Beethoven: The Piano Concertos(2007)

Symphony Hour(en)

Mickey guest-directs a radio orchestra. The sponsor loves the rehearsal, but come the actual performance, Goofy drops all the instruments under an elevator, so they sound like toys. The sponsor hates it, but the audience loves it anyway.

Eroica(de)

A concert-film using innovative cinematic techniques to set music to images. As conductor Herbert von Karajan didn't like the experimental style, he had the film re-edited severely before release.

There Once Was a Singing Blackbird(ka)

Gia is a carefree young percussionist who works at a theater in Tbilisi, capital of Georgia. He lives in a small apartment with his mother. Gia spends his days flitting from friend to friend, lover to lover, avoiding any responsibility, and never staying still for five minutes. However, he always manages to arrive at the theater just in time to play the drums at the end of the ballet.

Concerto: A Beethoven Journey(en)

Filmed over the course of four years, Grabsky and his Seventh Art team followed leading concert pianist Leif Ove Andsnes's attempt to understand and interpret one of the greatest sets of works for piano ever written: Beethoven's five piano concertos.The end result is a beautifully-crafted film with lavish cinematography, a signature of Grabsky and Seventh Art's style. Considered one of the top pianists of the age, Leif Ove Andsnes offers rare insights into the mind of a world-class pianist and access to his personal and professional life. Against the wonderful background of Leif Ove Andsnes playing these five pieces, we also peel back the many myths of Beethoven's life. Perhaps above all it is the fresh new biography of Beethoven that is most revealing.

Pacific Paradise(en)

In this MGM Miniature Musical, Harry Owens and his orchestra perform several song numbers.

La voz de mi ciudad(es)

The Hollywood Bowl(en)

Tom is conducting a symphony at the Hollywood Bowl when Jerry comes out to co-conduct.

Beethoven: The Complete Symphonies(de)

Christian Thielemann and the Vienna Philharmonic Orchestra performing Beethoven Symphonies 1-9

Currentzis conducts Beethoven Symphony No. 9(de)

Ludwig van Beethoven headed for Symphony No. 9 literally his entire life. As early as the 1790s, he had an eye on Ode to Joy, perhaps the most well-known poem by Friedrich Schiller, written on the threshold of the French Revolution (1786). In his mature and, in particular, later years, the deaf composer with an acute ‘hearing vision’ increasingly distanced himself from conventional forms and genres and wrote parts beyond the possibilities of instruments of his day. He nurtured the idea of a symphony with a choir for at least several years. The history of the Ninth’s interpretations includes 200 years of staggering revelations and lingering stagnation. Performed by the musicAeterna orchestra, choir, and guest soloists under the baton of Teodor Currentzis, Beethoven’s opus magnum acquires the original poignancy and energy of a recent discovery.

Maestro(en)

An aspiring conductor finds himself in his dream position, conducting an orchestra that doesn't exist.

Arım Balım Peteğim(tr)

Daughter of a private eye falls in love with father’s playboy client. Pretending to have a busy love life, she makes him jealous and he also starts to love her. When father discovers the affair he asks the Playboy to leave his daughter not knowing she’s pregnant.

Music Land(en)

Walt Disney animation animated cartoon musical compilation ("The BIG Parade of MIRTH and MELODY"; "Offering hits re-released from 'Make Mine Music' and 'Melody Time'"; featuring cartoons from the 1946 musical, "Make Mine Music," and the 1948 musical "Melody Time") featuring Donald Duck, Joe Carioca, and other Disney cartoon characters, and also songs by Fred Waring and his Pennsylvanians, Benny Goodman and His Orchestra, Frances Langford, Roy Rogers and Trigger, The Andrews Sisters (Laverne, Maxene, and Patty Andrews), Freddy Martin and his orchestra, Sons of the Pioneers, Jerry Colonna, and Ethel Smith

Alter Bridge - Live at the Royal Albert Hall (featuring The Parallax Orchestra)(en)

Some nights are just pure magic! In October of 2017, hard rock titans Alter Bridge took to the stage of the iconic Royal Albert Hall in London for two very special headline shows. Myles Kennedy, Mark Tremonti, Brian Marshall and Scott Phillips treated the capacity crowds to selections from their entire musical catalog. The set list included some of the band’s biggest hits; rarities and even a few songs the band had never previously performed live. Adding another career first for the band, Alter Bridge was joined on stage by conductor Simon Dobson and the 52-piece Parallax Orchestra. Together, everyone on stage during those two extraordinary nights treated the combined crowd of over 10,000 fans to an unforgettable music experience. Now those two performances have been combined in to one full length, epic concert that is to be shared with fans around the globe in Alter Bridge: Live At The Royal Albert Hall.

The Unanswered Question I : Musical Phonology(en)

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Phonology is the linguistic study of sounds, or phonemes. Bernstein's application of this term to music results in what he calls "musical phonology".

The Unanswered Question III : Musical Semantics(en)

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse:Semantics is the study of meaning in language, and Bernstein's third lecture, "musical semantics", accordingly, is Bernstein's first attempt to explain meaning in music. Although Bernstein defines musical semantics as "meaning, both musical and extramusical" this lecture focuses exclusively on the "musical" version of meaning.

The Unanswered Question IV : The Delights and Dangers of Ambiguity(en)

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Bernstein provides two distinct meanings of the term ambiguity. The first is "doubtful or uncertain" and the second, "capable of being understood in two or more possible senses"

Ariana Grande at the BBC(en)

Davina McCall chats to Ariana Grande in this musical extravaganza. Ariana performs songs from her latest album Sweetener and some of her biggest hits accompanied by her band and an all-female orchestra.

The Unanswered Question V : The Twentieth Century Crisis(en)

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.

The Unanswered Question VI : The Poetry of Earth(en)

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.

Ode to Joy: Beethoven's Symphony No. 9(en)

Showcasing a musical masterpiece in a rare full-length television recording by the Vienna Chamber Orchestra with the Westminster Symphonic Choir, under the direction of conductor Mark Laycook. An introduction to the performance, narrated by actor John Lithgow, gives a unique perspective on music history.