1974-12-26
9.3
The film is not only a nod to Lettrist and Structuralite films in terms of its form and content; It was while thinking of the Flux Films series initiated by George Maciunas that the original idea for this film came to me. It had to be short, concise and in black and white. I had for some time had a fascination with the figures, the accounts and the texts used for the production of the credits made on ban-titles and which, after several generations take a slight overexposure. The film was set up with the references it actually generated.
Mrs. Hellertz is distraught about her son Aage, who – in spite of a good pay and generous support from home – manages to spend every penny on debauchery in the night life. He indebts himself deeply and falls into the clutches of a malicious loan shark who is out for Mrs. Hellertz's fortune. To complicate things further, Aage starts a relationship with the loan shark's beautiful daughter. (Stumfilm.dk)
A large earthquake hits Tokyo, which was predicted by a seismologist but was ignored.
A regular student house in London. A regular bunch of students and ex-students. This is their home from home - only home is India! Meet the Anglistanis, a bunch of "Desis" trying to make their way in the big city. Arpit; tall, handsome, studying... or is he? Sameer; funny, greedy, lazy - he's here to study... what was that subject? Kalpana; she's a model student... and a nag! Rehan; he's a student of IT... and love! Jignesh; he's a student of life... and trying to earn a crust. Arjun; he's the master of the house... or is he? The house is bursting at the seams and landlord-cum-father figure Kuldeep is trying to keep order. But when the beautiful Nisha, Arpit's old flame from India, asks for a place to stay, their world is turned upside down with love triangles, gangsters and even cross dressing Mujra dancers!
Mixing Cinema Vérité, animation, narrative fiction and stage theater, a look at drug use by the Montreal youth in the 80s, through various characters interacting in their own ways with drugs.
In this romantic wartime comedy, four female defense plant workers share a house with four male workers. The situation is on the up and up as the men and women work different shifts and they are only making do because there is a housing shortage. Unfortunately, they soon begin to fight about who gets the house during certain hours. Romance ensues.
Traces of a body draw a camera across a landscape of stone and walls.
Bricks is back for revenge after the love of his life attempted to kill him and take his bag of money, which had a million dollars of his hard earnings. Bricks is about to bring havoc to any and everybody involved.
A carefree tour guide in Sharm helps a minister's daughter escape from her controlling dad, leaving his two friends to deal with the dire consequences.
Misa Kuroi is a good witch, but wherever she goes, evil follows. When a dying girl appears out of nowhere shouting Misa's name, our heroine goes to work. Following the clues, Misa transfers to the prestigious Saint Salem School for Girls and joins the Drama Club. Soon all the girls depart for a mysterious Drama Camp, deep in the woods.
Bhrantibilas is a 1963 Bengali film based on the 1869 play Bhranti Bilas by Ishwar Chandra Vidyasagar, which is itself based on William Shakespeare's The Comedy of Errors. Although the original play was set in an unspecified, but distant past, the film relocates the story to modern day India. The film tells the story of a Bengali merchant from Kolkata and his servant who visit a small town for a business appointment, but, whilst there, are mistaken for a pair of locals, leading to much confusion.
Jeson is a nature lover.His favourite place is Manor Park Aldershot.His friend Sugam came UK for singing program.He meet Jason at Manor Park .Jason's other friend Sonu meet him at fun fair Aldershot.They enjoyed and fun. This is a story.
Fight Club Rush 10 is a Fight Club Rush event on Nov 20, 2021 at Vasteras Arena, Vasteras, Sweden.
Feature length documentary about the making of the film featuring interviews with producer Michael Bay, director Marcus Nispel, executive producers Brad Fuller and Andrew Form, screenwriter Scott Kosar, and the cast and crew.