Created from five years of interviews with 12 young people from across the UK, Our Generation is a captivating portrait of their journey into adulthood. Often too extraordinary to be fiction, this funny and moving play is for anyone who is – or has ever been – a teenager. Writer Alecky Blythe (London Road) brings her new verbatim play that tells the stories of a generation. Daniel Evans makes this directorial debut at the National Theatre. A production from National Theatre and Chichester Festival Theatre.
Lucas
Ayesha
Mia
Callum
Created from five years of interviews with 12 young people from across the UK, Our Generation is a captivating portrait of their journey into adulthood. Often too extraordinary to be fiction, this funny and moving play is for anyone who is – or has ever been – a teenager. Writer Alecky Blythe (London Road) brings her new verbatim play that tells the stories of a generation. Daniel Evans makes this directorial debut at the National Theatre. A production from National Theatre and Chichester Festival Theatre.
2022-03-08
0
A satire of the welfare society showing the mechanical nature of the elderly care.
In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.
Madame Ranevskaya is a spoiled, aging aristocratic lady who returns from a trip to Paris to face the loss of her magnificent Cherry Orchard estate after a default on the mortgage. In denial, she continues living in the past, deluding herself and her family, while the beautiful cherry trees are being axed down by the re-possessor Lopakhin, her former serf, who has his own agenda.
John Hodge's Collaborators centers on an imaginary encounter between Joseph Stalin and the playwright Mikhail Bulgakov.
Hardcastle, a man of substance, looks forward yo acquainting his daughter with his old pal's son with a view to marriage. But thanks to playboy Lumpkin, he's mistaken by his prospective son-in-law Marlow for an innkeeper, his daughter for the local barmaid. The good news is, while Marlow can barely speak to a woman of quality he's a charmer with those of a different stamp. And so, as Hardcastle's indignation intensifies, Miss Hardcastle's appreciation for her misguided suitor soars. Misdemeanours multiply, love blossoms, mayhem ensues. One of the great, generous-hearted and ingenious comedies of the English language, Goldsmith's She Stoops to Conquer offers a celebration of chaos, courtship and the dysfunctional family.
The Kitchen, Arnold Wesker’s "extraordinary black comedy," is directed by Bijan Sheibani and features an ensemble cast of 29 actors. The production is set in a restaurant in 1950s London.
Grace has agreed to marry Sir Harcourt in return for his financial support of her family. At a house party in her father's place, Harcourt's son Charles also falls in love with Grace. When his father appears on the scene, he has to convince him that there is a case of mistaken identity and he is somebody else. Then Lady Gay Spanker, a married woman also visiting at the house, is persuaded by Charles to seduce his father and thus divert his attention from Grace. Much confusion and scheming ensues.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
Fearless and unforgettably creepy. This high-concept production, filmed live at London’s Donmar Warehouse, stars the formidable talents of David Tennant and Cush Jumbo in Shakespeare’s most infamous tragedy.
Christopher, fifteen years old, has an extraordinary brain – exceptional at maths while ill-equipped to interpret everyday life. When he falls under suspicion of killing Mrs Shears' dog Wellington, he records each fact about the event in the book he is writing to solve the mystery of the murder. But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world.
In a remote village in Eastern Europe, around 1900, the young Motl Mendl is entranced by the flickering silent images on his father's cinematograph.
Separated at birth, two sets of twins collide in the same city for one crazy day, as multiple mistaken identities lead to confusion on a grand scale.
An aged king decides to divide his kingdom between his three daughters, according to which of them is most eloquent in praising him. His favourite, Cordelia, says nothing. Simon Russell Beale, whose recent appearances at the National include Timon of Athens and Collaborators, takes the title role in Shakespeare’s tragedy.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
Based on Michael Morpurgo's novel and adapted for the stage by Nick Stafford, War Horse takes audiences on an extraordinary journey from the fields of rural Devon to the trenches of First World War France.
Shakespeare’s masterpiece of the turbulence of war and the arts of peace tells the romantic story of Henry’s campaign to recapture the English possessions in France. But the ambitions of this charismatic king are challenged by a host of vivid characters caught up in the real horrors of war. Henry V, which opened the new Globe with the words ‘O for a muse of fire’, celebrates the power of language to summon into life courts, pubs, ships and battlefields within the ‘wooden O’ - and beyond.
A 2010 broadcast of Hamlet returns to cinemas as part of the NT's 50th anniversary celebrations. Following his celebrated performances at the National Theatre in Burnt by the Sun, The Revenger's Tragedy, Philistines and The Man of Mode, Rory Kinnear plays Hamlet in a dynamic new production of Shakespeare’s complex and profound play about the human condition, directed by Nicholas Hytner. He is joined by Clare Higgins (Gertrude), Patrick Malahide (Claudius), David Calder (Polonius), James Laurenson (Ghost/Player King) and Ruth Negga (Ophelia).
The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. An historic BBC production taped on location in and around Kronborg castle in Elsinore (Denmark), in which the play is set.
Racial tensions come out of the woodwork when an upper-class white couple puts their suburban home on the market and the listing draws a pair of equally well-to-do African American buyers from Harlem. Fielder Cook directs this Broadway staging of playwright Arkady Leokum's exploration of lingering racial prejudice in 1970s America.
Against the backdrop of Hamlet, two hapless minor characters, Rosencrantz and Guildenstern, take centre stage. As the young double act stumble their way in and out of the action of Shakespeare’s iconic drama, they become increasingly out of their depth as their version of the story unfolds.