The camera loved her face, it was made for close-ups. And Romy Schneider loved and needed the camera - the film camera as well as the cameras of photographers and paparazzi. Julia Benkert's cinematic exploration of Romy Schneider's many faces shows that the actress's fascinating camera presence has lost none of its intensity even 27 years after her death - regardless of whether she was stylized as a veiled bride and glamorous diva, as in the French film "L'enfer" (1964), or whether she exposed herself to the camera without make-up, as in Hans Jürgen Syberberg's documentary "Portrait of a Face" (1966). Without make-up and in close-up, she talks about her fears and doubts - to this day, the film is an authentic testimony to Romy Schneider's deep inner turmoil. Her husband Harry Meyen had it extensively censored because he thought his wife was too sad.
Self
Self
The camera loved her face, it was made for close-ups. And Romy Schneider loved and needed the camera - the film camera as well as the cameras of photographers and paparazzi. Julia Benkert's cinematic exploration of Romy Schneider's many faces shows that the actress's fascinating camera presence has lost none of its intensity even 27 years after her death - regardless of whether she was stylized as a veiled bride and glamorous diva, as in the French film "L'enfer" (1964), or whether she exposed herself to the camera without make-up, as in Hans Jürgen Syberberg's documentary "Portrait of a Face" (1966). Without make-up and in close-up, she talks about her fears and doubts - to this day, the film is an authentic testimony to Romy Schneider's deep inner turmoil. Her husband Harry Meyen had it extensively censored because he thought his wife was too sad.
2009-11-11
6
Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.
Through new camera techniques never before attempted we are able to put your audience on the edge of their seats, gasping for breath through FEEL-A-VISION. Your audience will boast that in one night they were able to whip a young girl to her masochistic climax - feel the warmth of a young female hitchhiker's gratitude for giving her a ride - answer a voyeur's plea to endure his young wife's sensuous desires - be sucked into a back alley profession they only dreamed existed - be pulled into a religion that requires a witness to an act of awareness by two young female believers and finally to participate with them in the most bizarre rite of depravity - take pictures of a would be starlet in a celebrated model studio and for a few dollars more get exactly what they want - get anything they wanted from a young Mexican girl in trouble with the police in return for helping her escape.
A further investigation into the arrest of three teenagers convicted of killing three young boys in Arkansas who spent nearly 20 years in prison before being released after new DNA evidence indicated they may be innocent.
Since 2013, Nixon Newell has travelled the world as a professional wrestler. This is the story of her goodbye to independent wrestling.
This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…
Timo Novotny labels his new project an experimental music documentary film, in a remix of the celebrated film Megacities (1997), a visually refined essay on the hidden faces of several world "megacities" by leading Austrian documentarist Michael Glawogger. Novotny complements 30 % of material taken straight from the film (and re-edited) with 70 % as yet unseen footage in which he blends original shots unused by Glawogger with his own sequences (shot by Megacities cameraman Wolfgang Thaler) from Tokyo. Alongside the Japanese metropolis, Life in Loops takes us right into the atmosphere of Mexico City, New York, Moscow and Bombay. This electrifying combination of fascinating film images and an equally compelling soundtrack from Sofa Surfers sets us off on a stunning audiovisual adventure across the continents. The film also makes an original contribution to the discussion on new trends in documentary filmmaking. Written by KARLOVY VARY IFF 2006
The fanciful tale of an introverted little girl who grows up believing she has the power to make wishes come true. She must reconcile this belief with reality when, as a young woman, she journeys to Moscow and grapples with love, modernity and materialism.
The five days when Copenhagen was held in a panic grip by an intelligent activist and former elite shooter, who takes to arms when a woman journalist writes about the government’s broken promises in an environmental question.
The story of a girl in a small North Indian town who is an obsessive fan of top Hindi movie star Madhuri Dixit, and dreams of moving to Mumbai to become a film heroine herself.
Zatoichi is a blind massage therapist and swordsman who finds out that something troubling is taking place on the outskirts of town. After discovering who the guilty parties are -- an accomplished Chinese martial artist named Wang Kang and his youthful attendant -- Zatoichi finds them and discovers that the pair's mixed up with a dangerous bunch of terrorist samurai who murdered the boy's parents. Now, Zatoichi must step in to save the day.
In a world where society is controlled by a totalitarian regime and children are the tool of ideological formatting, Isa realizes that her child is different from the others and that this will bring consequences to her life.
Documentary about young actress Romy Schneider, capturing just the right moment between her first career as a young actress in mainstream "Unterhaltungskino" ("entertainment cinema") and her second one as acknowledged European arthouse actress.
During a night in Cologne in 1976, Romy Schneider opens up like she’d never done before. An intimate portrait based on audio recordings of her interview with journalist Alice Schwarzer.
Documentary portrait of the actress Romy Schneider, in which director Frederick Baker tries to form an overall picture from the facets of image, myth, real life and screen persona.
Romy Schneider has been En Compétition ever since 1957 with Sissi, before coming back to the Croisette multiple times, notably for Claude Sautet’s Les Choses de la vie. This exceptional documentary recounts her illustrious career with passion and dedication.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
An exhaustive, detailed documentary on the 30-day film shoot of "The Devil's Rejects"
A production of Roar (1981) had special demands on both cast and crew. Learn about this incredible film and about the amazing people who made ROAR possible.
Greg James and Russell Kane present a look at all the ingredients needed to become a Eurovision winner, celebrating the UK's successes and also its hall of shame.
The phenomenon took everyone by surprise. In the span of three years, despite the mixed reception from the press upon its release in 2011, the Tuche family, a group of eccentric unemployed individuals, found a place in the hearts of the audience. With over eight million viewers during the television broadcast of the first installment and 4.6 million box office admissions for the second part, it became the biggest French success of 2016. The Tuche family has become a phenomenon. Word of mouth gave the film a second life beyond theaters, turning this tribe into the most popular family in French cinema.
Holding her 16mm camera, an optical prosthesis for a 20th-century stroller, Agnès Varda filmed 42nd Street in NYC in 1967, filming crowds of passers-by to the beat of the Doors. Recovered from the French director's boxes, with images of Varda, Pasolini and New York. Pasolini is shown walking in the Big Apple (where he went to present 'Hawks and Sparrows').
Angela Rippon presents a guide to some of the Eurovision Song Contest's most disastrous moments. Including the kiss that ruined the chances of Danish singer Birthe Wilke.
Stray Kids 2nd World Tour ‘MANIAC’! Are you ready to join the grand beginning of Stray Kids’ new world tour that will captivate STAY all around the world? Stray Kids will be showcasing their upgraded performances for global fans for the first time in 2 years and 5 months!
This is a tale of true determination that took Kalvin Phillips from a working-class estate in Leeds, to the pinnacle of his profession. In 2022, he made the challenging decision to leave his beloved Leeds United and join Manchester City. As he faced the pressures of adjusting to a new team he sustained a serious injury, threatening his inclusion in both Man City and the England World Cup squad