During WWII, Sandro Ademari (Massimo Girotti), head of a group of Italian partisans, to escape from a Nazi catch, hides himself by a farm. Here he knows Luisa (Lea Padovani) and soon the two married and have a baby. After the war, Sandro, now a solicitor, succeeded also to be elected in Rome's parliament. Here he starts an extramarital affair with Germana (Patricia Neal). Sandro, now deep involved with Germana, tries all the way to leave Luisa (divorce wasn't legal during the '50s in Italy). But Luisa is determined to save her marriage and arrives in Rome to discuss with the two. The tragedy is behind the corner.
Figlio di Sandro e Luisa
During WWII, Sandro Ademari (Massimo Girotti), head of a group of Italian partisans, to escape from a Nazi catch, hides himself by a farm. Here he knows Luisa (Lea Padovani) and soon the two married and have a baby. After the war, Sandro, now a solicitor, succeeded also to be elected in Rome's parliament. Here he starts an extramarital affair with Germana (Patricia Neal). Sandro, now deep involved with Germana, tries all the way to leave Luisa (divorce wasn't legal during the '50s in Italy). But Luisa is determined to save her marriage and arrives in Rome to discuss with the two. The tragedy is behind the corner.
1954-01-01
0
Married couple Jack and Terry Linden are experiencing a difficult period in their relationship. When Jack decides to step outside the marriage, he becomes involved with Edith, who happens to be the wife of his best friend and colleague, Hank Evans. Learning of their partners' infidelity, Terry and Hank engage in their own extramarital affair together. Now, both marriages and friendships are on the brink of collapse.
Anzukko (Little Peach) is the daughter of a successful writer. She turns down each one of her suitors, until she marries a beginning writer named Ryokichi. Their life quickly sinks into despair.
After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during WWII.
Orphaned after a Nazi air raid, Paulette, a young Parisian girl, runs into Michel, an older peasant boy, and the two quickly become close. Together, they try to make sense of the chaotic and crumbling world around them, attempting to cope with death as they create a burial ground for Paulette's deceased pet dog. Eventually, however, Paulette's stay with Michel's family is threatened by the harsh realities of wartime.
A young academy soldier, Maciek Chelmicki, is ordered to shoot the secretary of the KW PPR. A coincidence causes him to kill someone else. Meeting face to face with his victim, he gets a shock. He faces the necessity of repeating the assassination. He meets Krystyna, a girl working as a barmaid in the restaurant of the "Monopol" hotel. His affection for her makes him even more aware of the senselessness of killing at the end of the war. Loyalty to the oath he took, and thus the obligation to obey the order, tips the scales.
José Luis has a cushy corporate job at the lingerie factory his mom owns. After he falls in love and proposes to Silvia, a beautiful laborer on the underwear assembly line, his mom enlists Raul, a potential underwear model and would-be bullfighter, to seduce Silvia.
At the end of WWII the Dutch resistance kills a German officer in front of the house of a Dutch family. Years after the war the young boy who witnessed the killing runs into the members of the resistance who committed the killing.
Igor is a plumber; Pina serves coffee. It is winter and they both deeply desire each other, but they are not free. In trying to figure out how to realize their love, she decides to make a lion costume for her little son and he decides to buy a photocopying machine for his wife. Spring will come at last and with it the consummation of love, filling their lives with hope and sex.
A story about a family after the Second World War. The petty bourgeois cashier Karl Weber of Berlin observes from a distance how his son Ernst participates in the building of a new socialist society. Karl does not understand Ernst's visions, instead he confides in his other son Harry. However, Harry becomes involved in illicit business and Karl quickly realizes that it would be best to join his son Ernst in the citizen-owned factory.
Lifelong hard work for the count makes the servant Anton a cripple. Everybody calls him Crooked Anton. When, after the end of the war, the land of the count gets divided amongst the farmers, Anton receives a piece and hopes to be able to work freely. But an old debt and intrigue keep Anton and his family from finding peace. The farmers of the village begin to discover their own power when Annegret, Anton's daughter, leaves. Is a new beginning possible for Anton? This film paints an impressive panorama of the development of a minor village in Mecklenburg from the end of the war to the uprising of 17 June 1953.
Henry II and his estranged queen, Eleanor of Aquitaine, battle over the choice of an heir.
Visa Vuorio, a 35-year old team leader at the Helsinki city gardening department, is suffering from a terminal neurological disease and only has a few months to live. Because of this, he is a member of a therapeutical support group for people suffering from terminal diseases. Visa's life changes when a young female reporter, Hanna Manninen arrives at the support group offering to write a series of articles about Visa's life story.
A chronicle of the life of 18th century aristocrat Georgiana, Duchess of Devonshire, who was reviled for her extravagant political and personal life.
Immigrants from around the world enter Los Angeles every day, with hopeful visions of a better life, but little notion of what that life may cost. Their desperate scenarios test the humanity of immigration enforcement officers. In Crossing Over, writer-director Wayne Kramer explores the allure of the American dream, and the reality that immigrants find – and create -- in 21st century L.A.
Anna is a young costume designer, focused on her job and wary of getting caught in romantic relationships. She has just found a new apartment, and is tempted to let her latest boyfriend, Frank, move in with her. Instead, she finds a tenant: The flamboyant, fun-loving Camilla, who shares Anna’s views on love and commitment. For both of them, it’s all about fun.
Katherine Watson is a recent UCLA graduate hired to teach art history at the prestigious all-female Wellesley College, in 1953. Determined to confront the outdated mores of society and the institution that embraces them, Katherine inspires her traditional students, including Betty and Joan, to challenge the lives they are expected to lead.
A soldier comes home with the weight of the world pinned to his chest.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.
Isabella, the daughter of the noble York family, is enrolled in an all-girls academy to be groomed into a dame worthy of nobility. However, she has given up on her future, seeing the prestigious school as nothing more than a prison from the outside world. Her family notices her struggling in her lessons and decides to hire Violet Evergarden to personally tutor her under the guise of a handmaiden. At first, Isabella treats Violet coldly. Violet seems to be able to do everything perfectly, leading Isabella to assume that she was born with a silver spoon. After some time, Isabella begins to realize that Violet has had her own struggles and starts to open up to her. Isabella soon reveals that she has lost contact with her beloved younger sister, whom she yearns to see again. Having experienced the power of words through her past clientele, Violet asks if Isabella wishes to write a letter to Taylor. Will Violet be able to help Isabella convey her feelings to her long-lost sister?