A short documentary film following Muhang, a wheelchair user, on his commute to work via public transportation while dealing with the issue of accessibility.
A short documentary film following Muhang, a wheelchair user, on his commute to work via public transportation while dealing with the issue of accessibility.
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Local filmmaker Woo Ming Jin and his crew traversed across Peninsular Malaysia and Singapore to find 'Seruan Merdeka' (1947) - the first film made in Malaya post-WWII, and also the first film in the history of Malaysian cinema to feature a biracial cast of Malays and Chinese. While tracking the film's whereabouts, Woo met many locals along the way, whom he interviewed in an effort to find out more about the country's history.
Team Storror showcase Parkour on a stage never before seen - the rooftops of Asian megacities. The film follows team Storror on their exploration into what drives them to push the sport to such extremes, and the battles that face them when trying to shoot a feature film totally guerilla. RCA delves into the mental and physical preparation Parkour athletes have to undertake to make impossible 'leaps of faith', possible.
Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.
'Hibiscus' highlights the city's hidden beauty and the warmth of its people that may go by unnoticed on a daily basis but are beautiful reminders to appreciate.
From Belgium, Jialai Wang maintains contact via smartphone and camera with her mother and grandmother in China. When her grandmother’s health deteriorates, Jialai returns to Shanghai, but when she arrives, her grandmother has already died, and she is left alone with her mother. A devout Buddhist, her mother seems to pay more attention to her daily prayers, Maoist past and dog Dongdong than she does to her daughter. She herself had been abandoned as a child by her own mother, when she divorced Jialai’s grandfather and moved to the city.
With the help of record label 88rising, we look through the eyes six different artist from six different backgrounds, all within Asia, as they share their thoughts on the recent rise of hip-hop throughout the region.
The movie follows director Zhang Yimou as he is preparing to make the movie Hero.
The Borneo Case is a unique story filmed over 25 years and tells the epic tale of how the rainforest, home of the last nomads was stripped of its natural resources. It reveals how billions of dollars of illegal profits solicited by the Chief Minister of Sarawak State in Malaysia were money laundered with the assistance of the largest global banks into offshore accounts and property portfolios all over the world. The case was labelled as the largest environmental crime of the century.
Karayuki-san, the Making of a Prostitute is a 1975 Japanese film by director Shohei Imamura. It is a documentary on one of the Japanese "karayuki-san," who were women that were taken from their homes in Japan and used as prostitutes in the post-war period. Many of these women were told that they were doing this to support their families because of the extreme poverty that the war left much of Japan to live in. Imamura focuses on a particular such woman who was sent to Malaysia and never returned to Japan. Joan Mellen, in The Waves at Genji's Door, called this film, "Perhaps the most brilliant and feeling of Imamura's fine documentaries."
A look at the man behind the legend, capturing the real Andy Warhol, as an artist and as a person, as he travels through China, from Hong Kong's glitter to the mystique of Peking's Forbidden City. Set in the Far East, the story begins with the opening of the most elegant jet set watering hole in Asia, Hong Kong's “I Club,” whose owner, a young Chinese millionaire, decided to try an experiment: to transplant the most advanced, far-out Western culture to the Far East in a multimillion-dollar club that offers everything from restaurants and bars, to a health club and even an art gallery. Warhol is invited to attend the opening as a guest of honor showing his “Celebrity Portraits.” The result of this cultural experiment was varied. Emotions from the “I Club” and Warhol's work ranged from outrage to indifference to wonder.
Many twentieth century European artists, such as Paul Gauguin or Pablo Picasso, were influenced by art brought to Europe from African and Asian colonies. How to frame these Modernist works today when the idea of the primitive in art is problematic?
In December 1993, a luxury condominium tower block collapse after ground erosion from the neighbouring hillside. About 50 people lost their lives and to this day has become one of the darkest and saddest tragic incidents in Malaysian history. Twenty years later in 2013, a group of documentary filmmakers venture into the remaining two blocks that is left standing to do a ghost hunting expedition. What they discovered is not for the faint-hearted.
Almost 200 million women are "missing" in Asia - the result of targeted abortion of girls and dubious population policies. An investigative documentary about women who are not allowed to have daughters, about desperate attempts by men to find a wife somewhere, and about the abuse of women as pawns of politics and business.
“DISCIPLES” is a new Dazed film by Jess Kohl exploring the subcultural world of Malaysian skinheads including the traditional, SHARP skins, and Nazis.
The camera floats quietly to capture the beauty that emerges from the mundane. Accompanied by Ryuichi Sakamoto's composition, Arseny Tarkovsky's poem celebrates life.
A nuanced portrait of a new generation, Dear Thirteen is a cinematic time capsule of coming of age in today’s world. Through the eyes of nine thirteen-year-olds, we see how pressing social, geographical and political challenges are shaping, and being shaped by, young people: rising anti-Semitism in Europe, guns in America, gender identity and racial divisions across Australia and Asia. With no adult commentary outside the filmmaker, Dear Thirteen offers an intimate view into the universal uncertainty inherent in growing up.
Low Kok Kee is 67. He runs a print shop in Chinatown, Kuala Lumpur, Malaysia. Foto Pak Tai has been faithfully serving the photography and printing needs of the local community since the 1940's. With the advent of the digital age and a rapidly fluctuating appetite of the young and hip, Pak Tai is a business in decline.