This is a film about 12-year-old girls, made by 12-year-old girls, for 12-year-old girls, or anyone that has been a 12-year-old girl, or will be a 12-year-old girl, or wishes they were a 12-year-old girl. This inquisitive cross between a documentary and a theatre piece was created by Tilda Cobham-Hervey and twelve 12-year-old girls, where real girls articulate what they hope for, what they remember and what it feels like to be twelve. Performing themselves in a filmed field guide, together these specimens investigate their own species.
Herself
Herself
Themself
Herself
Herself
Herself
Herself
Herself
This is a film about 12-year-old girls, made by 12-year-old girls, for 12-year-old girls, or anyone that has been a 12-year-old girl, or will be a 12-year-old girl, or wishes they were a 12-year-old girl. This inquisitive cross between a documentary and a theatre piece was created by Tilda Cobham-Hervey and twelve 12-year-old girls, where real girls articulate what they hope for, what they remember and what it feels like to be twelve. Performing themselves in a filmed field guide, together these specimens investigate their own species.
2017-10-11
0
WHAT A TWELVIE!
This work was created to commemorate the reversion of Okinawa to Japan.
Director Umberto Lenzi, writer Ernesto Gastaldi and stars Ray Lovelock & Gino Santercole discuss the making of Lenzi's Almost Human.
Exploring the sports psychology and mental training that helped Felix Baumgartner to jump from the Earth's stratosphere.
Cult star Lynn Lowry discusses her early career and the circumstances that lead to her role in George Romero's The Crazies.
A profile of blacksmith George Garfield, among whose Hollywood clients were the horses of Joel McCrea and Guinn "Big Boy" Williams.
Actor Nicolas Cage and director Martha Coolidge sit down to discuss their wok on the 1983 film "Valley Girl."
After finding some videos she uploaded to YouTube when she was a child, Manuela attempts to follow the trail she herself has left on the Internet. A search that looks into all that things that won't never die and that, especially, thinks about the way we look at ourselves.
Portrait of the Sunshine Hotel, a flop house on the Bowery in New York's skid row. We meet Vic, the desk clerk, who paints watercolours and pastels; Jonesy, a janitor who talks about bedbugs; Bruce, a voluble alcoholic who makes runs for residents, picking up beer or sandwiches for them and sharing his philosophy with us; Vinnie, on methadone, caring for caged birds; Cashmere, a prostitute, the only woman at the hotel; Earl, who works downstairs in the Bowery's last factory, and Mike, the general manager, who talks about the changing face of the Bowery. The film concludes with tourists outside the Sunshine, hearing from Seth Kamil of Big Onion Walking Tours.
In November 2017, a devastating earthquake hit western Iran. It took only 13 seconds to lose everything. This is a fleeting observation of the days after the disaster.
After being tasked with creating a piece of work summarizing their filmmaking journey, 18 year old Lewis Bedford reflects on their history in film and video.
Charles Santore, in an expansion of his discussion in “Oz: The American Fairyland” (1997) (V), tells about his experience making an abridged storybook of “The Wizard of Oz”. He tells of his inspirations, the little girl who modeled for Dorothy, the tin man in folk art, and a left to right progression in a journey of identity, with opposing forces pushing the movement in art back to the left.
An interview with cinematographer Junichiro Hayashi speaking about his work with director Kiyoshi Kurosawa
Short silent film about some models of silk stockings.
Rare interview of Sergio Martino and Edwige Fenech (with Luciano Martino, Ernesto Gastaldi & George Hilton) discussing their film The Strange Vice of Mrs. Wardh
The film confronts two different views of the execution of General Ion Antonescu, Romania's leader during the Second World War.
Donald Trump has become a beloved cult figure for many Russians. The short film uses found footage, fake news and state-controlled political programming to reveal the variety of ways Trump's newfound Russian supporters express their devotion.
After the high-profile killing of Damilola Taylor, Cornelius' family move out of London. But when they discover their new town is run by racists, Cornelius takes a drastic step to survive.
The Filippov family live in the north of Russia, far from civilisation. Despite the lack of modern conveniences, they live in harmony with nature, create art, support and understand each other like no other people in this world.
Mounting of the film by Dmitry Frolov on the basis of documentary frames of performances of Russian ballet dancers and lifeless margins of the Russian outback. Symbolizes the slowly naked and dying Russian world.