The third year of Keio. Picked up by Takamori Saigo, Hanjiro pledges his loyalty to him and joins an assassination group led by Kidaro. One day, Hanjiro was taken aback by a man he met on the street, and since then, the man's presence has never left his mind.
The third year of Keio. Picked up by Takamori Saigo, Hanjiro pledges his loyalty to him and joins an assassination group led by Kidaro. One day, Hanjiro was taken aback by a man he met on the street, and since then, the man's presence has never left his mind.
2003-04-26
2
With summer vacation, Chiaki, a high school girl, is just passing each day without getting along well with her boyfriend, Masahiko and her first experience.
A poor artist becomes obsessed with a rich young woman who is about to become engaged and decides to kidnap her. Understandably she is not happy about this but as her confinement continues she slowly comes to know her kidnapper.
An office vacation at a luxury resort descends into debauchery when the men repeatedly assault the office ladies in various unsavory ways.
Two women, Tokiko, a ceramic artist, and her apprentice, Haruka, are in a relationship. The couple is not an intrinsic lesbian, but they fell for each other by chance.
Another satirical broadside against the thrill-seeking public, and the media that panders to them, from filmmaker Hisayasu Sato.
Fumio, who works at an ironworks, has an affair with Yoko, the wife of the president of the ironworks. The wife of Shimizu, a detective who investigates Yoko's background at the request of Nobuo, the president of the company, is also having an affair with his mistress, Kenichi. Nobuo becomes angry and impulsive. Upon receiving the report, a jealous Nobuo impulsively kills Shimizu and appears with an iron pipe in front of Fumio and Yoko, who are entangled in an ironworks. The story accelerates toward the end as the impulsive murderer brings together a man and a woman in a love-hate relationship at a villa in Izu....
It’s coming up to competition time for the pretty office girls of the Kara Cosmetics Company. Kei (Junko Asahina) and her co-workers are preparing their amateur rhythmic gymnastics team for an upcoming competition. In order to assist the sexy ladies, Aoki (Funasaku Sasairi) is brought in as their new coach. As the team wonders about the coach’s ability to perform both on and off the court, Kei’s relationship with him is revealed. Long ago, Aoki slept with Kei before a competition and she lost. Now, he’s worried it will happen again! Can the coach overcome his sexual issues and help Kei win this time?
It was a tumultuous time. In the early Meiji period, there was the first photographer in Japan who lived a heroic life. What fascinated him with photography was a photograph of a naked woman.
A female makeup artist and a married woman came to the set of an adult video for the first time. After watching an intense threesome between the actress and the staff, the two are gradually overcome with desire...
An orphaned arsonist is interrogated by a detective, revealing his story of sexual abuse and trauma.
The story of two men, one middle aged one mid twenties, who make friends and exchange cigarettes and stories of their sex lives, unaware they have unwittingly exchanged partners. The story, told in flashbacks, as the two men travel through the night on a motorcycle, is loaded with highly charged eroticism. Sex and violence are juxtaposed against the drabness of the men's everyday lives, effectively blurring the line between what is real and what is fantasy. Founded on the well-known myth of furtive sexual gropers on the rush-hour Tokyo commuter trains, Tandem is a low-key masterpiece of Japanese Pink Cinema.
Rie, who moved to Tokyo from a rural mining town and is penniless after being cheated by her boyfriend, enters the world of underground wrestling by chance. This is a ridiculous ensemble drama inspired by Shinji Somai's "Luminous Woman" and incorporating the setting of "Tomorrow's Joe" (Ashita no Joe). Starring Aya Mizutorigawa, an idol of the pink film industry at the time.
A man with a troubled past including incest with a younger sister and the murder of a woman travels to an isolated countryside town in Nagano. There a local who mistakes him for a famous television actor shows him the town's sites, including a strip bar in which the performers remove Heian era costumes. The film's narrative is in an allegorical and disjointed manner with references to Buddhist concepts.
In a gritty coastal town, scandal and perverse desire ignite a relentless spiral of illicit encounters. The tale centers on Tamayo Mochizuki, a married woman whose secret trysts with her lover Yoshiyuki unfold in a secluded, rocky cove—while a group of lecherous onlookers spy with voyeuristic glee, tossing crude, provocative remarks. As passion intensifies, the rendezvous devolves into a chaotic melee of lust, sex and betrayal; what begins as daring escapades quickly darkens into brutal power plays where forbidden desire and violence blur. Amid raucous seaside parties and seething rivalries, erotic debauchery unravels in a night marked by twisted seduction, intense sexual acts, shocking coercion, and the irrevocable shattering of lives by uncontrolled, corrupt passion.
Saeko had an affair with Kuno, a photographer, but after the car they were driving in had an accident, she has withdrawn into a villa in Shonan. One day, she meets Shinji, who rides his motorcycle in front of her beach villa every day.
A road movie about three persons traveling in a campervan on their way to Tokyo, Hamamatsu, and Kyoto. The film is based on the story of the heroine, a young girl named Momo, who was a member of the "21 Faces of Kaijin" gang involved in the Glico Morinaga Incident, and the film's ideas are remarkable, including the use of a tape recording of the actual incident.
Lesbian-themed tale of a schoolgirl who entices her gullible (not to mention slightly warped) female teacher by positing that they are predestined to dance together on the day the world ends.
After graduating from university, Satoshi Takagi joined the advertising agency he had always dreamed of, and started his working life with great enthusiasm. Satoshi has a boyfriend who is more than a friend but less than a lover, but even when she tries to talk to him about the company, he only wants Satoshi's body and won't listen at all. “Am I just a body?” The distance between him and Satoshi has widened a little. Despite this, Satoshi did his best at work. He was actually starting to be attracted to his boss, Furukawa. However, Furukawa is a straight man who is dating Satoshi's colleague, an office lady. Although it is a dream that cannot come true after all, my feelings for Furukawa, who does his job in a cool manner, grows stronger every day.