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Alraune(hu)
It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.
Dracula's Death(hu)
The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.
The Golem(de)
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
Kismet(en)
Hajj, a rascally beggar on the periphery of the court of Baghdad, schemes to marry his daughter to royalty and to win the heart of the queen of the castle himself. This film is believed lost.
The Tree and the Cat(uk)
Away from people, animals, forests and fields stood a very tall tree. It did not need anyone, it was completely indifferent to everyone. Once a cat wanted to learn the style of life of the tree, which has allowed her to stay near it, so that she could take over its attitude to everything around. But eventually the cat affects the tree as well...
Haunted Island(en)
Rosalind Joy (Helen Foster) is an heiress who has inherited a South Seas island known as Pleasure Island. A hidden cache of gold is allegedly buried on the island, which has several haunted structures. Rosalind's uncle, Spring Gilbert (Al Ferguson), wants the gold for himself and declares he will stop at nothing, not even the death of his niece, to get it. Rosalind, meanwhile, is befriended by Jerry Fitzjames (Jack Dougherty), a playwright. Unfortunately, Jerry has only recently escaped from a psychiatric hospital. Although he swears to protect Rosalind, she doubts Jerry's sanity. The two lovers race against Uncle Gilbert (who has set several traps for them) to find the treasure. In the end, Rosalind and Jerry are aided by the "Phantom Rider," a spectral horseman.
At Midnight in the Graveyard(xx)
A group of young people made a bet, according to the terms of which they had to visit a cemetery at midnight.
Love Without Question(en)
Old Silas Blackburn, a wealthy recluse, lives alone with his butler and his ward Katherine. One night, Katherine discovers Silas murdered in the room where three generations of Blackburns have mysteriously died. Silas' grandson Robert, whom Katherine loves, comes to visit the next day, suffering from amnesia.
Sauna(fi)
It is 1595. Brutal wars have just ended in an uneasy peace between Protestant Sweden and Orthodox Russia. We focus on the spiritual defeats of two conquered Finnish brothers, one a hardened near-psychopathic war hero, the other a gentle scientist in an age with no use for such men. They find themselves in the swampy interior, demarcating the new border with a unit of sadistic Russians.
The Black Crook(en)
A Faust-like meringue involving a wealthy Count who enters into a deal with the Devil: for every soul he delivers to Satan, the count will be granted an extra year of life. One of the count's victims, an artist named Rodolphe, dedicates his life to punishing the nobleman, a mission he accomplishes with the help of the beautiful Fairy Queen.
Father Frost(ru)
A fairy tale about a conceited young man and a young woman with a tyrannical step-mother, who must overcome magical trials in order to be together.
Kingdom of Crooked Mirrors(ru)
Kingdom of Crooked Mirrors is a 1964 Soviet fairy tale film directed by Aleksandr Rou based on a story with the same name by Vitali Gubarev. Both the surreal story by Vladimir Gubarev, together with the 1964 film, written in a Through The Looking Glass style. Alice-type Soviet girl, named Olya meets her counterpart Yalo, while looking into the mirror. Yalo is an absolute antipode to Olya, for example where Olya is precise and neat, Yalo is absent-minded, careless, etc. The explicit plot relates to Olya learning to see herself differently, but this occurs through an experience in the Kingdom of Crooked Mirrors which serves as a mechanism for commenting on the ability of a society to manufacture a false reality.
Mortmain(en)
Surgeon Crisp announces to his student doctors and friends that he has solved the problem of limb-grafting, and shows proofs. Among those deeply interested is Mortmain, a musician and a friend of the surgeon.
Resurrection of a Corpse(ja)
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
The Dream Woman(en)
In this story the hero is haunted by a beautiful young woman who tries to stab him to death with a knife. This fantasy recurs on each of his birthdays, becoming more and more real as the years go on. He leaves home to secure a place as groom, but arrives at his destination too late. Forced to retrace his steps, he seeks shelter in a little inn, forgetting that the hour of his birth is approaching. In the middle of the night he awakens, terrified with fright… Based on Wilkie Collins' novel “The Dream Woman”.
Queen of the Sea(en)
Annette Kellerman, the Australian swimming star of the early 1900s, made a number of films, most of them in the 1910s, which displayed her athletic skills. Most of these films were underwater fantasies, and this one was no exception. Here, Kellerman is Merilla, a mermaid who is the "Queen of the Sea." Not satisfied with being a mermaid, she wants a mortal human body with an immortal soul. She discovers she can achieve this if she saves four human lives.