In 1943, Vincenzio and Maria take their children to his father's Tuscan farm. Vincenzio commutes to Rome where he's a physician and, in the hospital basement, prints an anti-Fascist paper. His brother is in the Resistance; his father supplies food to a local monastery where 12 fugitives hide. All is seen through the eyes of the oldest child, Paulo, who's about 7 and the only lad at school who doesn't wear a Fascist Youth uniform. For Paulo and his siblings, it's great fun playing with their nonno, finding herbs in the fields, watching a maid's tryst with a soldier, teasing a silent monk. Then the war reaches the farm when Italy surrenders and the Germans exact revenge.
In 1943, Vincenzio and Maria take their children to his father's Tuscan farm. Vincenzio commutes to Rome where he's a physician and, in the hospital basement, prints an anti-Fascist paper. His brother is in the Resistance; his father supplies food to a local monastery where 12 fugitives hide. All is seen through the eyes of the oldest child, Paulo, who's about 7 and the only lad at school who doesn't wear a Fascist Youth uniform. For Paulo and his siblings, it's great fun playing with their nonno, finding herbs in the fields, watching a maid's tryst with a soldier, teasing a silent monk. Then the war reaches the farm when Italy surrenders and the Germans exact revenge.
1997-05-07
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Lucia (Natassja Kinski) is a volatile, exciteable young woman. She forms a romance with Carlo (Stefano Dionisi), who is somewhat callow and is very skittish. Their romance is not an easy one, but they are assisted in coping with its ups and downs by their mutual friendship with Franco (Franco Citti), an older, wiser and more stable man.
Set in the Bronx during the tumultuous 1960s, an adolescent boy is torn between his honest, working-class father and a violent yet charismatic crime boss. Complicating matters is the youngster's growing attraction - forbidden in his neighborhood - for a beautiful black girl.
Gino, a drifter, begins an affair with inn-owner Giovanna as they plan to get rid of her older husband.
Unemployed Antonio is elated when he finally finds work hanging posters around war-torn Rome. However on his first day, his bicycle—essential to his work—gets stolen. His job is doomed unless he can find the thief. With the help of his son, Antonio combs the city, becoming desperate for justice.
A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.
Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.
Out of prison after a five-year stretch, jewel thief Tony turns down a quick job his friend Jo offers him, until he discovers that his old girlfriend Mado has become the lover of local gangster Pierre Grutter during Tony's absence. Expanding a minor smash-and-grab into a full-scale jewel heist, Tony and his crew appear to get away clean, but their actions after the job is completed threaten the lives of everyone involved.
Set in 2002, an abandoned 5-year-old boy living in a rundown orphanage in a small Russian village is adopted by an Italian family.
A rising Boston gangster (Ben Barnes) endangers those around him when he starts to make moves without the knowledge of his boss (Harvey Keitel).
In a time of war and disease, a young officer gallantly tries to help a young woman find her husband.
An honest cop named Joshua Marino is transferred to the city of Plainview, New York, where the streets run dirty with crime and corruption. Meanwhile, an aging crime boss pressures his eldest son to carry on his legacy while a washed up detective is hot on his tail.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
Halit Berati, a virtuoso clarinet player, is invited by the Italians to record his music, which is to be sold along Italian records.
Roberto, a shy law student in Rome, meets Bruno, a forty-year-old exuberant, capricious man, who takes him for a drive through the Roman and Tuscany countries in the summer. When their journey starts to blend into their daily lives though, the pair’s newfound friendship is tested.
A former priest has become bored to the point of impotence by the easy availability of beautiful women. He misses the shame of the priesthood which made sex more enjoyable, and this leads to his strange fascination with photographing asses. He gets involved with a sexy married woman, but he is more interested in her virginal maid.
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.
Ira translates as “Anger,” but the titular emotion isn’t often conveyed by the unnamed man and woman at the center of this subdued Italian drama set on the grim fringes of society. Instead, they spend their nights working—he in the market, she on the streets—or wandering restlessly and relentlessly around their dark, decaying city. Writer/director Mauro Russo Rouge follows his characters as they drive down roads lit by the yellow glow of streetlights, push through the crowds at a pink-hued nightclub, pick up supplies in a glaringly bright supermarket, and meander down sidewalks with drinks in hand. They rarely emerge into the sunlight; most of the action takes place in claustrophobic indoor spaces or in the cold, gray light of dusk or dawn. So, too, do their expressions remain withdrawn—even when their nascent relationship triggers a decisive act of violence.
Feeling undervalued by her boyfriend, a young woman begins to explore her sexuality with other people.
Montreal, 1904. Giuseppe and Ninetta own a boarding house where they welcome their fellow Sicilians. One day, as he comes to the defence of one of his boarders, Giuseppe accidentally kills Theo, his French Canadian best friend’s son-in-law. This drama depicts the tensions between people from different ethnic backgrounds and their life-changing impact. Based on a true story, 'The Saracen Woman' paints a portrait of Italian immigration to Quebec and the affinities and conflicts that arose from the clash of two different cultures.