Jayne takes us on a review of her last world tour. She takes us through Rome, shares a fantasy about Roman athletes, and then is off to Cannes. She takes a trip to the nudist colony on the Isle of Levant, where she almost kind of joins in. Then it's off to Paris, where she gets a beauty treatment from Fernand Aubrey, and attends some racy dance revues. In New York and Los Angeles, she visits some topless clubs and listens to a topless all-girl pop band. The film wraps up with some posthumous footage of her family in mourning.
Narrator (voice)
Self - Cosmetologist (beautician)
Self - Guido the Forum Guide
Self - Judge of Best Breasts Competition
Self - Miss Sweden the Best Breasts Winner
Self - Girl at Table at Heliopolis
Jayne Mansfield (voice) (uncredited)
Jayne takes us on a review of her last world tour. She takes us through Rome, shares a fantasy about Roman athletes, and then is off to Cannes. She takes a trip to the nudist colony on the Isle of Levant, where she almost kind of joins in. Then it's off to Paris, where she gets a beauty treatment from Fernand Aubrey, and attends some racy dance revues. In New York and Los Angeles, she visits some topless clubs and listens to a topless all-girl pop band. The film wraps up with some posthumous footage of her family in mourning.
1968-04-18
3.714
Tour the World's Hottest Spots with the Sex Goddess Herself!!
A “hidden camera” takes the viewer on a worldwide tour of sexual practices and rituals, including Tijuana strippers, Asian sex shows, British prostitutes, New York devil worshipers and a Mexican slave market.
Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).
A series of bizarre murders. Psychometer Rinko cooperates with detectives in the investigation. The investigation is a difficult one, and the only clues are Rinko's visions when she is in ecstasy, and the crazy smile of a creepy man that appears vaguely.
A documentary about unemployed people who bought fruit and vegetables at moderate prices at the wholesale market and sold these in the streets of Frankfurt. Since they had no permits they were constantly with their bulky carts on the run from the police. One part of the film was shot at the fairgrounds in front of the wholesale market. Newspaper and lottery ticket vendors, propagandists offering their ware for a few pfennigs, all convey the mood of a time when need made people inventive.
After finish his work Marchino finds the body of a teenager girl and goes to BarLume to call the police who don't believe him after his infamous past. Massimo goes to check and here starts a new story of BarLume.
Aubri Callahan is an aspiring comedian and ghost writer for Bella Delmonico, acclaimed stand up comic and owner of the Vista Theater. Performing at the Vista is a key step on the way to stardom and despite her natural talent, Aubri patiently waits for her time to shine, writing jokes for Bella in the shadows of the comedic giants that came before her. When The Vista Theater Variety Show lands in Aubri’s lap she must plan the whole event and find a headliner all before Christmas eve, just three weeks away.
“The Crocodiles” are back and they are in for quite an adventure! Frank is seriously hurt and needs a liver donation. In order to save him, the gang needs to get Frank’s brother out of prison. Their plan is risky and the stakes are high.
Lewis Black goes on tirade after tirade about stupidity in America. He covers everything from corporate greed and Martha Stewart to WMDs and homeland security.
Kikunosuke was born as a child outside marriage and raised by Tatsukichi, who is the female manager of Japanese traditional restaurant. Tatsukichi drills Kikunosuke hard in a Japanese traditional string instrument, Shamisen, and continence. However, Kikunosuke becomes a “man” by a Geisha, Botan when he turns 18, then he becomes a man who do sex for female and compensates for their unsatisfied physical and mental emptiness as his job, called “Saoshi (The rod master).” Also, he sets up for himself as a master of Shamisen. One day, a lonely club hostess, Nami, appears in front of Kikunosuke. Nami cannot get satisfied with sex and comes to Kikunosuke. He tried to make her happy with using various techniques, yet he gives up. With despaired and humiliated, Kikunosuke goes on a trip to become the best “Saoshi.” Then, Kikunosuke meets Yukino, has many struggles, at a bar, and he decides to sleep with Yukino. However, a mysterious man watching at them from outside.
On their last night of spring break, four old friends, now all college freshmen, realize their small town has more meaning than they ever imagined.
Recorded at London's Brixton Academy in 2004, Dido Live draws on material from 1999 debut No Angel and 2003 follow-up Life for Rent. As she notes early in the show, "It's very nice to be in a place where I've seen hundreds and thousands of gigs." Dido and five-piece band--including two percussionists--proceed to execute a tight 14-song set, touching on favorites like "Thank You".
Louise is a mermaid. One day, a young man discovers her secret.
Elmer Fudd introduces two pieces of classical music: "Tales of the Vienna Woods" and "The Blue Danube", and acted out by Bugs Bunny, Porky Pig, Laramore the Hound Dog, a family of swans, and a juvenile Daffy Duck.
Tom has plans to take a nice long nap in a hammock, but Jerry has gotten there first and is snoozing happily, so the two fight it out to see who gets to sleep there.
Wojciech, who does not feel the ubiquitous joyful atmosphere, meets someone who changes his holiday plans. In turn, Karina and Szczepan get embroiled in a fight for an inheritance that may divide even their loved ones. They will see if the only thing that comes out well with the family is in the photos.
It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.
Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.
An insider's account of Jack Warner, a founding father of the American film industry. This feature length documentary provides the rags to riches story of the man whose studio - Warner Bros - created many of Hollywood's most classic films. Includes extensive interviews with family members and friends, film clips, rare home movies and unique location footage.
An examination of why the James Bond films have proved so popular including a discussion between the four actors who have played Bond, an interview with Cubby Broccoli and contributions from the directors, production designers, special effects and stuntmen.
Jonathan Ross delves into the world of James Bond and meets with new and former cast members who reveal humorous stories and anecdotes in a series of interviews. All the 5 Bonds at the time are featured, though only Lazenby (reflecting in the usual frank, self criticizing manner), Moore and Brosnan granted an interview. Connery and Dalton are featured through some unused footage from LWT's 30 years of James Bond program. The ever faithful Desmond Llewelyn turns up in character as well as some other less related peeps like Christopher Lee, Paul McCartney and the ultimate playboy: Hugh Hefner -- who all give an interesting perspective on the worlds most famous spy.
Showcases the life of Giacomo Leopardi, an Italian poet known for his melancholic verses on fleeting happiness, existentialism, and human suffering.
This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.
Life is a great mystery, much larger than what would have us believe. By listening desires of their discoveries and their inner doubts, three young decided to start a trip on the surface of the Earth.
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.
The question of "who hunts virgins" and more will be stripped down and explored in the sexiest trailers hosted by Playboy's Nikki Leigh.
A pseudo-documentary, “Samarang” tells the story of lowly Ahmang (Captain A.V. Cockle) and his socially superior love, Sai-Yu (Theresa Seth). Both live in the village of Samarang in the Indian Ocean. Because Sai-Yu is the daughter of a chief and Ahmang is but a poor fisherman, he needs to increase his wealth before asking for her hand. Thus he accepts the perilous offer of the wily Chang-Fu, who seeks pearl divers. Ahmang must brave the treacherous waters of the Forbidden Lagoon of Sakai, home to bloodthirsty cannibals, killer sharks, and a monstrous grasping octopus. Sai-Yu and Ahmang’s younger brother Ko-Hai come along for kicks, too. Ahmang finds his pearl, but he and Sai-Yu are stranded on the island, where they befriend a local orangutan. When they return to the boat, a shark kills Ko-Hai, and Ahmang must get revenge.
In June 1893, European prospectors unlawfully took claim to ‘The Golden Mile’ on Aboriginal land. In little over a hundred years the natural landscape has been transformed into the industrial hellscape of Kalgoorlie-Boulder. As incumbent Mayor John Bowler starts to campaign for a second term, independent prospector John ‘General Hercules’ Katahanas decides to run against him on an anti-corruption ticket. What starts out as a quirky David-vs-Goliath political battle, unravels into a portrait of a man, a town and a country sent mad by the timeless cycles of exploitation, racism and greed.
Sophia Loren, who was born in Rome and lived there as a child, returns to the city that will forever be in her blood and gives her impressions of and reactions to the mosaic of Rome and the people she encounters there during her visit. She meets Marcello Mastroianni and Vittorio de Sica as she visits the sights, affectionately commenting on the grandeur of the Eternal City and the irrepressible nature of its people.
RROMANI SOUL traces the true origin of the Rroma people. Through rituals, song and dance we follow emblematic figure and "Queen of the Gypsies" Esma Redzepova to Macedonia, south of France and finally to India. The film reveals for the first time ever that the true and unique origin of the Rroma is Kannauj in Uttar Pradesh, India.
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.
Directed by Patrick Gramm, 'The Pigeon People' (2023) takes you deep into Arizona's underground pigeon racing scene as racing rivals prepare for and compete in the Grand Canyon Classic - a 350-mile pigeon race from Utah to Arizona that crosses over the Grand Canyon.
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.