The architects' plans for Central Bus Station to swallow visitors has turned into an endless maze of corridors. Once a gift to the citizens of Tel Aviv now serves to the immigrants. Yonathan has been a guide there for 17 years and is able to show the other side of the station's significance to those who walk with him. Yonathan knows that the purpose of going down to the building is to find not only himself, but also a society that harbours its values, protects its original traditions and wants to defend its home.
In December 1993, a luxury condominium tower block collapse after ground erosion from the neighbouring hillside. About 50 people lost their lives and to this day has become one of the darkest and saddest tragic incidents in Malaysian history. Twenty years later in 2013, a group of documentary filmmakers venture into the remaining two blocks that is left standing to do a ghost hunting expedition. What they discovered is not for the faint-hearted.
The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
A historical documentary documenting the rise, function, and abandonment of a 17 story building that once housed The Rochester Psychiatric Center. This film tells the story of the building through historical footage, interviews of former staff and patients who recount their memories of the behemoth facility while also exploring the abandoned building as it is today.
The flat on the third floor of a Bauhaus building in Tel Aviv was where my grandparents lived since they immigrated to Palestine in the 1930s. Were it not for the view from the windows, one might have thought that the flat was in Berlin. When my grandmother passed away at the age of 98 we were called to the flat to clear out what was left. Objects, pictures, letters and documents awaited us, revealing traces of a troubled and unknown past. The film begins with the emptying out of a flat and develops into a riveting adventure, involving unexpected national interests, a friendship that crosses enemy lines, and deeply repressed family emotions. And even reveals some secrets that should have probably remained untold...
'Atlal (Remnants)' is a fictional documentary that follows Bassam, a Palestinian man in his fifties, on a journey between the past and present. An abandoned school, the remains of a beach club, and a dusty cinema hold Bassam's cherished memories from his life in Qatar. Through personal archives and interviews with Bassam and his wife, Laila, we get a deeper look into their stories—slowly revealing the dismaying thoughts behind Bassam's nostalgia.
Tamar, a 33-year-old Tel Aviv comics artist, watches passersby, listens to their conversations and translates her impressions into comics with an ironic expression. She peels off the mask from a society, in the eye of the storm, that claims to be liberal and in which everyone has an opinion about everything. Secure between her four walls, she touches the darkest spots of her life- a bomb attack, a failed marriage, coping with depression. A young, modern woman in today's Israel.
A crumbling pier, its walls covered with graffiti and erotic frescoes reminiscent of pagan Pompeii, the locus of the seduction rituals of men longing for men, is the focus of this meditation on gay cruising at the height of sexual freedom before AIDS. Shot in 1982, this is the first segment of a film capturing the life, death, and rebirth of the legendary “sex piers” over the last three decades.
What does it mean to belong to a place, a country? In a south Tel Aviv elementary school, that question is addressed head-on by a fourth-grade class and their teacher. The children are asylum seekers whose families mostly do not have a legal status in Israel, yet learn, sing and play in Hebrew all the while examining their identity and sense of belonging.
For two decades, Cine Marrocos, a movie theatre in the heart of São Paulo, was one of the most popular and opulent of the city. After it was closed, in 1972, it was occupied by a homeless workers' movement. The documentary tells the story of the people who lived there, alternating scenes from an acting class with those of the movies exhibited there in the past.
There are places in the world that are forgotten by everyone, places where time seems to have stopped, where nature seems to have won the battle. These places are the playgrounds of modern-day adventurers called urbexers. They explore, discover, and photograph the most emblematic abandoned sites in France with a single leitmotif: to prevent them from falling into oblivion forever.
"For the sake of the neighborhood, for the sake of the children of the neighborhood. lets go Bnei Yehuda ." There are films that cannot be forgotten, that have become the soundtrack of Israeli football. One of them is "Shomrim Al H'tikva", which accompanied Bnei Yehuda in the survival campaign in 2000. Shia Feigenbaum, Yossi Medar, Hezi Shirazi and others on a heroic journey in the Hatikva neighborhood. 40 minutes of a cult film, which every Israeli football fan must see.
A young Jewish professional visits Israel amid a multi-front war and creates a short film entirely on his iPhone to help his community better connect with the current mood of the Jewish state.
During a live stream in a haunted building, a streamer goes missing, sparking the curiosity of fellow streamers. They decide to take a look for themselves, believing that the missing streamer may have fabricated his video. But as they explore, broadcasting their journey live along the way, they begin to realize that there's more to the building than it seems: it was previously the site of abductions and murders of innocent people.
A group of filmmakers attend a séance at an abandoned children's orphanage in order to do research for a movie... that's their first mistake.
Photographers Brooke Konrad and Tanner Behlman travel to rural, abandoned buildings to capture the inherent beauty of long-forgotten locations, but far from forgotten are the traumatic memories that surface in Brooke when they meet The Man Upstairs, an unsuspecting squatter. As tensions and uncertainties arise, Brooke must determine if this mysterious stranger will provide her the closure she so desperately seeks or let the fears of the past consume her.
Israel, in the aftermath of October 7. Y., a jazz musician struggling to make ends meet, and his wife Jasmine, a dancer, sell their art, souls and bodies to the elite, and bring pleasure and consolation to a bleeding nation. Soon, Y. is given a mission of the highest importance: setting to music a new national anthem.
A group of friends in a Tel Aviv suburb get together to watch Universong, a Eurovision-like television song contest. They gather to watch and are depressed by the lifelessness of the Israeli entry, a parody of many recent offerings, a flashy, grating song about "amour." Realizing that Anat is distraught over the crisis in her marriage, they decide to compose a song to cheer her up. As a lark, they enters their cellphone video of it in next year's contest, and it becomes Israel's entry.
Welcome to Paranoia, the ultimate escape game. Rule #1: Nothing is real. Rule #2: One of you will die. Lucas and Chloe, two passionate gamers, decide to participate to Paranoia, a very exclusive escape game. After solving a first riddle, they make it to the location of the finale in an abandoned mental hospital, lost in a frightening forest. There, four other participants are waiting on them. They soon realize that only one of them will get out of there alive.
Yacine is the veterinarian of the only zoo remaining in the Palestinian West Bank. He lives alone with his 10-year old son, Ziad. The kid has a special bond with the two giraffes in the zoo. He seems to be the only one to communicate with them. After an air raid in the region the male giraffe dies. His mate, Rita, won’t survive unless the veterinarian finds her a new companion. The only zoo that might provide this animal is located in Tel Aviv ...