Ethel, whose financially distressed parents depend on her marrying into wealth, may be forced to abandon the man she loves for her father's rich friend.
Cyril Moffat
Ethel, whose financially distressed parents depend on her marrying into wealth, may be forced to abandon the man she loves for her father's rich friend.
1913-07-23
0
The Devil's Skipper was based on Demetrios Contos, a seafaring yarn by Jack London. Effectively cast against type, Belle Bennett plays a wronged woman who becomes the most brutal and feared slave-ship captain on the Seven Seas.
While walking his dog, Eric bumps into the confident and carefree Ryan. Taking a nervous leap, Eric accepts Ryan’s invitation to walk through the city en route to a concert. In the next six blocks, the two men discover that intimacy through anonymity also exposes one another’s flaws and insecurities. Will they make it to the concert in one piece?
Gambler "On-the Level" Leigh (William S. Hart) is forced to leave his high rolling lifestyle to move his ailing sister Alice (Mildred Harris) to the healing climate the mountains. Financial strain compels him to resume his favored vocation. Unfortunately for Level, the dance hall girl Coralie (Alma Rubens) doesn't take rejection well and convinces the dealer to clean him out with a "cold deck". A desperate robbery ensues, leading to Level wanted for murder!
A sheep farmer brings his new wife to his father's ranch and the old man takes an instant dislike to her.
A romantic drama about two couples shifting sexual dynamics over one night in a music bar.
During Napoleonic wars, a young idealistic drummer, in search of glory, arrives on the battlefield and discovers the horrors of war.
An ordinary day of house hunting turns bizarre, for the Sanyals as they realize that the house has a mind of its own.
As his personal life unravels, a burgeoning white supremacist descends into an abyss of online radicalization and extremist conspiracy theories.
Marcia Kane, daughter of an American capitalist, is persuaded by her father to marry the expatriated Russian Grand Duke Sergei, and believing Wally, her real love, to be dead, she consents. Discovering after the ceremony that her father has tricked her, Marcia vows to be the duke's wife in name only, though she refuses Wally's proposal that she go away with him.
Peter Olsen, a young social outcast who lives alone on a rundown farm and raises vegetables for a living, finds his only consolation in liquor, though Dorcas Chatham, daughter of the general store owner, begs him to forego this indulgence. Returning from town, he finds a dog by the roadside, apparently injured by a car, and takes it home. Later, on a drunken spree, Peter is attacked by robbers, but the dog comes to his rescue and frightens the assailants away. Stirred by the unselfish devotion of his dog, Peter gradually regains his self-respect, and Dorcas falls in love with him and accepts his proposal, though she fears the dog. When Peter enters the dog in a show, another exhibitor proves to be its owner, and Peter is first parted from, then reunited with, "his" dog. Dorcas overcomes her fear and is united with Peter.
Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?
An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
An enigmatic, existential enforcer for a small-time local crime boss does not suffer fools gladly. Unfulfilled and compromised by his life and the pointlessness that surround him, he detaches -- and methodically explores life's transitory nature in a surprising way. ICE is not a brooding film -- with flashes of humor and quirkiness -- it is a film about hope.