Lou Reed narrates this Television special that takes a look back at the beginnings of the punk rock movements in New York & England, the underground punk scenes in the 70's & 80's, and the punk resurgence in the 90's. A collaboration between VH1 and Spin magazine.
Self
Self
Lou Reed narrates this Television special that takes a look back at the beginnings of the punk rock movements in New York & England, the underground punk scenes in the 70's & 80's, and the punk resurgence in the 90's. A collaboration between VH1 and Spin magazine.
2001-04-19
6
A young woman loses her umbrella in a café altering her perception of the world forever.
A mad scientist kills Alice and her husband, rebuilding her as a sex doll; soon after her escape, a gangster begins seeking her out.
It's not easy being a teenager and Mike, a sixteen-year-old, has it espcially hard. He lives in the sticks with his mother, a non-stop nagger, in Faintville, a Canadian timber industry town. He has no father, no friends, not even a favorite meal. Basically, his sole wish is simply to vanish from the face of the earth. One day, Mike writes his own obituary and shoots himself. To his great disappointment he wakes up the in the local hospital. During a routine examination, the doctors discover a plum-sized tumor in his brain. Mike can scarcely believe his luck and keeps the illness to himself to avoid undergoing surgery that would save him. Staring death directly in the eyes, however, changes Mike's point of view and he re-evaluates his opinion of both enchanting and crazy Miranda. Somebody seems to understand him after all.
Nobita helps Doraemon to create a space movie. After Dekisugi fails to help them, the duo rope in Shizuka, who prefers to make a film about dolls.
Over the course of her stay at the remote residence, Ana becomes more and more familiar with Holden’s idiosyncratic methods that require the participating artists to abandon their own identities and live emotionally and psychologically as their characters. Captivated by her artistic investigation, Ana immerses herself wholly into the method and starts living as Violeta, until her fiction loses control.
A playful stab at mass hypnosis. Celebrating the mesmerizing power of movies, mischievous glimpses into a subconscious world inhabited by Bergman, Spielberg... and Bo Derek.
A filmed manifesto about our trans bodies, their beauty, their glory and their ability to evolve with us along the way.
A group of women, who have always been good friends, are going through tough times: not only criticize each other and make life impossible, but also their love relationships are very poor. They will have to put everything in their power to get through this difficult time.
Essentially one long chase scene, in an urban setting; at the end, a dog joins in, to Jerry's annoyance.
Free-lance undercover agent Coplan receives a phone call from an old girlfriend in Turkey. The panic-stricken woman gives sketchy details of a plot that threatens world security. When Coplan arrives, he is told the woman has been killed, and the trail of the murderer leads to her mad-scientist brother.
“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.
"The Wild Soccer Bunch" celebrate their last victory against the "Silver Lights" - and set one record in volley-pass game after another in the forest. But they are not alone: Vampires target the team. To lure them into their bunker, they kidnap Leon. Will Vanessa ever see him again?
The life of Fabio and Miá falls into the rut when differences, which are not few, need to be faced. After Fábio forget the third wedding anniversary, Miá decides to ask for a time in the relationship. When Fábio's grandfather, who lives in Portugal, tells him that he was a widower, he sees on this trip to the funeral an opportunity to save his marriage.
Set 1: Good Times (Sam Cooke cover) Hell in a Bucket (Grateful Dead cover) Big Railroad Blues (Cannon’s Jug Stompers cover) Lost Sailor (Grateful Dead cover) (>) Saint of Circumstance (Grateful Dead cover) Ship of Fools (Grateful Dead cover) Brown-Eyed Women (Grateful Dead cover) The Music Never Stopped (Grateful Dead cover) Set 2: Jack Straw (Grateful Dead cover) Truckin' (Grateful Dead cover) (>) He's Gone (Grateful Dead cover) (>) Playing in the Band (Bob Weir song) (>) Uncle John's Band (Grateful Dead cover) (>) Drums (Grateful Dead cover) (>) Space (Grateful Dead cover) (>) All Along the Watchtower (Bob Dylan cover) (> 'Playing in the Band' reprise >) Standing on the Moon (Grateful Dead cover) (>) Not Fade Away (The Crickets cover) Encore: Touch of Grey (Grateful Dead cover)
Young hot travelers are sidelined by a road blocked with fallen trees, and stop for a night at the mansion belonging to sexy Sebastian. The house has a history of voodoo, mayhem and horror, and new arrivals are fresh meat for the hungry house...
While hitchhiking from Sofia to Ruse, Kamen meets Avé, a 17-year-old runaway girl. With each ride they hitch, Avé invents new identities for them, and her compulsive lies get Kamen deeper and deeper into trouble. Reluctantly drawn into this adventure, Kamen begins to fall in love with the fleeting Avé.
Highlights from some of Newcastle's most memorable matches, including Sir Bobby Robson's first home game in charge and the team's Champions League debut against Barcelona. Relive 12 of Newcastle United's biggest and best matches over an exciting ten-year period for the club. The DVD features classic performances from players such as Alan Shearer, Andy Cole and Les Ferdinand.
A butcher whose meat is most tender, surrounded successively by ephemeral and delightful cashiers.