is going through physical and emotional changes and feels awkward as she can't help but compare herself to her friends. One day, she is blown away by her classmate Aya's swimming and realizes that she has feelings for her.
Even though I feel like I'm living in the now, here, I think I just end up being in nowhere all the time. And in the nowhere, I find the now and the here.
The elderly at the nursing home have their heads shaved. The protagonist who works there sees them but can't read their expressions. However, from one instance, he finds himself looking closely at their faces.
A deadpan sci-fi, interweaving moments of familiar routine with esoteric messages from deep space.
Francis is a short story written by american novelist Dave Eggers. This is the story of a young boy growing up in the suburbs of chicago. He spent his vacations in Quetico Provincial Park, up on the border of Minnesota and Canada. But he won't be going back any day soon, not after what happened to a girl called Francis Brandywine.
One cold and damp morning, two weasels were wandering the quiet streets. They get separated at one point but are reunited. Just then, bells and alarms began to ring through the city, and dawn came.
Every gay person goes through a process of discovering their own identity. Caught between their truest self and the family and societal pressure around them, which should a college student still in the middle of this process choose? Details
Fracture (1977) is a short animated film from France by the Brizzi Brothers (Paul and Gaëtan), a duo better known for their work on feature-length animated films such as Asterix versus Caesar (1985), and a number of films for Disney. Fracture is their earliest work, and isn’t remotely Disney-like, delivering an SF / fantasy scenario of alien inexplicabilities that makes it an animated counterpart of the comic strips that were running in Métal Hurlant (and its US counterpart, Heavy Metal) in the late 1970s.