Commentary (voice)
1957-01-02
0
In Saigon, family culture carries on as it has for centuries, even when blood ties are broken. Through a mosaic of intimate portraits, Má Sài Gòn explores humanity’s universal desire for love, acceptance, connection and belonging through an LGBTQ+ lens. The film is a love letter – a bittersweet ode to a comforting yet disturbing mother, to a city that is as liberating as it is oppressive.
As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.
The interview, held on January 4, 2001, was the last given by Professor Milton Santos, who died from cancer on June 24 of the same year. The geographer is gone, but his thoughts remains. Its political and cultural ideals inspire the debate on Brazilian society and the construction of a new world. His statement is a true testimony, a lesson that the world can be better. Based on geography, Milton Santos performs a reading of the contemporary world that reveals the different faces of the phenomenon of globalization. It is in the evidence of contradictions and paradoxes that constitute everyday life that Milton Santos sees the possibilities of building another reality. He innovates when, instead of standing against globalization, proposes and points out ways for another globalization.
Minnesota: A History of the Land vividly brings to life the epic story of the people and landscapes of Minnesota. From the retreat of the last ice sheets to the growth of today’s suburbs – the series seeks to entertain as it enriches our understanding of Minnesota’s past, present, and future. A visually stunning and groundbreaking 4-part documentary series featuring nature videography from across the state, never before seen historic images, state-of-the-art animations and historic recreations. Original soundtrack by award-winning composer, Peter Ostroushko.
Host Peter Greenberg explores the hidden gems of Turkey's Aegean coast. Some of the stunning destinations include Bodrum, Izmir and the ancient city of Troy.
A portrait of Toronto, as defined by the spaces its queer residents inhabit and the memories they’ve created there.
Explores the plans for the construction of the monumental dam on China's Yangtze River, the structure that when completed in 2009 will become the Three Gorges Dam. It is slated to be 610 feet high, 1.3 miles across, creating a reservoir 400 miles and the largest power plant in the world.
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.
A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.
Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.
During the chaotic final weeks of the Vietnam War, the North Vietnamese Army closes in on Saigon as the panicked South Vietnamese people desperately attempt to escape. On the ground, American soldiers and diplomats confront a moral quandary: whether to obey White House orders to evacuate only U.S. citizens.
Nearly Really Me follows the story of Karla, a 35 year old professional who knows her life is fine, and yet feels that fine isn't good enough, she wants to feel alive. Trouble is, she has no real idea how to go about it. So she outsources her existential crisis to an internationally respected medium for direction and soon finds herself embarking on a trip to Vietnam for their 5 day spiritual conference, where participants gain knowledge, wisdom and insights delivered unlike any other in the world.
America's involvement in the Vietnam War dramatically intensified in 1964 after the Tonkin Gulf incident, an incident in which the blame falls squarely on the Johnson administration. What would follow would be a series of misinformation and outright lies from the government to mislead the American public into supporting a war that would become increasingly harder to justify.
The film deals with the process of globalization based on the thought of geographer Milton Santos, who through his ideas and practices, inspires the debate about Brazilian society and the construction of a new world. Santos discusses his views on the importance of respecting difference and his belief that an alternative globalisation model could wholly enfranchise all citizens of the world. An illustrious presence in 20th century social sciences, the man dubbed as ‘geography’s philosopher’ eloquently elucidates a developing world perspective on the global age.
Over the years, Raul Ries, a military veteran (US Marine Corps) has reached out to those who are serving or have served in our armed forces. He has spoken to countless men and women from various theaters of military conflict, after their return home. In 2006, 40 years after fighting in the jungles of Vietnam, Ries experienced flashbacks for the first time. Subsequently, he found three of the men closest to him, who fought alongside of him in the Marine Corps unit ALPHA 1/7, and have suffered the consequences. Together again, they are taking the hill and finding healing.
A trans Vietnamese woman's deadname being repeated over and over again.
A US Air Force produced film that follows a group of F-105 pilots as they pass their hundredth mission during the Vietnam War.
Interviews with five former American soldiers who were present at the March 16, 1968 attack on the village of My Lai during the Vietnam War; they discuss the orders that were issued leading up to the attack, their expectations of what they would find there, and the subsequent massacre of the inhabitants and destruction of the village, as well as possible motivations for the killings and rapes which took place. Preserved by the Academy Film Archive in 2002.