How is our dialect faring in the globalized age? When the "railroad age" began 160 years ago, Switzerland feared that High German would supplant the dialect. The opposite has happened. The dialect persists and continues to blossom.
How is our dialect faring in the globalized age? When the "railroad age" began 160 years ago, Switzerland feared that High German would supplant the dialect. The opposite has happened. The dialect persists and continues to blossom.
2024-01-19
0
They just arrived in France. They are Irish, Serbs, Brazilians Tunisians, Chinese and Senegalese ... For a year, Julie Bertuccelli filmed talks, conflicts and joys of this group of students aged 11 to 15 years, together in the same class to learn French.
The wild beauty of the Bella Coola Valley blends with vivid watercolor animation illuminating the role of the Nuxalk oral tradition and the intersection of story, place and culture.
The joys of 1960s modern education - as seen at a not-exactly-typical local comp.
In the small community of Älvdalen in northern Dalarna, Sweden, the unique language Elfdalian (Älvdalska) is spoken. This documentary follows Ing-Marie's personal story about how it is and has been to live with the Elfdalian language.
Director John Scott crafts this look at the curious life of his longtime friend John Stiles — an aspiring writer and former telephone marketer whose midlife meltdown worked wonders for his career. Stiles was down on his luck working as a telemarketer in Toronto when, one day, he threw out his pre-written script and began speaking to customers in curious character voices inspired by his upbringing in Nova Scotia. That month, Stiles made the most sales of any employee and earned a free DVD player for his efforts. In the following years, Stiles threw caution to the wind, venturing out to local open mic nights — where he developed a substantial cult following — and later publishing a pair of books with Insomniac press.
The movie explores the origin of the Ukrainian language and persecution of those who defended its authenticity. Using examples of other countries, creators of the film prove that a nation cannot exist without a language.
Three Alaska Native women work to save their endangered language, Kodiak Alutiiq, and ensure the future of their culture while confronting their personal demons. With just 41 fluent Native speakers remaining, mostly Elders, some estimate their language could die out within ten years. The small community travels to a remote Island, where a language immersion experiment unfolds with the remaining fluent Elders. Young camper Sadie, an at-risk 13 year old learner and budding Alutiiq dancer, is inspired and gains strength through her work with the teachers. Yet PTSD and politics loom large as the elders, teachers, and students try to continue the difficult task of language revitalization over the next five years.
There are over 6,000 languages in the world. We lose one every two weeks. Hundreds will be lost within the next generation. By the end of this century, half of the world's languages will have vanished. Language Matters with Bob Holman is a two hour documentary that asks: What do we lose when a language dies? What does it take to save a language?
Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.
Three images of a person running in the void through the movement of speed and abstract images
Three college students start a social experiment to prove that reality changes according to the words we use to describe it. Through research, activist actions, and artistic interventions, they analyze the importance of language in the way we understand the world. The documentary includes analysis from more than 20 international experts and leaders in the fields of political communication and information.
In this short documentary, a Musqueam elder rediscovers his Native language and traditions in the city of Vancouver, in the vicinity of which the Musqueam people have lived for thousands of years. Writing the Land captures the ever-changing nature of a modern city - the glass and steel towers cut against the sky, grass, trees and a sudden flash of birds in flight and the enduring power of language to shape perception and create memory.
The celebration of a city is held every year and nostalgia is the main guest. Around the city there is nothing but ruins and in the distance, four men walk the streets of a city that was once great.
Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion
How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.
Victor Klemperer (1881-1960), a professor of literature in Dresden, was Jewish; through the efforts of his wife, he survived the war. From 1933 when Hitler came to power to the war's end, he kept a journal paying attention to the Nazis' use of words. This film takes the end of 1945 as its vantage point, with a narrator looking back as if Klemperer reads from his journal. He examines the use of simple words like "folk," "eternal," and "to live." Interspersed are personal photographs, newsreel footage of Reich leaders and of life in Germany then, and a few other narrative devices. Although he's dispassionate, Klemperer's fear and dread resonate
Be. Belonging. Words on vintage flash cards shuffle past in a stream-of-consciousness that shows the mind working, assigning labels and names to things through love and language. In the space of a moment, perception embarks on an epic journey of tongues, through Cantonese and English sounds and Ektachrome memories that form the characters and identity of this American-born Asian filmmaker.
This short documentary examines an innovative educational program developed by John and Gerti Murdoch to teach Cree children their language via Cree folklore, photographs, artifacts, and books that were written and printed in the community. Made as part of the NFB’s groundbreaking Challenge for Change series, Cree Way shows that local control of the education curriculum has a place in Indigenous communities.
Documentary by Jean-Pierre Gorin about twin girls who spontaneously developed their own unique language as children.
"This project consists a visual fluidity of construction, harmony and thoughts taking colors and length from this body of autonomy. Different images between figuration and abstraction are created by meaning and phenomenon letting the decoupage revealing a piece of a strange underworld. I built it like a window opened to the fresh air of improvisation by familiar landscapes, those exact moments articulating a connection between light and movement."