The Mermaids(1994)

Filmfarsi(en)

A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.

Long Live Hunting!(cs)

This documentary essay introduces a peculiar trio of men united by their passion for hunting. Each of them conceives of hunting in his own way, luring the viewer to an exotic safari, to an antlered trophy collection or to a sitting in the woods.

The Imperial Lullaby(it)

The armies of Fascist Italy conquered Addis Ababa, capital of Abyssinia, in May 1936, thus culminating the African colonial adventure of the ruthless dictator Benito Mussolini, by then lord of Libya, Eritrea and Somalia; a bloody and tragic story told through the naive drawings of Pietro Dall'Igna, an Italian schoolboy born in 1925.

The Green Fog(en)

A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…

Aquela Mesma Estação(pt)

Visions of Europe(en)

Twenty-five films from twenty-five European countries by twenty-five European directors.

What Is to Be Done? A Journey from Prague to Ceský Krumlov, or How I Formed a New Government(cs)

Quite a few years have passed since November 1989. Czechoslovakia has been divided up and, in the Czech Republic, Václav Klaus’s right-wing government is in power. Karel Vachek follows on from his film New Hyperion, thus continuing his series of comprehensive film documentaries in which he maps out Czech society and its real and imagined elites in his own unique way.

To Stay Alive: A Method(en)

Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.

Taon Noong Ako'y Anak sa Labas(tl)

Filmmaker John Torres describes his childhood and discusses his father's infidelities.

Ôrí(pt)

A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.

Locations: Looking for Rusty James(es)

A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.

In the Intense Now(pt)

A personal essay which analyses and compares images of the political upheavals of the 1960s. From the military coup in Brazil to China's Cultural Revolution, from the student uprisings in Paris to the end of the Prague Spring.

Stories Our Cinema Did (Not) Tell(pt)

Filled with raunchy laughs, this documentary compiles outrageous scenes from sex-comedies that shaped Brazil's "pornochanchada" boom of the 1970s.

Eautopsie(en)

An enigmatic glimpse of life through precarious vignettes, propelling a narrative through a nebulous and opaque structure that sutures the filmmaker's home movie footage to archival material—from Hollywood narrative films to political selfie videos. A handmade impression of a time suspended between past and present and the ghosts and places occupying it, contemplating the nature and meaning of vision, memory and image making.

Four Years of Solitude(en)

A written testimony by co-director Jin Ryoo on his experience preparing for Korean compulsory military service is juxtaposed with images of an empty UCSD campus, the desolate construction sites sprawling off of it, and the Mt. Soledad Veterans Memorial.

Beyond Tragedies(pt)

Recalling his childhood and relationship with his mother, a film student tries to understand the origin of his love for cinema and tragedies.

Pornografia(en)

An essay-film about images and politicians.

Transgender Nuclear Suicide Sojourner(en)

Lies can kill. Transgender Nuclear Suicide Sojourner is an exploration of propaganda, lies, and the overwhelming urge to end it all.

(There Is No) Cure(en)

In this new video essay, filmmaker Alexandre O. Philippe delves into the dread-inducing mood and tone of Kiyoshi Kurosawa’s modern horror classic Cure, deploying a dizzying range of cinematic references to unravel the film’s eerie magic.

New Hyperion or Liberty, Equality, Brotherhood(cs)

From the behavior, discourse, and appearance of individual actors, Vachek composes, in the form of a mosaic, a broad and many-layered film-argument about Czechoslovak democracy in the period of its rebirth, all administered with the director’s ini­mitable point of view.