A musical documentary accompaniment to the 1994 benefit compilation album concerning AIDS in the African-American community.
Self
Self
Self
Self
Self
A musical documentary accompaniment to the 1994 benefit compilation album concerning AIDS in the African-American community.
1994-10-31
0
Ryan and Kevin and their crew from Los Angeles are hired by U.S. Interpol to be matched up against the notorious Gambler Crew from South Korea, known to the b-boy world as the best of the best. Their mission is to gather information about Tony Kai, an "ex yakuza" member who controls the Asian underworld in the United States. Tony Kai is in South Korea planning a worldwide monopoly on drugs, sex, and gambling. Ryan and Kevin struggle as they go deeper into the Asian underworld. Ryan falls for a beautiful Korean girl named Esther who happens to be the sister of "Kicker", the leader of the mafia-run Gamblers crew. Their love is put to the test as the rivalry between the two crews escalate. As reality sets in, the crew from LA is no match against the world champion Gamblers crew in the Mach 1 competition. Ryan, Kevin and the crew go into hiding where they meet an underground b-boy legend...
The untold true story: The rise and fall of the greatest funk band ever, Parliament Funkadelic.
An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.
Tensions rise when the trailblazing Mother of the Blues and her band gather at a Chicago recording studio in 1927. Adapted from August Wilson's play.
As beautiful and sleek as it is deadly, 52 Blocks merits special conservation efforts as the United States' only existing native martial culture, as it is indeed, the jazz of the martial arts world. Across the African diaspora, there are manifestations of African-derived warrior-dances, capoeira in brazil, mani in Cuba, ladja in Martinique, pinge in Haiti- yet the US offshoot has remained esoteric, because it was suppressed throughout slavery, Reconstruction and Jim Crow and then obscured in the criminal justice system. The history, interviews and training of the martial arts style that created Breakdance and boxing greats like Mike Tyson.
At Mr. Rad's Warehouse, the best hip-hop crews in Los Angeles compete for money and respect. But when a suburban crew crashes the party, stealing their dancers — and their moves — two warring friends have to pull together to represent the street.
A struggling young dancer joins forces with two breakdancers and together they become a street sensation.
A "rockumentary", covering the rise to fame of MC Gusto, Stab Master Arson, and Dead Mike: members of the rap group "CB4". We soon learn that these three are not what they seem and don't appear to know as much about rap music as they claim... but a lack of musical ability in an artist never hurts sales, does it? You've just got to play the part of a rap star...
In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
G-Funk is the untold story of three childhood friends from East Long Beach who helped commercialize hip hop by developing a sophisticated and melodic new approach – merging Gangsta Rap with elements of Motown, Funk, and R&B.
Toronto is regarded as the third largest jazz centre in North America. This film features a cross-section of jazz bands of that city: the Lenny Breau Trio, the Don Thompson Quintet and the Alf Jones Quartet. Their styles show creative self-expression, hard work, and improvisation.
Sun Ra and his Solar Myth Arkestra return to Earth after several years in space. Ra proclaims himself "the alter-destiny", meets with inner-city youths and battles with the devil himself to save the black race.
The early 70s is a golden epoch of our popular music. Hundreds of songs of exquisite beauty. Groundbreaking sound. Futuristic suits. How and whence could all of this emerge in a Soviet socialist republic? How did a brand new music scene, original in sound and philosophy in every way, and at the same time absolutely in sync with global music trends come forth? They weren't that fond of the Soviet label «VIA». And since neither of us is fond of this acronym, let us rechristen this music.
Inside the Blue Note nightclub one night in 1959 Paris, an aged, ailing jazzman coaxes an eloquent wail from his tenor sax. Outside, a young Parisian too broke to buy a glass of wine strains to hear those notes. Soon they will form a friendship that sparks a final burst of genius.
Les Enfoirés "À côté de toi" is the 31st album/show by Les Enfoirés, recorded from January 14 to 17, 20211 at Lyon's Halle Tony-Garnier. The show was recorded without an audience due to the Covid-19 pandemic.
Xiara Trujillo is a precocious seven-year-old who moved from the Bronx to Maryland with her mom, Aracelli Guzman, four years ago. Though she seems happy hanging out and playing with her pal Melissa, Xiara becomes defensive and emotional when talking about her father, Harold Linares. As we see and learn, Harold is in jail serving a ten-year sentence for weapons possession; Xiara seems to blame his incarceration on her mother, whom she says "kept calling the police." Xiara, who has always been extremely close to her father, acts out with her mother.
Stepping is a dance form that can be found across the country at virtually every college with a substantial African American enrollment. Stepping is performed informally during parties as well as more formally during organized step shows. This film explores this tradition, its historical roots as well as its contemporary forms, styles and uses, to understand how students construct various levels of identity through this dance form…African American identity, fraternity or sorority identity, gendered identity and personal identity. The film goes behind the scenes with the Alpha Phi Alphas as they prepare for a step show that is only a few hours away. Cutting between this show and interviews with current and past steppers as well as footage from previous shows, the film provides a broad picture of this vibrant and dynamic dance form.
An experimental documentary covering the British Columbia Social Credit Party's passage of Bill 34, a piece of legislation that legalized the quarantine and internment of people with HIV/AIDS. A comparison is made to the internment of Japanese Canadians in British Columbia during World War II. Based on David Tuff's video installation at Emily Carr in 1988.