Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.
Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.
2014-05-21
6.9
This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…
Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).
Mildly successful comedian, Hannibal Buress, performs his second stand-up special in Chicago based on his wild night with the police.
Due to a job transfer, three friends move into a town where the bank they work at assigns them by way of living quarters a creepy mansion with a haunted history. One of the friends, Bharat (Bharat Jadhav), is prone to being possessed. The four ghosts enter Bharat's body at will and use him for their own intentions, resulting is hilarious misunderstandings, confusions, and the unfolding of a story of sinister revenge.
Let Mistress Misty (Debbie Rochon) guide you through three tales of the full moon as she follows the stories of different werewolves and how they handle their curse, gift or simple way of life.
Since 2013, Nixon Newell has travelled the world as a professional wrestler. This is the story of her goodbye to independent wrestling.
Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.
Hello Jindagi is an action, romantic, drama, and comedy film about love, betrayal, and second chances. Vijay, an honest and wealthy man, is searching for the perfect partner. He falls in love with Jasmin, but her greed for money leads her to leave him, shattering his trust. Heartbroken, Vijay crosses paths with Elina, a struggling yet kind-hearted woman.Determined to help, Vijay supports Elina in starting a new life, finding his own redemption and purpose along the way. Together, they learn that life can begin anew, even after losing everything, as long as one makes thoughtful choices.Shot in the UK and Nepal, Hello Jindagi is produced by Biranjana Entertainment, Maharani Entertainment UK, and Everest Surya Bohara Films. Directed by Everest Surya Bohara and Bikram D Joshi, it stars Bikram D Joshi, Priyanka Karki, Dipika Prasai, Kumud Pant Janaki Pant, Everest Surya Bohara and a talented ensemble cast, delivering an inspiring message about resilience and hope.
The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.
A vehicle of consciousness navigates the vertiginous labyrinths of San Francisco. ROMAN CHARIOT was filmed over several months with a spy camera mounted on filmmaker David Sherman's son's baby carriage.
Made during the height of the Vietnam War, Stan Brakhage has said of this film that he was hoping to bring some clarity to the subject of war. Characteristically for Brakhage there is no direct reference to Vietnam.
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
A moving recording of the late writer and renowned jazz singer Abbey Lincoln is captured in this new film from Brooklyn-born director Rodney Passé, who has previously worked with powerhouse music video director Khalil Joseph. Reading from her own works, Lincoln’s voice sets the tone for a film that explores the African American experience through fathers and their sons.
Frame by frame, letter by letter, this film aligns riddles/answers from 6 rolls of Super-8, with the structure, poetry and imagery posed by Ugandan crossword puzzles. Across & Down is a study of simultaneous simplicity and complexity and the resulting serendipity and chaos.
A tale of 2 passages within the Spirit house. This is the first in a series that looks at the places we find our spiritual presence augmented, inflamed, or simply acknowledged.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.
Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
Children get ready to start the first grade. They start learning the first letters.
A 6-year-old Tibetan boy leaves his family and flees to a refugee camp in northern India.
6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.
A silent demo of "Sky, Forest, Village City", completed on July 31, 2019.
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.