Tian Soepangat: Muslim Sailor(2015)

Foster Child(en)

Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.

Return to Crystal Lake: Making 'Friday the 13th'(en)

Battleship Potemkin(ru)

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

A 3 Minute Hug(es)

As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.

Color-Blind(fr)

A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

White Earth(en)

An oil boom has drawn thousands to America’s Northern Plains in search of work. Against the backdrop of a cruel North Dakota winter, the stories of three children and an immigrant mother intertwine among themes of innocence, home, and the American Dream.

Toronto Jazz(en)

Toronto is regarded as the third largest jazz centre in North America. This film features a cross-section of jazz bands of that city: the Lenny Breau Trio, the Don Thompson Quintet and the Alf Jones Quartet. Their styles show creative self-expression, hard work, and improvisation.

Eugène(fr)

During Napoleonic wars, a young idealistic drummer, in search of glory, arrives on the battlefield and discovers the horrors of war.

Kingdom of Heaven(en)

After his wife dies, a blacksmith named Balian is thrust into royalty, political intrigue and bloody holy wars during the Crusades.

Apache(en)

Short about the daily life of the Apaches, including their ceremonies.

The Eternal Sea(en)

Biography of Admiral John Hoskins' efforts to retain active command despite WW2 injury.

Fanalysis(en)

Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

In Between(sq)

In rural Kosovo, identical houses are built for family members working abroad, in the hope that they will one day return to settle in their old homeland.

The Poet of the Castle(pt)

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

Nobody's Perfect(en)

This military service comedy chronicles the misadventures of the U.S.S. Bustard in Japan. The crew has stolen a Buddha statue from a Japanese village, which if discovered missing, would threaten Japanese/American relations. Doc Willoughby is the ship's petty officer, whose antics are constantly getting him into trouble with his captain. On shore leave, Willoughby falls for a seemingly demure Japanese girl in a kimono shop, who actually turns out to be a Japanese/American nurse in the US Navy, Lt. Tomiko Momoyama. However, it turns out she was betrothed as a child to a traditional Japanese man named Toshi, who fully intends on enforcing tradition. Willoughby divides his time between trying to return the Buddha statue back to the Japanese village it rightfully belongs to, and trying to woo Tomiko from the traditional Japanese man she rightfully belongs to.

Birdman(en)

A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.

Reminiscencia(en)

Photodocumentary about the ESMA tragedy.

Larisa(ru)

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.