Thrown into Canada(2022)

Memory Books(en)

In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.

Is the Crown at war with us?(en)

In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.

Exode(fr)

Obaida(en)

OBAIDA, a short film by Matthew Cassel, explores a Palestinian child’s experience of Israeli military arrest. Each year, some 700 Palestinian children undergo military detention in a system where ill-treatment is widespread and institutionalized. For these young detainees, few rights are guaranteed, even on paper. After release, the experience of detention continues to shape and mark former child prisoners’ path forward.

The Four Feathers(en)

A disgraced officer risks his life to help his childhood friends in battle.

Killing the Indian in the Child(fr)

The Indian Act, passed in Canada in 1876, made members of Aboriginal peoples second-class citizens, separated from the white population: nomadic for centuries, they were moved to reservations to control their behavior and resources; and thousands of their youngest members were separated from their families to be Christianized: a cultural genocide that still resonates in Canadian society today.

Warehoused(en)

An estimated 12 million people live in refugee camps worldwide and only 0.1% are resettled, repatriated, or integrated into normal society each year. The feature-length documentary.

Mr. Gay Syria(en)

In focusing his attention on the competitors of Mr Gay Syria, director Ayse Toprak shatters the one-dimensional meaning of “refugee”. Using the pageant as a means of escape from political persecution, the organiser Mahmoud — already given asylum in Berlin — hopes to offer the winner a chance to travel as well as bring international attention to the life-threatening situations faced by LGBT Syrians.

War Dance(en)

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

Displacement and Resilience(hi)

The documentary is a five country-based sequences featuring stories about conflict, migration and the experience of exile; Tibetan women refugees in Dharamshala, India, Syrian refugee family in Tunisia, evicted indigenous women in the Phlippines; Rohingya women in Haryana and Delhi, and Syrian women refugees in Canada.

The Stand(en)

On a misty morning in the fall of 1985, a small group of Haida people blockaded a muddy dirt road on Lyell Island, demanding the government work with Indigenous people to find a way to protect the land and the future. In a riveting new feature documentary drawn from more than a hundred hours of archival footage and audio, award-winning director Christopher Auchter (Now Is the Time) recreates the critical moment when the Haida Nation’s resolute act of vision and conscience changed the world.

Because I am(en)

Based on a poem by a Zimbabwean LGBT activist written in response to the gay hate speech that is being perpetuated president Robert Mugabe. The film was shot in South East London UK with a cast of six women from several African countries playing multiple roles in this portrayal of being a lesbian in homophobic Zimbabwe. Five of the actors and the producer are refugees who fled their countries in fear of persecution for their sexuality.

A Fork, a Spoon & a Knight(en)

An inspiring creative documentary that follows the story of one of Uganda's unsung heroes - Robert Katende. Popularly known as 'Coach Robert', he was able to transform a little unknown slum in the outskirts of Kampala, into an internationally recognized army of Chess Champions.

Human Flow(en)

More than 65 million people around the world have been forced from their homes to escape famine, climate change and war, the greatest displacement since World War II. Filmmaker Ai Weiwei examines the staggering scale of the refugee crisis and its profoundly personal human impact. Over the course of one year in 23 countries, Weiwei follows a chain of urgent human stories that stretch across the globe, including Afghanistan, France, Greece, Germany and Iraq.

Rise of the Warrior Apes(en)

Filmed over 23 years, Rise of the Warrior Apes tells the epic story of an extraordinary troop of chimpanzees in Ngogo, Uganda – featuring four mighty warriors who rule through moral ambiguity, questionable politics, strategic alliances and destroyed trust.

Bethune: The Making of a Hero(en)

True story of Norman Bethune, a medical doctor who fought for justice in China during Mao's rise to power.

Alma Anciana(pt)

Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.

Victory at Entebbe(en)

The film is based on an actual event: Operation Entebbe and the freeing of Israeli hostages at Entebbe Airport (now Entebbe International Airport) in Uganda.

Raid on Entebbe(en)

Based on a true operation by Israeli commandos. An Air France flight is hijacked by the Popular Front for the Liberation of Palestine. The airplane landed in Uganda. The terrorists released some passengers, keeping 94 Jews and 12 air crew hostage. The Israeli government would not negotiate. A rescue plan was devised, and less than 100 commandos were flown across Africa to rescue the passengers in surprisingly successful operation.

The Lascar(en)

At the end of the 18th century, hundreds of Indian sailors, known as lascars, worked amongst European settlers in Aotearoa New Zealand - often under the gruesome working conditions of seal hunting gangs. The story follows a lascar, Dasa, who has been abandoned on the coast of Aotearoa NZ by the East India Company, alongside his sealing gang. When Dasa finds himself in the middle of a conflict between his abusive British superior and two Māori traders, he is faced with a choice: bend the knee or take a stand.