The presented work that is before you is the outcome of Iranian animators and a few honorable guests' (from countries around the globe) efforts. Each and every animator was given 3 seconds to animate their objects entering the frame, hitting the surface and then making its way out through the bottom of the frame. The action was done to keep consistency throughout the work. Last but not least, the composing and adjusting of the audio were done.
The presented work that is before you is the outcome of Iranian animators and a few honorable guests' (from countries around the globe) efforts. Each and every animator was given 3 seconds to animate their objects entering the frame, hitting the surface and then making its way out through the bottom of the frame. The action was done to keep consistency throughout the work. Last but not least, the composing and adjusting of the audio were done.
2020-01-08
8
Three rival actresses and their crew, desperate and hating each other, reunite for a horror movie sequel when someone starts killing them off just like in their movie, in this bitchy, raunchy comedy mystery.
In 2021, Hughes’s pub closed its doors for the last time. In January 2022, talented fiddle player, actor, and Hughes regular Brendan Gleeson meets musicians, dancers and singers in and around the pub as they gather one last time to recreate the magic of Hughes’s and to commemorate its invaluable legacy.
In a late night bar, Henry is approached by a mysterious woman who offers to sell him the severed "manhood" of Wales' greatest vocal entertainer. Believing he can make a fortune selling the infamous appendage on to obsessive fans, Henry stumps up the cash. To help find the right buyer, Henry teams up with his slightly dodgy best friend Teddy and together the two head off on an insane journey that leads them deep into the secret world of celebrity body part trading.
A comedy about the petty bureaucrats who need special leather props under their posteriors because of the long hours they spend sitting at their desks.
Abel Mason is a man caught in a loveless marriage with a harridan wife who constantly berates him and beats their son Dick. When the one woman he loves dies at the hands of her husband after he was sent a letter by Mason's wife, exposing the affair, Abel leaves her for good taking to the road and young Dick with him.
Wealthy landlord Sarkar decides to direct all waste into the village to make space for his real estate project. However, the poor villagers agitate against his plan and the protest is led by Balraj.
Filmmaker Albert Kish revisits Montreal's St Lawrence Boulevard in the '70s. The street, also known as "The Main," is a little Europe with many languages, foods and small courtesies that make a stranger feel at home.
Shahid struggles to find love in the Asian community due to the stigma of his divorce, several years prior.
What happens to the saints and sinners of a small Irish village on the day the world is supposed to end.
The Dhanrajs are blessed with a daughter. However, during childbirth, Dhanraj's wife dies and he blames his daughter for his wife's fate. He refuses to see her face and remarries. His daughter, Laxmi, grows up to be a beautiful woman who's ignored by her father and abused by her stepmother. The only person who stands by her is her half-brother. Laxmi soon gets married but fate seems to hold nothing new for her. She has a loving relationship with her husband, but her mother-in-law couldn't stand her and she too physically abuses her.
Bhrantibilas is a 1963 Bengali film based on the 1869 play Bhranti Bilas by Ishwar Chandra Vidyasagar, which is itself based on William Shakespeare's The Comedy of Errors. Although the original play was set in an unspecified, but distant past, the film relocates the story to modern day India. The film tells the story of a Bengali merchant from Kolkata and his servant who visit a small town for a business appointment, but, whilst there, are mistaken for a pair of locals, leading to much confusion.
Based on actual events, the lives of fitness celebrities Craig Titus and Kelly Ryan took a dark turn when they hired a young female assistant.
When Noah (16) finds his own son Ziggy on the doorstep of his home, he is catapulted into adult life in one fell swoop. When it turns out he cannot combine his former life with being a father, he gets onto his moped after a flaming row with his mother. Carrying the baby in a sling, he intends to return the child to his ex Marije. His despair leads him all over the Netherlands and Belgium. Will he – in time – realise he is really and undeniably a father?