Safe Space(2024)

Where Love Lives: A Story of Dancefloor Culture & Expression(en)

Documentary by the music label Defected and its brand Glitterbox about electronic music, its beginning in New York and its importance for minorities all around the world.

Queer Japan(ja)

Trailblazing artists, activists, and everyday people from across the spectrum of gender and sexuality defy social norms and dare to live unconventional lives in this kaleidoscopic view of LGBTQ+ culture in contemporary Japan.

The Beauty President(en)

In 1992, at the height of the AIDS pandemic, activist Terence Alan Smith made a historic bid for president of the United States as his drag queen persona Joan Jett Blakk. Today, Smith reflects back on his seminal civil rights campaign and its place in American history.

Susanne Bartsch: On Top(en)

Dubbed New York's "Queen of the Night," proto–club kid Susanne Bartsch has been throwing unforgettable parties for over 30 years and is still going strong.

Caos do Sodré(pt)

Spree(en)

This documentary on the nightlife of Las Vegas was filmed primarily at the Topicana and Dunes Hotels, respectively, in 1962-63. Musical numbers performed by the film's stars aside, "Spree" also includes scenes of gambling casinos, cock fights and boxing.

Moncton Corner(fr)

2005, at the corner of St. George and Robinson Streets; the gray observatory at the corner of temptation, my new apartment, where I am about to live an intense and poetic urban experience in the district of the red light fish & chip. Between the horizontal blades of my venetian blinds, the freaky-deaky city comes alive for me, image by image.

The Color of Fear 2: Walking Each Other Home(en)

In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.

The Legend of the Ugly King(de)

Director Hüseyin Tabak explores the legacy of Yilmaz Güney — political dissident, convicted murderer, and visionary Kurdish filmmaker — who directed the 1982 Palme d'Or–winning Yol from inside prison and died in exile just two years later.

Jiyana Rewsenbireki Kurd: Casimê Celîl(ku)

Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.

Fairtex 'The Real Deal'(en)

A traveler finds Muaythai as a hobby in the land of smiles, thailand. Following a visit at fairtex gym, meeting the fighters at the gym, he finally realizes the life; Pattaya has to offer. Mastering Muaythai, with his statement ' Where Borne fighters appear, legends are made', he soon learned the arts of the fighting style and as a freelance legendary fighter his nickname evolve to "The Real Deal".

Orgy Every Other Day(en)

A spicy dive into New York’s underground queer sex party scene.

Phases of Matter(tr)

Phases of Matter follows living and inanimate residents of a teaching hospital in Istanbul, moving from the operating room to the morgue, between life and other states, the real and the virtual.

My War(en)

A disturbing portrait of four Western volunteers who risk their lives to fight ISIS alongside Kurdish forces. The feature documentary 'My War' probes the complex motives behind the need to take up arms on someone else’s behalf.

The Color of Fear(en)

Diversity trainer Lee Mun Wah assembles a diverse group of eight American men to talk about their experience of race relations in the United States. The exchange is sometimes dramatic as they lay bare the pain that racism in the US has caused them.

Refugee Poetry(ku)

The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.

Hookers at the Point(en)

From the sultry streets of Hunts Point in the South Bronx, comes the rawest, realest and truest documentation of the world's oldest profession ever captured on video. From Brent Owens, the director of Pimps Up, Ho's Down, comes the first two in a series of five films. Hookers At The Point focuses on the business of sex and the people involved in it. As a special bonus we have included Hookers At The Point: Going Out Again, where we follow up on the personalities from the first film and see where "The Life" has led them.

Trans*BUT — Fragments of Identity(tr)

Fragmentary perspectives on Human Rights and transgender (trans*) People in Turkey. What remains at the place where a murder happened? What constitutes trans* life? How to cope with daily violence and hatred? We begin to search for traces. We follow the tracks of resistance and survival. We are collectors of the expelled. We gather fragments of trans* lives inspired by texts of Nazim Hikmet, Foucault, Benjamin and Zeki Müren. Trans*BUT is a documental research study driven by the question: “What keeps you going when all else falls away?”

detours while speaking of monsters(tr)

Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.

Monologue(ku)

Sivan Encü, a young Kurdish man, provided for his family by "smuggling" through the Turkish-Iraqi border. When he was murdered in the 2011 Robozik (Roboski) Massacre, the responsibility of family's welfare was taken over by his younger brother Sinan, who lost his life in an unfortunate accident. This is the story of their grief-stricken mother Heyam and her resilience. Alongside Heyam's struggle, the film brings the voices of Robozik elders and notables to the forefront, who have experienced first-hand the social, political and economic dimensions of smuggling, which has been the backbone of survival for the locals for many generations.