A short documentary about wine, vulnerability, and queer experiences. It explores the effects of alcohol on intimate conversations and the tone of discourse between young adults, taking into account that this is a method of facilitation often used during social interactions.
Herself
Herself
Himself
Interviewer
A short documentary about wine, vulnerability, and queer experiences. It explores the effects of alcohol on intimate conversations and the tone of discourse between young adults, taking into account that this is a method of facilitation often used during social interactions.
2024-02-03
0
A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
Filmed over five years, we follow Lily Jones, 20, as she transitions from male to female, leaves her seaside home for the city, undergoes gender reassignment surgery and finds love.
Lies can kill. Transgender Nuclear Suicide Sojourner is an exploration of propaganda, lies, and the overwhelming urge to end it all.
In 1968, Gordon Langley Hall claimed he was a woman misdiagnosed as male at birth because of a genital defect. To correct this, Gordon underwent one of the first sex reassignment surgeries in the United States. Her subsequent marriage to a black auto mechanic and the mysterious birth of their daughter Natasha sent Charleston, SC society into a fury and cast serious doubts on the truth behind Dawn’s story.
A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.
In Córdoba, far from the Argentine capital, the end of a military regime promises a spring that is all too brief. “La Delpi” is the only survivor of a group of friends who are transgender women and drag-queens, who began to die of aids in the late 80s. In a Catholic and conservative city, the Grupo Kalas made their weapons and trenches out of improvised dresses and lip-syncing. Today the images of unique and unknown footage are not only a farewell letter, but a manifesto to friendship.
Edhi and Alice intimately follows two transitioning women, Edhi and Alice, as they explore the fluidity of their gender identity, in the face of the the disapproving gaze of South Korean society.
In French Polynesia, transgender people evolve with apparent fluidity in all components of society. Their presence, observed as early as the 18th century by Western travelers and missionaries, has never ceased to intrigue and fascinate, producing over time numerous myths that the transgender women and men of Polynesia are today attempting to deconstruct. Through a series of luminous and intimate portraits, this documentary gives them a voice and proposes a rereading of gender issues in the light of Oceanian thought: an obvious enrichment.
A modern and fast-paced cinematic documentary that aims to trace, understand and demonstrate the historical and unwavering links between the United States, Bordeaux and its wines. An investigation like no other, Eastbound Westbound lets the viewer understand how this Franco-American friendship around Bordeaux wines had its starting point in the 18th century around the greatest connoisseur of fine wines and lover of Bordeaux, the American Thomas Jefferson, US Ambassador to Paris and third President of the United States. To better demonstrate Thomas Jefferson’s legacy, this intimate relationship between the two winegrowing continents is illustrated through interlinked portraits of wine families, from many and varied backgrounds but all sharing a real passion for wine. Leading players in their field, they produce some of the best wines in the world.
Focuses on one of the most talked about and important issues of our time – how to find yourself and your truth. It follows model and transgender activist Munroe Bergdorf’s journey and provides hope for those facing similar challenges.
Kelet is a twentysomething black trans woman, whose greatest dream is to be on the cover of Vogue magazine. For the Finnish-born and Manchester-raised Kelet, such models as Naomi Campbell and Iman served as role models giving her strength – and during the darkest times, kept her alive. After coming out, then 19-year-old Kelet was cut off from her family and she moved back to Finland on her own.
In the 50s and 60s, deep in the American countryside at the foot of the Catskills, a small wooden house with a barn behind it was home to the first clandestine network of cross-dressers. Diane and Kate are now 80 years old. At the time, they were men and part of this secret organization. Today, they relate this forgotten but essential chapter of the early days of trans-identity. It is a story full of noise and fury, rich in extraordinary characters, including the famous Susanna, who had the courage to create this refuge that came to be known as Casa Susanna.
Musician, octogenarian and transgender activist Beverly Glenn-Copeland and his wife navigate the implications of the former’s dementia diagnosis, contemplating high stakes, complex decisions about care and wellbeing while they embark on a mission to preserve his artistic legacy.
Ludruk Tobong artists are trying to maintain the arts that support their livelihood and are also trying to eliminate the negative stigma of trans women through cultural media.
A snowy landscape flowing outside the Shinkansen window. Miyu is heading to Nagoya to undergo her long-time dream of gender reassignment surgery. Miyu is a third-year student in the fashion design department. When she graduated, she aspired to go out into society as a woman both physically and mentally. Her dream will come true soon. A cafe bar in Kobe half a year ago. She is still chatting with her friends today. Her junior, Nao, and Mimu, who attends another university, are both transgender. “After all, love ends in sex, right? But we can’t have sex…
Vikken is transgender. He’s about to take hormones for the first time. He records his voice that will disappear, and summons the figures of the past from all over the world for an intimate dialogue with himself.
Luca longs for his lost love; Thalles for a name change; Raul to be a better person. They all share one element: they were born as women.
Two men undertake a thought-provoking journey to parenthood. Not by adoption or surrogacy, but by Frankie, a trans man, carrying their baby. Made with support from NZ on Air.
A crumbling pier, its walls covered with graffiti and erotic frescoes reminiscent of pagan Pompeii, the locus of the seduction rituals of men longing for men, is the focus of this meditation on gay cruising at the height of sexual freedom before AIDS. Shot in 1982, this is the first segment of a film capturing the life, death, and rebirth of the legendary “sex piers” over the last three decades.