Taking the Hill(2006)

Last Men in Aleppo(da)

Winner of the Grand Jury Documentary prize at the Sundance Film Festival, Syrian filmmaker Feras Fayyad’s breathtaking work — a searing example of boots-on-the-ground reportage — follows the efforts of the internationally recognized White Helmets, an organization consisting of ordinary citizens who are the first to rush towards military strikes and attacks in the hope of saving lives. Incorporating moments of both heart-pounding suspense and improbable beauty, the documentary draws us into the lives of three of its founders — Khaled, Subhi, and Mahmoud — as they grapple with the chaos around them and struggle with an ever-present dilemma: do they flee or stay and fight for their country?

Five Came Back(en)

The extraordinary story of how Hollywood changed World War II – and how World War II changed Hollywood, through the interwoven experiences of five legendary filmmakers who went to war to serve their country and bring the truth to the American people: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens. Based on Mark Harris’ best-selling book, “Five Came Back: A Story of Hollywood and the Second World War.”

Extranjeros de sí mismos(es)

We Are Many(en)

The story of the biggest demonstration in human history, which took place on 15th February 2003, against the impending war on Iraq.

I Am Battle Comic(en)

A comedy documentary about performing stand-up comedy for U.S. Troops stationed in Afghanistan, Kuwait and Iraq. Heartfelt interviews with top professional comedians are woven in with filmmaker Jordan Brady's first-hand experience going to the Middle East. While traveling (Spring 2016) brutal terrorist attacks in Brussels, Turkey and Iraq remind us of the dangers in thew world, and underscore the mission to provide laughter for the men and women serving the military.

Blue Helmet(fr)

A young man, who served as a peacekeeper in Bosnia and Herzegovina for a few months during the war, recounts his experiences. Throughout the film, we only see his face filmed in close-up, along with a few photos. The interview acts as a strong testimony to the failure of the international community in the Yugoslav crisis.

My Enemy, My Brother(en)

The eight-year Iran-Iraq War was one of the most brutal conflicts to devastate the region in the 20th century. Zahed was 13 years old when he enrolled in the Iranian army. Najah was 18 when he was conscripted into the Iraqi army, and he fought against Zahed in the Battle of Khorramshahr. Fast forward 25 years, a chance encounter in Vancouver between these two former enemies turns into a deep and mutually supportive friendship. Expanded from the 2015 short film by the same name.

Art as a Weapon(en)

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

Countdown to Eternity(en)

Bible expert Bill Gallatin explores biblical prophecies from the Book of Revelation that have transpired, with a discussion of whether these events signify that we are now living in the End Times preceding the return of Jesus Christ. Gallatin touches on events such as the increasingly acute difficulties in the Middle East, numerous environmental catastrophes, earthquakes and more, explaining how they connect to scriptural writings.

The Boy Who Found Gold(en)

William Hart McNichols is a world renowned artist, heralded by Time magazine as "among the most famous creators of Christian iconic images in the world". As a young Catholic priest from 1983-1990 he was immersed in a life-altering journey working as a chaplain at St. Vincent's AIDS hospice in New York city. It was during this time that he became an early pioneer for LGBT rights within the Catholic church. "The Boy Who Found Gold" is a cinematic journey into the art and spirit of William Hart McNichols. The film follows his colorful life as he crosses paths with presidents, popes, martyrs, and parishioners, finding an insightful lesson with each encounter. McNichols' message as a priest, artist and man speaks to the most powerful element of the human spirit: Mercy.

The Last Days of Jesus(en)

For almost two thousand years, the story of Jesus’ final days has been celebrated by Christians the world over. From Jesus’ triumphant entry into Jerusalem, through to his eventual crucifixion six days later, the key moments have been immortalized in countless films, pieces of music, and works of art. But in recent years, some historians have begun to question inconsistencies in the Gospels’ version of events. They believe that the Gospels could hide a very different story; one that casts the historical Jesus in an entirely new light. Based on a new interpretation of contemporary historical events in Rome, "Last Days of Jesus" peels back thousands of years of tradition, to explore a new political context to the events in Jerusalem. "Last Days of Jesus" explores how dramatic political events in Rome could have played a crucial role in shaping Jesus’ destiny, and examines an extraordinary political alliance that altered the course of history.

The Case for Christ(en)

Based upon the Gold-Medallion award-winning best-seller, The Case for Christ documents Lee Strobel's journey from atheism to faith through his two-year investigation of the Bible and the life of Jesus Christ.

Jesus Camp(en)

Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.

Fahrenheit 9/11(en)

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

The Signs and Wonders Movement: Exposed(en)

Jesus said that the generation of believers alive for His second coming would be subject to the greatest onslaught of deception ever leveled at the body of Christ and that this deception would be predicated upon signs and wonders. For many professing Christians this could be the most important video you ever watch. Perhaps the best expose of many modern so-called “prophets & healers” ever made. The National Prayer Network out of the United Kingdom has done an admirable job exposing such leaders as Benny Hinn, Kenneth Hagin, and Rodney Howard Brown, revealing that the tactics and methods they use when performing “signs and wonders” have their origin in the occult. These tapes are a sober warning for those caught up in TBN evangelists and leaders, believing them to be “anointed” men and women of God. Speakers include: Andre Kole, Brian Edwards, Dave Hunt, Mark Haville, Ole Anthony, Dr. Peter May, Philip Foster, Roger Oakland and Dr. Stephan Sizer.

A Star-Spangled Story: Battle for America(en)

"The Star-Spangled Banner" is known by all, treasured for its powerful melody and stirring lyrics. And yet, only about 40% of U.S. citizens know all the words. And even fewer know their meaning. Join us as we travel back to 1814, when Washington D.C. was under British attack during the "Second War of Independence," and the very bricks and mortar of American democracy were reduced to smoking rubble. We examine the battle that inspired witness Francis Scott Key to immortalize its final moments, then reveal how his poem transformed into an anthem.

A Chair Fit for an Angel(en)

For two hundred years, the Shakers have been America's most successful utopian society. While seeking harmony, order and perfection in every aspect of their lives, they built minimalistic furniture and buildings that influenced modern design. The Shakers wrote songs of exquisite beauty and danced to the point of ecstasy during their religious meetings. Inspired by this music and dance, choreographer Tero Saarinen created Borrowed Light, a dance piece about communal life and individual sacrifice. Shot in Finland and the United States, featuring interviews and excerpts from Borrowed Light, this documentary explore the cultural legacy of this religious group devoted to creating heaven on earth.

Tsahal(en)

The ideologies underlying the foundation of modern Israel are explored in this documentary, the third of a trilogy (created over a twenty year span) exploring the Jewish experience. The two earlier documentaries, "Porquoi Israel," and "Shoah," have had great effect on the ways documentaries are produced. "Tsahal" zeroes in on the crucial role of the military in Israeli society and politics. The film uses many in-depth interviews to present the many feelings and thoughts about the Israeli military.

Into Great Silence(de)

An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.

Silvered Water(fr)

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.