A former federal agent takes you from Milwaukee's streets into its justice system, following Harold Sloan and six other homeless men over five years as they struggle to survive.
A former federal agent takes you from Milwaukee's streets into its justice system, following Harold Sloan and six other homeless men over five years as they struggle to survive.
2015-09-29
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Documentary following Serbian football coach Zoran Đorđević as he helps form South Sudan's first national football team.
Eight years in the making, The Joe Show is a shocking and wildly entertaining documentary about America’s most controversial Sheriff, Joe Arpaio, and his ringmaster’s approach to modern media, politics and law enforcement. Joe's desire for fame changes democracy forever and the voters cheer as ratings soar. The Joe Show explores how Joe uses media and his role as Sheriff to make himself the most famous law enforcement officer in the world. Racism, sex crimes, illegal immigration, first amendment rights, deaths at the hands of his employees – even Obama’s birth certificate – are all issues Joe faces and spins. Featuring Larry King, Steven Seagal, Hugh Downs, Ted Nugent, Dan Ariely and Noam Chomsky A movie that will engage and enlighten both Joe’s detractors and supporters, the Joe Show takes a hard yet balanced look at how democracy can survive when persuading voters becomes more important than protecting them.
This short documentary is the portrait of an 88-year-old woman who lives alone in a log cabin without running water or electricity in the Williams Lake area of British Columbia. The daughter of a Shuswap chief, Augusta lost her Indian status as the result of a marriage to a white man. She recalls past times, but lives very much in the present. Self-sufficient, dedicated to her people, she spreads warmth wherever she moves, with her songs and her harmonica.
In the form of a posthumous letter to Storck, using clippings from the original 'Borinage' film, the director paints a personal picture about a corner of Western Europe, where shocking living conditions of those trapped within
Tomasz Biernacki’s thought-provoking documentary about the homeless crisis in Seattle. Deftly interweaving in-depth stories of community members who are living the crisis on the streets with interviews of political leaders and community advocates, vivid images of the current state of affairs and a poignant examination of the roots of homelessness in the region, Biernacki paints a picture of a city struggling to come to grips with an unprecedented emergency, and finds a few glimmers of hope.
Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.
In a darkened classroom, the white cracked walls serve as a movie screen. We are in a remote mountain village in Georgia. The light from the projector breaks the darkness: the children's first cinematic experience is about to begin. Among the kids are Iman and Eva, two Muslim girls, for whom the experience becomes a turning point and inspires them to pick up a camera and start filming their daily lives. The girls are growing up in a valley infested by radicalism, where most people live in constant fear that their relatives will sacrifice their lives in the name of God.
This is Vol. 1 of god’s movie. A series of interviews and performances with the chosen few that came in contact with the late Joe Cole’s mighty video 8 camera. This video is as much about Joe as it is about the people that he filmed. Joe was able to make people feel comfortable enough to let themselves go in front of his lens. I used to watch the raw footage of Joe’s hours of interview footage culled from walking the streets of cities all over. I was constantly amazed at his ability to find these totally unique people. When you watch this you will see what I’m talking about. Reminds me of a quote I have heard over the years, something that amounts to those who can see it (in) others must have some of it in themselves.
A documentary on the road that tracks the journey by Georgina, an elderly transgender woman forced to cross the sandy peninsula Guajira, on foot, to obtain the thing she has desired for almost half a century: a document that will hand her the right to be what she has always felt she was, and will allow her, at long last, to vote.
Three young adults face the reality of homeless people in Milan and tell three different portraits of people that leave this condition in their everyday life.
THE DEPARTMENT is a feature documentary which takes us inside the never-before-seen child protection system at work in NSW. Filmed in an observational style, it follows caseworkers across the state as they navigate the complexities of keeping children safe in families experiencing domestic violence, addiction, poverty, mental health issues and intergenerational trauma.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Megacities is a documentary about the slums of five different metropolitan cities.
The Living Room of the Nation is a documentary film that portrays a number of Finnish living rooms. The film is a story of changes, the inevitable passing of time, and the human desire to be needed, visible.
As police and DEA agents battle sophisticated cartels, rural, economically-disadvantaged users and dealers–whose addiction to ICE and lack of job opportunities have landed them in an endless cycle of poverty and incarceration–are caught in the middle.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
An account of the journey that King Alfonso XIII of Spain made to the impoverished shire of Las Hurdes, in the province of Cáceres, in the region of Extremadura, in 1922.
Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.