Middle-aged women start acting and launch a drama club. However, nothing big or small goes right. But they never give up the play.
Self
Self
Middle-aged women start acting and launch a drama club. However, nothing big or small goes right. But they never give up the play.
2023-04-05
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On April 16th, 2014, the Sewol Ferry sank in South Korea, taking with it the lives of 304 of its 476 passengers. South Korea's worst maritime disaster traumatized a nation while simultaneously sinking the country's emotional spirit. The film asks why the rescue of Korea's children and people was neglected on the fateful day the Sewol sank.
A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.
Documentary focusing on 25 year-old actress Jane Fonda as she and her director Andreas Voutsinas prepare a stage play called The Fun Couple for Broadway.
In her first feature-length documentary, filmmaker Nam Arum turns her camera on her parents, two members of South Korea’s 386 Generation. The political activism of this generation came to a head in June 1987 with major protests that forced the authoritarian government to hold universal suffrage elections and implement key democratic reforms. Over 35 years later, the filmmaker reflects on the state of this democracy through a warm-hearted family portrait set against the backdrop of the country’s recent history. Using a personal and intimate cinematic style, Arum examines her father's adherence to conventionality as a high-ranking civil servant and her mother's fervent enthusiasm as a feminist activist. In the midst of these two contrasting dynamics, Arum seeks to discover her own role and how she can contribute to social change.
The film traces PARK Geun-hye's life back to the 1970s, when the leader-follower relationship began between PARK, who became the first lady of the Yushin regime, and CHOI Taemin, the leader of a pseudo-religion. It then examines the Sewol ferry incident, CHOI Soonsil Gate, candlelight rallies, and finally the impeachment.
On a bitterly cold London evening, schoolteacher Kyra Hollis receives an unexpected visit from her former lover, Tom Sergeant, a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires.
Chevrolet presents this tribute to the American woman and her thrifty ways with money. The film also salutes the individuality of the Amerian citizen and the variety of choices we have in the marketplace.
304 people drowned as the car ferry sank. Four fathers recall their memories of their children; high school students who were on their field trip. Professors, lawyers, journalists, an activist, a diver, and a politician explain why the system ultimately allowed the tragedy to occur. What is stopping the next tragedy? The world has turned upside down.
The film is about the director’s mother, the movie actress Nina Antonova. Now she is 80. She has had hundreds of roles – big and small. It is a personal story about an honest and sad life, about self-sacrifice and freedom. Real fame as an actress came to her only once in her life. It was the leading role in the first Soviet colour TV series Varka’s Land. That was 45 years ago…
A documentary on the South Korean ferry disaster that claimed the lives of more than 300 passengers in April, 2014.
A story of a mother and her son and a race against a tortoise where you always lose.
Yoo Kyung-geun, who lost her daughter Ye-eun in the Sewol Ferry Disaster, sits down at the podcast production studio. It is to meet with the bereaved families of numerous social disasters before and after the Sewol Ferry Disaster. They are Hwang Myung-ae, the mother of Han Sang-im who died in the 2003 Daegu Subway Fire, Ko Seok, the father of Gahyun and Nahyun who died in the 1999 Sealand Youth Training Center Fire, and Bae Eunsim, the mother of Lee Hanyeol who died in 1987's June Struggle. The bereaved families talk about "the life after" and their daily lives, and Yoo Kyung-geun learns to live without Ye-eun.
A thousand lies to conceal the truth of the Sewol Ferry. As many as 1,000 ships, 160,000 AIS data, were manipulated to hide the truth behind the sinking of the Sewol Ferry on April 16, 2014. Who are the organizers of this and why did they build a ghost ship! We must ask persistent questions. Since that day, nothing has been revealed yet. Government AIS data of a thousand lies. Now it is time for the Korean prosecution to answer.
A documentary that scientifically analyses and tracks down the route of the Sewol Ferry that sank on the 16th of April in 2014 using its AIS to discover the cause of the unconfirmed sinking.
A documentary that reports on the the rescue failure of the Sewol incident. In the days of media control, Park Geun-hye and her government sabotaged the screening of "Diving Bell" at the Busan International Film Festival.
In August 2020, Olympic artistic swimmer Ona Carbonell became a first time mother, an experience that reshaped her life overnight.
When filmmaker Mari Soppela took her children and husband to live for a year on a sacred mountain in her native Finland, she was fulfilling a lifelong dream to share the arctic wilderness of her childhood with her family. But when years later her children turn the camera onto her, she is forced to confront her motivation for filming their lives in this searching and searingly honest cinematic exploration of identity, belonging and motherhood. Filmed over the course of 27 years, Mother Land challenges us all to examine the landscapes we carry within us and the narratives we create to make sense of our lives.